Theory And History Of Architecture Knowledge Test

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Theory And History Of Architecture Knowledge Test - Quiz

Architecture History is the study of architecture as it has evolved over centuries and across many different landscapes and cultures. Some people argue which group of people created architectural marvels, and the war is tied between the Greeks and the Egyptians. Just how much do you know about theory and the history of architecture? Take up the comprehensive quiz below and get to learn more.


Questions and Answers
  • 1. 

    The building that serve as a senate house for the chief dignitaries of the city and as a palace where distinguished visitors and citizens might be entertained.

    • A.

      Bouleuterion

    • B.

      Thersihon

    • C.

      Prytaneion

    • D.

      Diathyros

    Correct Answer
    C. Prytaneion
    Explanation
    The given description suggests that the building in question serves as a senate house for the chief dignitaries of the city and as a palace for entertaining distinguished visitors and citizens. Among the options provided, the term "Prytaneion" best fits this description. The Prytaneion was a public building in ancient Greek cities that served as the seat of government and was used for official functions and hospitality. Therefore, the correct answer is Prytaneion.

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  • 2. 

    An English Architect who prepared plan for London i.e., St. Peter ‘s and St. Paul Cathedral; proposed a network of avenues connecting the main features of London.

    • A.

      Leonardo Da Vinci

    • B.

      Leon Battista Alberti

    • C.

      Pierre Charles L’ Enfant

    • D.

      Sir Christopher Wren

    Correct Answer
    D. Sir Christopher Wren
    Explanation
    Sir Christopher Wren is the correct answer because he was an English architect who prepared plans for many notable buildings in London, including St. Paul's Cathedral. He also proposed a network of avenues connecting the main features of the city, which aligns with the description given in the question. Leonardo Da Vinci, Leon Battista Alberti, and Pierre Charles L'Enfant were all notable architects in their own right, but they did not have a direct connection to London or the specific plans mentioned.

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  • 3. 

    The architect who claimed that: “The ultimate goal of the new architecture was the composite but inseparable work of an art, in which the old dividing line between monumental and decorative elements will have disappeared forever.”

    • A.

      Frank Lloyd Wright

    • B.

      Le Corbusier

    • C.

      Walter Gropius

    • D.

      Mies Van de Rohe

    Correct Answer
    C. Walter Gropius
    Explanation
    Walter Gropius is the correct answer because he was an architect who believed in the integration of art and architecture. He founded the Bauhaus school, which aimed to unite all forms of art and design to create a new, modern architecture. Gropius believed that architecture should not be divided into separate monumental and decorative elements, but rather should be a composite and inseparable work of art. This aligns with the statement given in the question.

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  • 4. 

    Enclosure formed by huge stones planted on the ground in circular form.

    • A.

      Menhir

    • B.

      Cromlech

    • C.

      Dolmen

    • D.

      Tumulus

    Correct Answer
    B. Cromlech
    Explanation
    A cromlech is an enclosure formed by huge stones planted on the ground in a circular form. This structure is typically found in ancient and prehistoric sites, and it is believed to have served various purposes, such as religious or ceremonial gatherings. The term "cromlech" is often used to describe stone circles or arrangements of standing stones, which are characteristic of many ancient cultures around the world.

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  • 5. 

    It is a traditional house that was called binangiyan. It was a single room dwelling elevated at 1.50 meters from the ground; the floor were made of hard wood like narra which rested on 3 floor joist which in turn were supported by transverse girders.

    • A.

      Kankanay

    • B.

      Badjao

    • C.

      Bontoc

    • D.

      Kalinga

    Correct Answer
    A. Kankanay
    Explanation
    The correct answer is Kankanay. The given description of the traditional house, called binangiyan, matches the architectural style and construction methods commonly associated with the Kankanay people. The elevated single room dwelling, made of hard wood like narra, with floor joists and transverse girders for support, aligns with the traditional housing practices of the Kankanay tribe.

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  • 6. 

    The architect who said that the exterior of the building is the result of the interior.

    • A.

      Mies Van de Rohe

    • B.

      Le Corbusier

    • C.

      Frank Lloyd Wright

    • D.

      William Ruskin

    Correct Answer
    B. Le Corbusier
    Explanation
    Le Corbusier is the correct answer because he believed that the exterior of a building is a direct reflection of its interior design. He emphasized the importance of creating harmony between the interior and exterior spaces, and believed that the function and purpose of a building should dictate its form and appearance. This philosophy is evident in his architectural designs, which often feature clean lines, open spaces, and a seamless integration of indoor and outdoor elements.

