Take This Aesthetics Quiz 2

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Quizzes Created: 1 | Total Attempts: 290

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1/50 Questions

Mise-en-scene incorporates which following four elements in capturing the events for the camera?
- Setting, sound, costume, staging
- Setting, lighting, sound, staging
- Setting, lighting, costume, staging
- Setting, sound, lighting, costume

About This Quiz

Every person as an artistic side. Arts refer to the theory and physical expression of creativity found in human societies and cultures. Aesthetics studies how artists imagine create and perform works of art, and what happens in people’s minds when they look at paintings. Take up the quiz below to test your understanding of aesthetics.

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2.

What is the best way to analyze mise-en-scene's function in a film?
- According to perceptions of Realism
- According to exaggeration, supernatural, understating and other elements of imagination
- According to how it is motivated, how it varies or develops, and how it works in relation to other film techniques
- According to its reliance on cinematography, editing, and style
Correct Answer

A. According to how it is motivated, how it varies or develops, and how it works in relation to other film techniques

Explanation

The best way to analyze mise-en-scene's function in a film is by considering how it is motivated, how it varies or develops, and how it works in relation to other film techniques. This approach allows for a comprehensive understanding of the role and impact of mise-en-scene in the overall narrative and visual storytelling of the film. By examining its motivations, variations, and relationships with other techniques, one can analyze the intentional choices made by the filmmaker and explore the deeper meanings and effects created through the use of mise-en-scene.

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3.

In what ways can the filmmaker control the setting of mise-en-scene?
- By selecting an already existing locale (going on location)
- By constructing the setting
- By controlling color schemes and creating props
- All of the answers are correct
Correct Answer

A. All of the answers are correct

Explanation

The filmmaker can control the setting of mise-en-scene by selecting an already existing locale (going on location), by constructing the setting, and by controlling color schemes and creating props. All of these options allow the filmmaker to have full control over the visual elements of the scene and create the desired atmosphere and aesthetic for the film.

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4.

Which of the following statements is true?
- Costumes and make-up may function to reinforce the film's narrative and to create character traits.
- Costumes are separate from props and should not be used as such.
- Make-up in film was originally developed in response to the popularity of horror and science-fiction films.
- Since the filmmaker usually wants to emphasize the human figures, the costumes provide a neutral background to the settings.
Correct Answer

A. Costumes and make-up may function to reinforce the film's narrative and to create character traits.

Explanation

Costumes and make-up in films serve a dual purpose of enhancing the narrative and portraying character traits. They play a significant role in reinforcing the story and helping the audience understand the characters better. The way characters are dressed and the make-up they wear can provide important visual cues and convey information about their personality, social status, or role in the film. Therefore, the statement "Costumes and make-up may function to reinforce the film's narrative and to create character traits" is true.

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5.

The four major features of film lighting are its quality, direction, source, and color. Which feature refers to the intensity of illumination and the shadows, textures, and edges created?
- Quality
- Direction
- Source
- Color
Correct Answer

A. Quality

Explanation

The feature that refers to the intensity of illumination and the shadows, textures, and edges created is quality. The quality of film lighting determines the overall look and feel of the scene. It involves the brightness or darkness of the lighting, as well as the contrast and depth it creates through the use of shadows, textures, and edges.

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6.

The director controls the behavior of various figures in the mise-en-scene to create the movement and acting of the film. These figures are represented by which one of the following?
- Human figures
- Humans and living animals
- Humans, living animals, and objects
- Humans, living animals, objects, and shapes
Correct Answer

A. Humans, living animals, objects, and shapes

Explanation

The director controls the behavior of various figures in the mise-en-scene to create the movement and acting of the film. This means that the director is responsible for directing not only human figures but also living animals, objects, and shapes within the film. All of these elements contribute to the overall composition and visual storytelling of the film.

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7.

