The MCQ Entertainment Law LWS008 quiz assesses knowledge on licensing, contract interpretation, and commercialization of artistic works. It focuses on legal frameworks and rights management in the entertainment industry, crucial for professionals in this field.
• CAL
• AMCOS
• Viscopy
• PPCA
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• The subjective intentions of the parties
• Nothing
• The surrounding circumstances and the subjective intentions of the parties
• The surrounding circumstances
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• Promissory terms and restraints of trade
• Promissory terms and exemption clauses
• Promissory terms only
• Promissory terms, exemption clauses and restraints of trade
• The creator grants the distributer a share of the ownership of the work and the right to sell it on behalf of the creator.
• The creator grants the distributor the right to use the work
• The creator grants the distributer the right to sell on behalf of the creator but no other rights
• The creator grants the distributer full ownership of the work including the right to sell it
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• The creator and joint venturer jointly own, but the partner has the sole right to use, the work and each can pledge the others credit
• The creator and joint venturer make equal contributions to, and jointly share any profits made from, the work and each can pledge the others credit
• The creator and joint venturer make different contributions to, and take different shares of any profits from, the work but neither can pledge each others credit.
• The creator absolutely assigns ownership of the work to the joint venturer but they jointly share any profits made from the work and each can pledge each others credit.
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• Termination of the contract and damages
• Termination of the contract only
• Termination of the contract and/or damages
• Damages only
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• The creator licences ownership of the work
• The creator licences the right to distribute the work on behalf of the creator
• The creator licences the right to use the work but does not transfer ownership of the work
• The creator licences the right to jointly share any profits made from the work
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APRA
Viscopy
CAL
AMCOS
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CAL
PPCA
Viscopy
APRA/AMCOS
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• PPCA and viscopy
• APRA and AMCOS
• APRA and viscopy
• APRA and PPCA
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• The creator and partner make different contributions to , and take different shares of profits from, the work but neither can pledge each others credit
• The creator and partner jointly own, but the partner has the sole right to use the work, and each can pledge each others credit
• The creator absolutely assigns ownership of the work to the partner but they jointly share any profits made from the work and can pledge each others credit
• The creator and partner make equal contributions to, and jointly share any profits made from, the work and can pledge each others credit
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• Termination of the contract and damages
• Termination of the contract and/or damages
• Damages only
• Termination of the contract only
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• An oral agreement can never be legally binding and the parties will only be bound if a written agreement is later signed
• An oral agreement may be legally binding but may be terminated by one of the parties if they do not like the terms of the later written agreement
• The oral agreement will only be binding if a written agreement is later signed
• The oral agreement may be binding even if the parties intend that will be later superseded by a signed written agreement.
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• The creator assigns the right to use the work but not ownership of the work
• The creator assigns the right to distribute the work on behalf of the creator
• The creator absolutely assigns ownership of the work
• The creator assigns the right to jointly share any profits from the work
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• The number of people the venue holds
• A fee as fixed for each particular song
• A flat fee per song
• The number of people who attended the venue that night
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• Allow evidence of the negotiations between parties in order to clarify what was agreed
• Allow evidence of the subsequent conduct of the parties in order to clarify what was agreed
• Always refuse to reinforced the contract
• Allow evidence of the context of the contract to clarify what was agreed
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• Damages only
• Termination of the contract only
• Termination of the contract and damages
• Termination of the contract and/or damages
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• The subjective intentions of the parties
• Nothing
• The surrounding circumstances
• The surrounding circumstances and subjective intentions of the parties
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• The court may access reasonable compensation for those services
• The court will grant no remedy because a letter of intent is not a binding contract
• The court will imply a binding contract between parties
• The court will grant a remedy that will void detriment
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• APRA
• PPCA
• CAL
• AMCOS
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• AMCOS
• CAL
• APRA
• Viscopy
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• Termination of contract and damages
• Damages only
• Termination of the contract only
• Termination of the contract and/or damages
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• Most ‘coined’ words
• Geographical names unlikely to have a connection with the goods or services claimed
• Surnames (even if common place)
• Personal and company names that are not common place
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• 70 years after the death of the author
• 50 years after the death of the author
• 70 years after the first publication
• 50 years after the first publication
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• The feel of the product
• In the case of a product that has one or more indefinite dimensions, the indefinite dimension or pattern that repeats itself
• The materials used in the product
• The shape of the product
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• Is not identical to any design previously disclosed anywhere in the world
• Is not protected by patent law
• Is not protected by copyright
• Does not serve a functional purpose
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• It must be of high quality and style
• It cannot be similar to another work that has been independently produced by another author
• It must be a novel or new idea
• It must be the result of an author’s skill, labour or judgment, and not copied from another author.