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  • 7. 

    “The man of learning… can fearlessly look down upon the troublesome accidents of fortune. But he who thinks himself entrenched in defense not of learning but of luck, moves one slippery path, struggling though life unsteadily and insecurely.”

    • A.

      A New Architecture by Frank Lloyd Wright

    • B.

      Ten books of Architecture by Marcus Vitruvius

    • C.

      Space, Time and Architecture by Sigfried Gideon

    • D.

      The Poetry of Architecture by John Ruskin

    Correct Answer
    B. Ten books of Architecture by Marcus Vitruvius
    Explanation
    The given passage suggests that a person who is knowledgeable and learned can confidently face the unpredictable ups and downs of life without being affected by them. However, someone who relies solely on luck and does not value learning will struggle through life, feeling unstable and insecure. Among the given options, "Ten books of Architecture" by Marcus Vitruvius is most likely to contain the relevant content as it is a renowned architectural treatise that emphasizes the importance of knowledge and learning in the field of architecture.

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  • 8. 

    It is the eclectic style of domestic architecture of the 1870’s and the 1880’s in England and the USA and actually based on country house and cottage Elizabeth architecture which was characterized by a blending of Tudor Gothic, English Renaissance and colonial elements in the USA:

    • A.

      Mannerist Phase

    • B.

      Queen Anne style

    • C.

      Jacobean Architecture

    • D.

      Stuart Architecture

    Correct Answer
    B. Queen Anne style
    Explanation
    The correct answer is Queen Anne style. The Queen Anne style of architecture emerged in the 1870s and 1880s in England and the USA. It was based on the country house and cottage Elizabethan architecture and was characterized by a blending of Tudor Gothic, English Renaissance, and colonial elements. This style was eclectic in nature, combining various architectural influences to create a unique and ornate design.

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  • 9. 

    The Greek council house which is covered meeting place for the democratically-elected council is called:

    • A.

      Bouleuterion

    • B.

      Thersihon

    • C.

      Prytaneion

    • D.

      Diathyros

    Correct Answer
    A. Bouleuterion
    Explanation
    The correct answer is Bouleuterion. This is the Greek council house that serves as a meeting place for the democratically-elected council. The term "Bouleuterion" is derived from the Greek word "boule" which means council, and it refers to the building where the council members would gather to discuss and make decisions on matters of governance. This term is commonly used in ancient Greek architecture and is associated with the democratic system of government in ancient Greece.

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  • 10. 

    The memorial column built in the form of tall Doric order and made entirely of marble is;

    • A.

      Column of Antoninus Pius

    • B.

      Trajan’s Column

    • C.

      Column of Marcus Aurelius

    • D.

      Column of Dioelectian

    Correct Answer
    B. Trajan’s Column
    Explanation
    The correct answer is Trajan's Column. This is because Trajan's Column is a memorial column built in the form of a tall Doric order and made entirely of marble. It was constructed to commemorate the victories of Emperor Trajan in the Dacian Wars. The column is located in Rome, Italy, and is known for its detailed relief sculptures depicting scenes from the wars.

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  • 11. 

    The Grandest Temple of all Egyptian temples, it was not built by upon one complete plan but owes its size, disposition and magnificence to the work of many Kings. Built from the 12th Dynasty to the Ptolemaic period.

    • A.

      Great Temple of Ammon, Karnak

    • B.

      The Great temple of Abu-Simbel

    • C.

      Temple of Queen HATSHEPSUT

    • D.