Acting is often approached as a question of realism. Why is this a problematic way of thinking?
- Concepts of realistic acting have changed over film history.
- Not all films try to achieve realism.
- The audience is aware that all performances are fabricated regardless of their attempt to be real
- All the answers are correct.
Correct Answer

A. All the answers are correct.

Explanation

All the answers are correct. The question is asking why approaching acting as a question of realism is problematic. The first option states that concepts of realistic acting have changed over film history, indicating that what is considered realistic can vary and is subjective. The second option points out that not all films strive for realism, suggesting that there are other approaches to acting that may be equally valid. The third option states that the audience is aware that all performances are fabricated, regardless of their attempt to be real, highlighting the inherent artificiality of acting. All of these reasons contribute to why approaching acting solely from a perspective of realism can be problematic.

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8.

Which of the following is not true in relation to how a filmmaker can direct spectator attention across the two-dimensional space of the frame?
- A moving item draws our attention more quickly than a static item does.
- Colors that are cool are less prominent than warm colors when both are juxtaposed in an image.
- Black-and-white films cannot rely on changes in tonality.
- Filmmakers often loosely balance a shot's left and right regions.
Correct Answer

A. Black-and-white films cannot rely on changes in tonality.

Explanation

Black-and-white films can rely on changes in tonality to direct spectator attention across the two-dimensional space of the frame. In fact, changes in tonality, such as variations in light and shadow, can be even more prominent in black-and-white films due to the absence of color distractions. Filmmakers often use tonal contrasts to create visual interest, guide the viewer's eye, and emphasize certain elements within the frame. Therefore, the statement that black-and-white films cannot rely on changes in tonality is not true.

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9.

In regards to mise-en-scene, looking is purposeful. Complete this sentence: What we look____ is guided by our assumptions and expectations about what to look ____.
- For; at
- At; for
- To; through
- Through; to
Correct Answer

A. At; for

Explanation

In regards to mise-en-scene, looking is purposeful. What we look at is guided by our assumptions and expectations about what to look for.

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10.

Filmmakers control what they want the audience to focus on by creating changes in which one of the following?
- Variations in figure size
- Variations in sound and music
- Variations in lighting and shadow
- All the answers are correct.
Correct Answer

A. All the answers are correct.

Explanation

Filmmakers control what the audience focuses on by creating variations in figure size, variations in sound and music, and variations in lighting and shadow. These techniques are commonly used in filmmaking to direct the audience's attention and enhance the overall cinematic experience. By manipulating these elements, filmmakers can guide the audience's emotions, emphasize certain aspects of the story, or create a specific atmosphere. Therefore, all the answers provided are correct as they all contribute to the filmmaker's control over audience focus.

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11.

By emphasizing movement in a shot, mise-en-scene can control not only what an audience looks at, but also ____ we look at it.
- When
- Why
- How
- Where
Correct Answer

A. When

Explanation

Mise-en-scene, through emphasizing movement in a shot, can control not only what an audience looks at, but also when we look at it. This means that the timing of when certain elements or actions are presented in a scene can be manipulated to create a specific effect or convey a particular message. By controlling the timing, the filmmaker can guide the audience's attention and enhance the overall impact of the scene.

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12.

The person in charge of the following elements is the ____: Quality of film stock, exposure, type of film stock, the camera.
- Director
- Cinematographer
- Editor
- Producer
Correct Answer

A. Cinematographer

Explanation

The person in charge of the quality of film stock, exposure, type of film stock, and the camera is the cinematographer. The cinematographer is responsible for the visual aspects of a film, including selecting the appropriate equipment, determining the lighting and exposure, and choosing the type of film stock to achieve the desired aesthetic. They work closely with the director to bring the creative vision to life through the camera work and ensure the technical aspects of the film are of high quality.

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13.

With a constant projection speed, to get a slow motion effect, the cinematographer must do what?
- Shoot more frames per second.
- Shoot fewer frames per second.
- Shoot normal frames per second and digitally slow the footage down in editing.
- Ask the actors to move slower.
Correct Answer

A. Shoot more frames per second.

Explanation

To achieve a slow motion effect with a constant projection speed, the cinematographer needs to shoot more frames per second. By capturing a higher number of frames in a given time period, when played back at a normal speed, the footage will appear slower and more fluid. This technique is commonly used in cinematography to create dramatic and visually appealing slow motion sequences.