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• Own the physical copy of the book but not the copyright in the book
• The author owns the physical copy of the book but gives you a licence to read the book
• Own the physical copy of the book and the copyright of the book
• Do not own the physical copy of the book but do own the copyright in the book
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• The name aFilms will not be protected under copyright law or trademark law but she could register the logo under trademark law
• The name Afilms will not be protected under copyright law but she could register the name and logo under trademark law
• The name afilms will be protected under copyright law and trademark law automatically
• The name Afilms will not be protected under copyright law or trade mark law but she could register the logo under design law
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• Trademark
• Copyright
• Design
• Patent
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• Does not require any consideration of the quality of the work
• Is more than 50% of the work
• Requires a consideration of the quality of the work taken in relation of the work as a whole
• Is more than 10% of the work
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• Either as a dramatic work under part III or IV of the act
• Both as a dramatic work under part III and IV of the act
• Under part IV of the act
• As a dramatic work under part III of the act
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• To publish the work
• To reproduce the work in material form
• To make an adaption of the work
• To communicate the work to the public
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• Under the trade mark and deigns act
• Only under designs act
• Under neither the trade mark or designs act
• Only under the trademark act
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• In determining the issue of authorisation, there does not need to be a connection between the ‘authoriser’ and the infringer
• In determining the issue of authorisation, it will be relevant whether the person took any reasonable steps to avoid or prevent the doing of the act
• Authorisation means ‘sanction, approve or countenance’
• In determining the issue of authorisation, the extent of the persons power to prevent the doing of the act concerned will be relevant
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• The football association own the copyright in the football game but the television station own the broadcast
• There is no copyright in the football game but television station owns the copyright on the broadcast.
• As there is no copyright in the game, there is no copyright in the broadcast
• There is no copyright on the game, but the football association owns the copyright on the broadcast
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• Where a literary, dramatic or musical work (other than a computer program) is contained in a published edition of 10 pages or more, a reasonable portion is up to 10% in the aggregate of the number of pages in the edition
• Where the work is divided into chapters, a reasonable portion is the whole or part of a single chapter even though it may exceed 10% of the number of pages in that edition.
• Is it fair dealing to reproduce the whole or part of the article in a periodical if another article in the publication , dealing with other subject matter is also produced
• If the work or adaption is an article in a periodical, it is fair dealing for research or study to copy the whole article
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• Look Good + Feel Good = Root Good
• Nuckin Futs
• FCUK
• FUCT
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• Does not define in the act what is meant by parody or satire
• Is narrower than the fair use defence in the USA
• Provides greater protection for parody than satire
• Requires that sufficient acknowledgment of the work is made
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• As Ann only posted a copy of the book to the internet, she has not infringed copyright.
• Eagle publishing infringed Anne’s copyright in the book when they published the book
• As An was the first author of the work, she has not infringed copyright
• Ann has infringed Eagle Publishing’s copyright in the book
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• Copyright law
• Competition law
• Circuit layouts
• Plant breeders rights
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• The screenwriter
• The cinematographer
• The producer
• The director
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• Design registration involves a formal registration process, whereas acquiring and enforcing copyright does not involve a formal registration process
• Unlike design registration, copyright does not provide protection against someone independently arriving at the same work
• Design registration is concerned with both two dimensional and three dimensional articles, whereas copyright is only concerned with two dimensional articles
• Design registration requires a payment of fee, whereas copyright registration is automatic and free.
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• The underlying musical work and literary work but not the sound recording
• The sound recording as well as the musical and literary work
• The underlying literary work but not the sound recording
• The sound recording as well as the underlying musical work
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• Scent
• Sound
• Numeral
• Touch
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• A common law trade mark
• A trade mark that is still undergoing the application process
• A registered trademark
• A trademark under review
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• The goods or services (or both) in relation to which the infringing trademark was use are the same or at least similar or closely related to the goods or services for which the trademark is registered
• The infringing trademark is identical to the registered trademark
• The infringing mark was used as a trademark
• The infringing trademark was being used to indicate a connection, in the course of trade, between certain goods or services and the infringing trader or service provider
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• A painting, sculpture, drawing, engraving or photograph, whether the work is of artistic quality or not
• A work of artistic craftsmanship
• A circuit layout within the meaning of the Circuit Layouts Act (1989) Cth
• A building or model of a building , whether the building is a model of artistic quality or not
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