      Temple of Ramsesseum, Thebes

    Correct Answer
    A. Great Temple of Ammon, Karnak
    Explanation
    The Karnak Temple Complex—usually called Karnak—comprises a vast mix of decayed temples, chapels, pylons, and other buildings, notably the Great Temple of Amun and a massive structure begun by Pharaoh Ramses II (ca. 1391–1351 BC). Sacred Lake is part of the site as well. It is located near Luxor, some 500 km south of Cairo, in Egypt. The area around Karnak was the ancient Egyptian Ipet-isut ("The Most Selected of Places") and the main place of worship of the eighteenth dynasty Theban Triad with the god Amun as its head. It is part of the monumental city of Thebes. The Karnak complex takes its name from the nearby, and partly surrounded, modern village of el-Karnak, some 2.5 km north of Luxor.
    The complex is a vast open-air museum and the largest ancient religious site in the world. It is believed to be the second most visited historical site in Egypt, second only to the Giza Pyramids near Cairo. It consists of four main parts (precincts), of which only the largest, the Precinct of Amun-Re, currently is open to the general public. The term Karnak often is understood as being the Precinct of Amun-Re only, because this is the only part most visitors normally see. The three other parts, the Precinct of Mut, the Precinct of Montu, and the dismantled Temple of Amenhotep IV, are closed to the public. There also are a few smaller temples and sanctuaries located outside the enclosing walls of the four main parts, as well as several avenues of goddess and ram-headed sphinxes connecting the Precinct of Mut, the Precinct of Amun-Re, and the Luxor Temple.
    The Precinct of Mut is very ancient, being dedicated to an Earth and creation deity, but not yet restored. The original temple was destroyed and partially restored by Hatsheput, although another pharaoh built around it in order to change the focus or orientation of the sacred area. Many portions of it may have been carried away for use in other buildings.
    The key difference between Karnak and most of the other temples and sites in Egypt is the length of time over which it was developed and used. Construction of temples started in the Middle Kingdom and continued through to Ptolemaic times. Approximately thirty pharaohs contributed to the buildings, enabling it to reach a size, complexity, and diversity not seen elsewhere. Few of the individual features of Karnak are unique, but the size and number of features are overwhelming. The deities represented range from some of the earliest worshiped to those worshiped much later in the history of the Ancient Egyptian culture. Although destroyed, it also contained an early temple built by Amenhotep IV, the pharaoh who later would celebrate a near monotheistic religion he established that prompted him to move his court and religious center away from Thebes. It also contains evidence of adaptations, using buildings of the Ancient Egyptians by later cultures for their own religious purposes.
    One famous aspect of Karnak, is the Hypostyle Hall in the Precinct of Amun-Re, a hall area of 50,000 sq ft (5,000 m2) with 134 massive columns arranged in 16 rows. 122 of these columns are 10 meters tall, and the other 12 are 21 meters tall with a diameter of over three meters.
    The architraves on top of these columns are estimated to weigh 70 tons. These architraves may have been lifted to these heights using levers. This would be an extremely time-consuming process and also would require great balance to get to such great heights. A common alternative theory about how they were moved is that there were large ramps made of sand mud brick or stone and the stones were towed up the ramps. If they used stone for the ramps they would have been able to build the ramps with much less material. The top of the ramps presumably would have either wooden tracks or cobblestones for towing the megaliths.
    There is an unfinished pillar in an out of the way location that indicated how it would have been finished. Final carving was executed after the drums were put in place so that it was not damaged while being placed.[1][2] Several experiments moving megaliths with ancient technology were made at other locations – some of them are listed here.
    In 2009 UCLA launched a website dedicated to virtual reality digital reconstructions of the Karnak complex and other resources.[3]
    The history of the Karnak complex is largely the history of Thebes and its changing role in the culture. Religious centers varied by region and with the establishment of the current capital of the unified culture that changed several times. The city of Thebes does not appear to have been of great significance before the Eleventh Dynasty and previous temple building here would have been relatively small, with shrines being dedicated to the early deities of Thebes, the Earth goddess Mut and Montu. Early building was destroyed by invaders. The earliest known artifact found in the area of the temple is a small, eight-sided temple from the Eleventh Dynasty, which mentions Amun-Re. Amun (sometimes called Amen) was long the local tutelary deity of Thebes. He was identified with the Ram and the Goose. The Egyptian meaning of Amen is, "hidden" or, the "hidden god".[4]