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14.

What does the focal length of the lens control?
- The distance of the actors from the camera
- Depth perception
- Scale of things in an image
- Both depth perception and the scale of things in an image
Correct Answer

A. Both depth perception and the scale of things in an image

Explanation

The focal length of a lens controls both depth perception and the scale of things in an image. Depth perception refers to the ability to perceive the distance between objects in a scene, and a longer focal length can compress the depth, making objects appear closer together. On the other hand, the scale of things in an image refers to the relative size of objects, and a longer focal length can magnify the size of objects, making them appear larger in the image. Therefore, the focal length influences both the perception of depth and the scale of objects in an image.

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15.

Combining two strips of film images to create a single shot is known as what?
- Double exposure
- Imposition
- Composite shot
- Matte projection
Correct Answer

A. Composite shot

Explanation

Combining two strips of film images to create a single shot is known as a composite shot. This technique involves overlaying multiple images onto one another to create a seamless blend. It is commonly used in filmmaking to achieve special effects or combine different elements into a single frame. By merging the two strips of film, a new shot is created that combines the visual information from both strips, resulting in a cohesive and unified image.

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16.

What is the purpose of framing?
- To create a neutral border around the image
- To produce a certain vantage point for the audience
- To actively define the image for the audience
- All the answers are correct
Correct Answer

A. All the answers are correct

Explanation

The purpose of framing is to create a neutral border around the image, to produce a certain vantage point for the audience, and to actively define the image for the audience. All of these answers are correct because framing serves multiple purposes in visual composition. It not only provides a boundary for the image but also influences the viewer's perspective and perception of the subject matter. Additionally, framing helps to establish the context and focus of the image, guiding the audience's attention and interpretation.

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17.

In some wide-screen compositions, the director will draw the audience's attention to only one area of the screen. How do they accomplish this?
- Put the important information center screen.
- Put the important information off center in an unbalanced composition.
- Make the important information the largest image on the screen.
- All the answers are correct.
Correct Answer

A. Put the important information off center in an unbalanced composition.

Explanation

In wide-screen compositions, directors can draw the audience's attention to only one area of the screen by putting the important information off center in an unbalanced composition. This technique creates visual interest and tension, as the audience's gaze is naturally drawn to the unbalanced area. By deviating from a balanced composition, the director can create a focal point and guide the audience's attention to the intended area of the screen.

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18.

Noel Burch has pointed out six zones of off-screen space: the space beyond each of the four edges of the frame, the space behind the set, and the space behind the camera. Which is the least used off-screen space in filmmaking?
- The space beyond each of the four edges of the frame
- The space behind the set
- The space behind the camera
- All six are used pretty equally.
Correct Answer

A. The space behind the camera

Explanation

The space behind the camera is the least used off-screen space in filmmaking. This is because the camera is typically positioned in a way that captures the action happening in front of it, rather than focusing on what is happening behind it. Filmmakers generally prioritize showing the audience what is within the frame, rather than what is happening outside of it or behind the camera. Therefore, the space behind the camera is not commonly utilized in filmmaking.

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19.

A medium shot frames which of the following images of the human body?
- The head, feet, hands or a small object
- The body from the chest up
- The body from the waist up
- The body from the knees up
Correct Answer

A. The body from the waist up

Explanation

A medium shot frames the body from the waist up. This shot is commonly used in filmmaking and photography to show the subject's upper body, including their torso, arms, and sometimes part of their legs. It allows for a closer view of the subject while still capturing a significant portion of their body.

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20.

When referring to the framing, which of the following statements are true?
- Framing from a low angle automatically says that the character is powerful
- Framing from a high angle presents the character as dwarfed or defeated.
- A canted frame means that the world is out of kilter.
- None of the answers are correct.
Correct Answer

A. None of the answers are correct.

Explanation

The given correct answer states that none of the statements are true. This means that framing from a low angle does not automatically indicate that the character is powerful, framing from a high angle does not necessarily present the character as dwarfed or defeated, and a canted frame does not always mean that the world is out of kilter.

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21.

What is mobile framing?
- Changing the shape of the frame throughout the course of the film
- Filming a person or object or event that is in motion
- Moving the camera while filming an image
- Filming in different locations
Correct Answer

A. Moving the camera while filming an image

Explanation

Mobile framing refers to the technique of moving the camera while capturing an image. It involves changing the camera's position, angle, or distance from the subject to create a dynamic and visually engaging shot. This technique adds movement and energy to the scene, allowing the audience to feel more involved and immersed in the action. By moving the camera, the filmmaker can emphasize certain elements, follow the subject's movement, or create a sense of urgency or tension. Overall, mobile framing is a cinematographic technique that enhances the visual storytelling of a film.

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22.

What is a long take?
- A shot that lasts a long time before cutting to the next shot.
- A view of something from far away, as in a bird's eye view of a city or landscape
- Shots of the same image repeated multiple times
- The length of time spent in preparing for a shot
Correct Answer

A. A shot that lasts a long time before cutting to the next shot.

Explanation

A long take refers to a shot in a film or video that is uninterrupted and lasts for a significant duration before transitioning to the next shot. It is characterized by its extended length, often used to create a sense of realism, tension, or to showcase a particular performance or action without any breaks or cuts. This technique requires careful planning and coordination to ensure a seamless and continuous shot.

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23.

Which of the following camera movements is a tracking shot?
- Rotation of the camera on a vertical axis
- Rotation of the camera on a horizontal axis
- The camera as a whole changes direction, traveling in any direction along the ground.
- The camera as a whole moves above ground level.
Correct Answer

A. The camera as a whole changes direction, traveling in any direction along the ground.

Explanation

A tracking shot refers to the movement of the camera as a whole, where it changes direction and travels in any direction along the ground. This type of camera movement is commonly used to follow a subject or object, creating a sense of movement and perspective for the viewer. It allows the audience to feel like they are moving along with the subject, enhancing the visual storytelling of a scene.

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24.

What is the standard Hollywood Academy of Motion Picture Arts and Sciences aspect ratio for filming?
- 1.33:1
- 1.66:1
- 1.75:1
- 1.85:1
Correct Answer

A. 1.85:1

Explanation

The standard Hollywood Academy of Motion Picture Arts and Sciences aspect ratio for filming is 1.85:1. This aspect ratio is commonly used for widescreen films and provides a slightly wider image compared to the traditional 4:3 aspect ratio. It is a popular choice for filmmakers as it allows for a more cinematic and immersive viewing experience.

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25.

An ordinary Hollywood film typically contains how many shots?
- 100
- 1000
- 10,000
- 100,000
Correct Answer

A. 1000

Explanation

An ordinary Hollywood film typically contains around 1000 shots. Shots are the individual frames or sequences of footage that make up a film. This number can vary depending on the length and style of the film, but 1000 shots is a common average. Each shot serves a specific purpose in telling the story and capturing different angles, perspectives, or actions. It is through the combination and arrangement of these shots that a film is created and the narrative is conveyed to the audience.

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26.

Which of the following is not an editing joining method?
- Fade-in/fade-out
- Dissolve
- Switch
- Wipe
Correct Answer

A. Switch

Explanation

The given options are all different methods used in editing to join two shots together smoothly. Fade-in/fade-out, dissolve, and wipe are all commonly used techniques. However, switch is not an editing joining method. Switching refers to a sudden change from one shot to another without any transitional effect. It is a more abrupt and noticeable transition compared to the other options.

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27.

Which two relationships are present in the editing of any film?
- Graphic and rhythmic
- Rhythmic and spatial
- Spatial and temporal
- Temporal and graphic
Correct Answer

A. Graphic and rhythmic

Explanation

The editing of any film involves two key relationships: graphic and rhythmic. The graphic relationship refers to the visual elements such as composition, color, and shape that are used to convey meaning and create a specific aesthetic. The rhythmic relationship, on the other hand, refers to the timing and pacing of the edits, which can create a sense of rhythm and enhance the overall flow of the film. These two relationships work together to create a visually appealing and cohesive film.

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28.