    Major construction work in the Precinct of Amun-Re took place during the Eighteenth dynasty when Thebes became the capital of the unified Ancient Egypt.
    Thutmose I erected an enclosure wall connecting the Fourth and Fifth pylons, which comprise the earliest part of the temple still standing in situ. Construction of the Hypostyle Hall also may have begun during the eighteenth dynasty, although most new building was undertaken under Seti I and Ramesses II.
    Almost every pharaoh of that dynasty has added something to the temple site. Merenptah commemorated his victories over the Sea Peoples on the walls of the Cachette Court, the start of the processional route to the Luxor Temple.
    Hatshepsut had monuments constructed and also restored the original Precinct of Mut, the ancient great goddess of Egypt, that had been ravaged by the foreign rulers during the Hyksos occupation. She had twin obelisks, at the time the tallest in the world, erected at the entrance to the temple. One still stands, as the tallest surviving ancient obelisk on Earth; the other has broken in two and toppled. Another of her projects at the site, Karnak's Red Chapel, or Chapelle Rouge, was intended as a barque shrine and originally, may have stood between her two obelisks. She later ordered the construction of two more obelisks to celebrate her sixteenth year as pharaoh; one of the obelisks broke during construction, and thus, a third was constructed to replace it. The broken obelisk was left at its quarrying site in Aswan, where it still remains. Known as The Unfinished Obelisk, it demonstrates how obelisks were quarried.[5]
    The last major change to Precinct of Amun-Re's layout was the addition of the first pylon and the massive enclosure walls that surround the whole Precinct, both constructed by Nectanebo I.
    In 323 AD, Constantine the Great recognised the Christian religion, and in 356 ordered the closing of pagan temples throughout the empire. Karnak was by this time mostly abandoned, and Christian churches were founded amongst the ruins, the most famous example of this is the reuse of the Festival Hall of Thutmose III's central hall, where painted decorations of saints and Coptic inscriptions can still be seen.
    [edit]European knowledge of Karnak
    Thebes' exact placement was unknown in medieval Europe, though both Herodotus and Strabo give the exact location of Thebes and how long up the Nile one must travel to reach it. Maps of Egypt, based on the 2nd century Claudius Ptolemaeus' mammoth work Geographia, have been circling in Europe since the late 14th century, all of them showing Thebes' (Diospolis) location. Despite this, several European authors of the fifteenth and 16th century who visited only Lower Egypt and published their travel accounts, such as Joos van Ghistele or André Thévet, put Thebes in or close to Memphis.
    The Karnak temple complex is first described by an unknown Venetian in 1589, although his account relates no name for the complex. This account, housed in the Biblioteca Nazionale Centrale di Firenze, is the first known European mention, since ancient Greek and Roman writers, about a whole range of monuments in Upper Egypt and Nubia, including Karnak, Luxor temple, Colossi of Memnon, Esna, Edfu, Kom Ombo, Philae, and others.
    Karnak ("Carnac") as a village name, and name of the complex, is first attested in 1668, when two capuchin missionary brothers Protais and Charles François d'Orléans travelled though the area. Protais' writing about their travel was published by Melchisédech Thévenot (Relations de divers voyages curieux, 1670s–1696 editions) and Johann Michael Vansleb (The Present State of Egypt, 1678).
    The first drawing of Karnak is found in Paul Lucas' travel account of 1704, (Voyage du Sieur paul Lucas au Levant). It is rather inaccurate, and can be quite confusing to modern eyes. Lucas travelled in Egypt during 1699–1703. The drawing shows a mixture of the Precinct of Amun-Re and the Precinct of Montu, based on a complex confined by the three huge Ptolemaic gateways of Ptolemy III Euergetes / Ptolemy IV Philopator, and the massive 113 m long, 43 m high and 15 m thick, first Pylon of the Precinct of Amun-Re.
    Karnak was visited and described in succession by Claude Sicard and his travel companion Pierre Laurent Pincia (1718 and 1720–21), Granger (1731), Frederick Louis Norden (1737–38), Richard Pococke (1738), James Bruce (1769), Charles-Nicolas-Sigisbert Sonnini de Manoncourt (1777), William George Browne (1792–93), and finally by a number of scientists of the Napoleon expedition, including Vivant Denon, during 1798–1799. Claude-Étienne Savary describes the complex rather detailed in his work of 1785; especially in light that it is a fictional account of a pretended journey to Upper Egypt, composed out of information from other travellers. Savary did visit Lower Egypt in 1777–78, and published a work about that too.