Which of the following patterns may be considered purely as graphic configurations?
- Light and dark
- Line and shape
- Movement and stasis
- All the answers are correct.
Correct Answer

A. All the answers are correct.

Explanation

All the given patterns - light and dark, line and shape, movement and stasis - can be considered purely as graphic configurations. Each of these patterns can be visually represented and analyzed without any additional context or meaning attached to them. Therefore, all the answers are correct.

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29.

Editing permits the filmmaker to relate any two points in space through which of the following?
- Similarity
- Difference
- Development
- All the answers are correct.
Correct Answer

A. All the answers are correct.

Explanation

Editing permits the filmmaker to relate any two points in space through similarity, difference, and development. This means that through editing techniques, the filmmaker can create connections between different shots or scenes that are similar, contrasting, or show a progression or development of the story or characters. This allows the filmmaker to convey meaning, create visual or thematic motifs, and enhance the overall storytelling experience.

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30.

An editing technique that presents an action in such a way that it consumes less time on the screen than it does in the story is what?
- Flashback
- Flashforward
- Ellipsis
- Overlap
Correct Answer

A. Ellipsis

Explanation

The editing technique that presents an action in such a way that it consumes less time on the screen than it does in the story is called ellipsis. This technique is used to skip over unnecessary or less important parts of the story, allowing the audience to focus on the more significant moments. By omitting certain actions or events, the pace of the story is quickened and the audience's attention is directed towards the key moments, creating a sense of urgency or suspense.

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31.

What is the basic purpose of the continuity system?
- To create a smooth flow from shot to shot
- To reduce the number of scene changes
- To reduce the action to one plotline
- To create a shot that remains constant for an extended time
Correct Answer

A. To create a smooth flow from shot to shot

Explanation

The basic purpose of the continuity system is to create a smooth flow from shot to shot. This means that the shots are seamlessly connected, allowing the story to progress without any jarring transitions. The continuity system ensures that there is consistency in the visual and narrative elements between shots, such as the positioning of characters, props, and the overall visual style. By maintaining continuity, the audience can easily follow the story and stay engaged without distractions or confusion.

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32.

What is another name for the 180 degree space?
- The center line
- The consistent angle
- The axis of action
- The center line and the axis of action
Correct Answer

A. The center line and the axis of action

Explanation

The 180 degree space is also referred to as the center line and the axis of action. This term is used in various fields such as film, animation, and theater to describe the imaginary line that runs through the center of a scene or stage. It is an important concept in framing shots and blocking actors' movements, as it helps maintain visual consistency and allows for smooth transitions between different angles and perspectives.

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33.

What is a cheat cut?
- Breaking the 180 degree rule
- Mismatching the positions of characters or objects
- Juxtaposing unrelated scenes with one another
- Mixing two separate film stocks to create one image
Correct Answer

A. Mismatching the positions of characters or objects

Explanation

A cheat cut refers to the technique of mismatching the positions of characters or objects in a film. This is done to create a seamless flow of action or to manipulate the audience's perception of space and time within a scene. By using a cheat cut, filmmakers can create the illusion of continuous motion or change the spatial relationships between characters or objects for storytelling purposes. This technique is often used to enhance the visual narrative and create a more engaging cinematic experience.

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34.

Crosscutting gives the audience an unrestricted knowledge of causal, temporal, or spatial information by alternating shots from one line of action in one place with shots of other events in other places. Thus, crosscutting creates some ____ discontinuity.
- Causal
- Temporal
- Spatial
- All the answers are correct.
Correct Answer

A. Spatial

Explanation

Crosscutting, as described in the passage, involves alternating shots from different places to provide the audience with unrestricted knowledge of spatial information. This means that crosscutting creates a spatial discontinuity, allowing viewers to see events happening in different locations simultaneously.

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35.

What is one alternative to the continuity style?
- Graphic editing
- Narrative editing
- Temporal editing
- Graphic and narrative editing
Correct Answer

A. Graphic editing

Explanation

One alternative to the continuity style is graphic editing. This style focuses on creating a visual impact through the use of graphic elements such as colors, shapes, and typography. It emphasizes the aesthetic appeal and artistic composition of the visuals rather than following a linear narrative or temporal sequence. By using graphic editing, filmmakers can experiment with different visual techniques and create unique and visually striking films.

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36.

What is a nondiegetic insert?
- A cut from scene to scene that is different in style from the film's standard cut style
- A cut from scene to scene to a metaphorical or symbolic shot that is a part of the space and time of the narrative
- A cut from scene to scene to a metaphorical or symbolic shot that is not part of the space and time of the narrative
- A cut from scene to scene that incorporates music or noise (sound effects) not heard by the characters onscreen
Correct Answer

A. A cut from scene to scene to a metaphorical or symbolic shot that is not part of the space and time of the narrative

Explanation

A nondiegetic insert refers to a cut from one scene to another that includes a metaphorical or symbolic shot that does not exist within the space and time of the narrative. This means that the shot is not something that the characters in the film can see or experience, but it is included to convey a deeper meaning or message to the audience. This type of insert is often used to evoke emotions or enhance the storytelling in a film.

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37.

What is the 30 degree rule?
- Every camera position must be at least at a 30 degree angle from the projection to avoid image distortion.
- Every camera position must be varied by at least 30 degrees from the previous one.
- The camera must move in small increments around the 180 degree line in order to retain projection consistency.
- The temperature at which all film stock must be kept to retain high quality.
Correct Answer

A. Every camera position must be varied by at least 30 degrees from the previous one.

Explanation

The 30 degree rule refers to the principle that every camera position must be varied by at least 30 degrees from the previous one. This rule is followed in filmmaking to ensure smooth transitions between shots and to avoid jarring jumps in perspective. By changing the camera angle by a significant amount, it helps to create a sense of visual interest and allows the audience to easily understand the spatial relationship between different shots.

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38.

Why is sound the hardest cinematic technique to study?
- Not much is written about it.
- Audiences are inclined to think of sound simply as accompaniment to the moving images.
- The sound industry is not very wide-ranging where technique is concerned.
- All the answers are correct.
Correct Answer

A. Audiences are inclined to think of sound simply as accompaniment to the moving images.

Explanation

Sound is considered the hardest cinematic technique to study because audiences often perceive it as merely accompanying the visual images. Unlike other cinematic techniques such as cinematography or editing, sound is often overlooked or taken for granted. This perception makes it difficult for researchers and scholars to find comprehensive literature or resources on the subject. As a result, there is a lack of in-depth study and understanding of sound in the context of cinema.

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39.

Sound gives a new value to what?
- Editing
- Moving images
- Silence
- Noise
Correct Answer

A. Silence

Explanation

Sound gives a new value to silence. Sound is the absence of silence, and when sound is introduced, it adds meaning, emotion, and depth to the silence. It creates contrast and highlights the importance of silence. Sound can enhance storytelling, create tension, evoke emotions, and convey messages that would otherwise be lost in silence. Therefore, silence gains a new value and significance when sound is added to it.

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40.

Which of the following enable(s) the audience to recognize different characters' voices?
- Loudness
- Pitch
- Timbre
- All the answers are correct.
Correct Answer

A. All the answers are correct.

Explanation

The correct answer is that all the answers are correct. Loudness, pitch, and timbre are all factors that contribute to the recognition of different characters' voices. Loudness refers to the volume or intensity of a voice, pitch refers to the highness or lowness of a voice, and timbre refers to the unique quality or tone of a voice. All three of these factors play a role in distinguishing one character's voice from another.

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41.

Which of the following are the types of sound in the cinema?
- Loudness, pitch, timbre
- Speech, music, noise
- Rhythm, fidelity, space
- Time, perspective, quality
Correct Answer

A. Speech, music, noise

Explanation

The question asks for the types of sound in cinema. Speech, music, and noise are commonly found in movies. Speech refers to dialogue and conversations between characters. Music is used to enhance the mood and atmosphere of a scene. Noise includes any other sounds that are not speech or music, such as background noises or sound effects. Therefore, speech, music, and noise are the correct types of sound in cinema.

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42.

What is a sound track?
- A set of discrete sound units
- A compilation of speech, music and sound effects used in the film
- An ongoing stream of auditory information
- Links of events and time in layers
Correct Answer

A. An ongoing stream of auditory information

Explanation

A sound track refers to an ongoing stream of auditory information. It encompasses all the sounds, including speech, music, and sound effects, that are used in a film or any other audiovisual production. The term "ongoing stream" suggests that the sound track is continuous and plays in synchronization with the visuals, enhancing the overall audio experience for the audience.

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43.

Sound relates to visual events that take place in a specific time. This relationship gives sound what?
- Rhythm
- Fidelity
- Spatial dimension
- Temporal dimension
Correct Answer

A. Temporal dimension

Explanation

Sound relates to visual events that take place in a specific time, creating a temporal dimension. Sound is a time-based medium, as it unfolds and evolves over time. It adds a temporal aspect to visual events, enhancing the overall experience and providing a sense of timing and duration.

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44.

What is fidelity in sound?
- The extent to which the sound is faithful to the source as conceived by the audience
- The quality of recording
- Retaining the original sound made by the actor/noise in the production of the film through the editing process
- Refusing to manipulate the sound; keeping the original quality of the original sound
Correct Answer

A. The extent to which the sound is faithful to the source as conceived by the audience

Explanation

Fidelity in sound refers to the extent to which the sound accurately represents the original source as intended by the audience. It involves ensuring that the sound reproduction is true to the original recording or performance, without any distortion or manipulation. Fidelity is important in maintaining the authenticity and realism of the sound, allowing the audience to experience the intended emotions and atmosphere of the audio.

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45.

In film, which is more difficult for the audience to notice, diegetic or nondiegetic sound?
- Diegetic
- Nondiegetic
- They are equally difficult to notice.
- Both are very easy to notice
Correct Answer

A. Diegetic

Explanation

Diegetic sound refers to sounds that originate within the world of the film, such as dialogue or sounds made by characters or objects. Nondiegetic sound, on the other hand, refers to sounds that are added to the film, such as background music or voiceovers, that do not originate within the film's world. The correct answer, diegetic, suggests that diegetic sound is more difficult for the audience to notice compared to nondiegetic sound. This could be because diegetic sound is often more seamlessly integrated into the film's narrative, while nondiegetic sound is intentionally added for effect or emphasis.

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46.

Sound perspective can be suggested by which of the following?
- Time
- Space
- Volume
- Rhythm
Correct Answer

A. Volume

Explanation

Volume can suggest sound perspective because it refers to the loudness or softness of a sound. In a real-life scenario, sounds that are closer to us tend to be louder, while sounds that are farther away are softer. By adjusting the volume of a sound, we can create the illusion of depth and distance, thus enhancing the sense of sound perspective.

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47.

What is simultaneous sound?
- The matching of sound with the projected image
- Recording the sound at the same moment it is happening in the filming
- Music, sound effects (noise), and speech happening at the same time
- The matching of sound with the image in terms of story events
Correct Answer

A. The matching of sound with the image in terms of story events

Explanation

Simultaneous sound refers to the matching of sound with the image in terms of story events. This means that the sound being heard is synchronized with the actions happening on screen, creating a cohesive and immersive audiovisual experience for the audience. It involves ensuring that the sound effects, music, and speech are all happening at the same time as the corresponding events in the story, enhancing the overall storytelling and cinematic impact.

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48.

What is a sound bridge?
- Nonsimultaneous sound from earlier in the story than the images
- Nonsimultaneous sound from later in the story than the images
- Sound simultaneous with the images
- Either nonsimultaneous sound from earlier in the story than the images
- Nonsimultaneous sound from later in the story than the images
Correct Answer

A. Either nonsimultaneous sound from earlier in the story than the images

Explanation

A sound bridge refers to the use of nonsimultaneous sound from earlier in the story than the images or nonsimultaneous sound from later in the story than the images. In other words, it is the technique of using sound to bridge the gap between two different scenes or shots in a film or video. This can help to create a smooth transition between scenes and enhance the overall storytelling experience for the audience.

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49.

Why is sound a powerful film technique?
- Because it engages a distinct sense mode
- Because it can actively shape how audiences perceive and interpret the screen images
- Because it cues audiences to form expectations
- All the answers are correct.
Correct Answer

A. All the answers are correct.

Explanation

Sound is a powerful film technique because it engages a distinct sense mode, it actively shapes how audiences perceive and interpret the screen images, and it cues audiences to form expectations. By incorporating various sounds such as dialogue, music, and sound effects, filmmakers can enhance the emotional impact of a scene, create a sense of realism, and guide the audience's attention and understanding of the narrative. Sound can evoke specific emotions, establish the mood, and help build tension or suspense. Overall, sound plays a crucial role in immersing the audience in the film and enhancing their overall viewing experience.

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Jul 07, 2009

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Take This Aesthetics Quiz 2

Mise-en-scene incorporates which following four elements in capturing the events for the camera?

Quiz Preview

What is the best way to analyze mise-en-scene's function in a film?

In what ways can the filmmaker control the setting of mise-en-scene?

Which of the following statements is true?

The four major features of film lighting are its quality, direction, source, and color. Which feature refers to the intensity of illumination and the shadows, textures, and edges created?

The director controls the behavior of various figures in the mise-en-scene to create the movement and acting of the film. These figures are represented by which one of the following?

Acting is often approached as a question of realism. Why is this a problematic way of thinking?

Which of the following is not true in relation to how a filmmaker can direct spectator attention across the two-dimensional space of the frame?

In regards to mise-en-scene, looking is purposeful. Complete this sentence: What we look____ is guided by our assumptions and expectations about what to look ____.

Filmmakers control what they want the audience to focus on by creating changes in which one of the following?

By emphasizing movement in a shot, mise-en-scene can control not only what an audience looks at, but also ____ we look at it.

The person in charge of the following elements is the ____: Quality of film stock, exposure, type of film stock, the camera.

With a constant projection speed, to get a slow motion effect, the cinematographer must do what?

What does the focal length of the lens control?

Combining two strips of film images to create a single shot is known as what?

What is the purpose of framing?

In some wide-screen compositions, the director will draw the audience's attention to only one area of the screen. How do they accomplish this?

Noel Burch has pointed out six zones of off-screen space: the space beyond each of the four edges of the frame, the space behind the set, and the space behind the camera. Which is the least used off-screen space in filmmaking?

A medium shot frames which of the following images of the human body?

When referring to the framing, which of the following statements are true?

What is mobile framing?

What is a long take?

Which of the following camera movements is a tracking shot?

What is the standard Hollywood Academy of Motion Picture Arts and Sciences aspect ratio for filming?

An ordinary Hollywood film typically contains how many shots?

Which of the following is not an editing joining method?

Which two relationships are present in the editing of any film?

Which of the following patterns may be considered purely as graphic configurations?

Editing permits the filmmaker to relate any two points in space through which of the following?

An editing technique that presents an action in such a way that it consumes less time on the screen than it does in the story is what?

What is the basic purpose of the continuity system?

What is another name for the 180 degree space?

What is a cheat cut?

Crosscutting gives the audience an unrestricted knowledge of causal, temporal, or spatial information by alternating shots from one line of action in one place with shots of other events in other places. Thus, crosscutting creates some ____ discontinuity.

What is one alternative to the continuity style?

What is a nondiegetic insert?

What is the 30 degree rule?

Why is sound the hardest cinematic technique to study?

Sound gives a new value to what?

Which of the following enable(s) the audience to recognize different characters' voices?

Which of the following are the types of sound in the cinema?

What is a sound track?

Sound relates to visual events that take place in a specific time. This relationship gives sound what?

What is fidelity in sound?

In film, which is more difficult for the audience to notice, diegetic or nondiegetic sound?

Sound perspective can be suggested by which of the following?

What is simultaneous sound?

What is a sound bridge?

Why is sound a powerful film technique?

In regards to mise-en-scene, looking is purposeful. Complete this sentence: What we look is guided by our assumptions and expectations about what to look .