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  • 12. 

    The sacred enclosure found in the highest part of a Greek city is called:

    • A.

      Peribolas

    • B.

      Temenos

    • C.

      Corps de Logis

    • D.

      Pteroma

    Correct Answer
    B. Temenos
    Explanation
    The correct answer is Temenos. In ancient Greek cities, the highest part of the city often contained a sacred enclosure known as a temenos. This area was dedicated to a specific deity or deities and was considered holy and separate from the rest of the city. It often contained temples, altars, and other religious structures, and was a place for worship and religious ceremonies. The temenos played an important role in Greek religious and civic life, and was a central feature of many cities.

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  • 13. 

    Tomb of Atreus, a noted example of the tholos type of tomb is also known as:

    • A.

      Mausoleum, Helicarnassos

    • B.

      Tomb of Clytemnestra

    • C.

      Tomb of Agamemnon

    • D.

      Thersilion, Megapolis

    Correct Answer
    C. Tomb of Agamemnon
    Explanation
    The Treasury of Atreus or Tomb of Agamemnon[1] is an impressive "tholos" tomb on the Panagitsa Hill at Mycenae, Greece, constructed during the Bronze Age around 1250 BCE. The lintel stone above the doorway weighs 120 tons, the largest in the world. The tomb was used for an unknown period of time. Mentioned by Pausanias, it was still visible in 1879 when the German archeologist Heinrich Schliemann discovered the shaft graves under the 'agora' in the Acropolis at Mycenae.
    The tomb perhaps held the remains of the sovereign who completed the reconstruction of the fortress or one of his successors. The grave is in the style of the other tholoi of the Mycenaean World, of which there are nine in total around the citadel of Mycenae and five more in the Argolid. However, in its monumental shape and grandeur it is one of the most impressive monuments surviving from Mycenaean Greece
    It is formed of a semi-subterranean room of circular plan, with a corbel arch covering that is ogival in section. With an interior height of 13.5m and a diameter of 14.5m,[2] it was the tallest and widest dome in the world for over a thousand years until construction of the Temple of Hermes in Baiae and the Pantheon in Rome. Great care was taken in the positioning of the enormous stones, to guarantee the vault's stability over time in bearing the force of compression from its own weight. This obtained a perfectly smoothed internal surface, onto which could be placed gold, silver and bronze decoration.
    The tholos was entered from an inclined uncovered hall or dromos, 36 meters long and with dry-stone walls. A short passage led from the tholos chamber to the actual burial chamber, which was dug out in a nearly cubical shape.
    The entrance portal to the tumulus was richly decorated: half-columns in green limestone with zig-zag motifs on the shaft,[2] a frieze with rosettes above the architrave of the door, and spiral decoration in bands of red marble that closed the triangular aperture above an architrave. Segments of the columns and architraves were removed by Lord Elgin in the early nineteenth century and are now held by the British Museum. The capitals are influenced by ancient Egyptian examples, and one is in the Pergamon Museum as part of the Antikensammlung Berlin. Other decorative elements were inlaid with red porphyry and green alabaster, a surprising luxury for the Bronze Age.

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  • 14. 

    The father of modern picture books of Architecture.

    • A.

      Andrea Palladio

    • B.

      Leon Battista Alberti

    • C.

      Philibert De L’orme

    • D.

      Giacomo Barozzi da Vignola

    Correct Answer
    A. Andrea Palladio
    Explanation
    Andrea Palladio is considered the father of modern picture books of Architecture because of his influential work in the field. Palladio was an Italian architect during the Renaissance period and his designs and writings had a significant impact on the development of architectural theory and practice. He is known for his systematic approach to architecture and his emphasis on proportion, symmetry, and harmony in his designs. Palladio's work was documented in books that included detailed illustrations and descriptions, which became a model for future architects and helped spread his ideas across Europe.

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  • 15. 

    A style in the architecture Italy I the second half of the 16th century and to a lesser extent elsewhere in Europe. It uses classical elements in an unconventional manner.

    • A.

      Illusionism

    • B.

      Mannerism

    • C.

      Palladianism

    • D.

      Abstract

    Correct Answer
    B. Mannerism
    Explanation
    Mannerism is the correct answer because it refers to a style in architecture that emerged in Italy during the second half of the 16th century. This style was characterized by the unconventional use of classical elements, deviating from the strict rules of the Renaissance. Mannerist architecture often featured distorted proportions, exaggerated forms, and intricate detailing, creating a sense of complexity and tension. While Mannerism also had some influence in other parts of Europe, it was particularly prominent in Italy.

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  • 16. 

    What is referred to as written record of man’s effort to build beautifully?

    • A.

      Pre-historic architecture

    • B.

      History of architecture

    • C.

      Elements of architecture

    • D.

      Style of architecture

    Correct Answer
    B. History of architecture
    Explanation
    The correct answer is "History of architecture." This is because the question is asking for the written record of man's effort to build beautifully, which refers to the historical documentation and study of architectural practices and styles throughout time. Pre-historic architecture would refer to the period before written records, elements of architecture would refer to the basic components of architectural design, and style of architecture would refer to specific aesthetic characteristics of architectural movements or periods. Therefore, "History of architecture" is the most appropriate answer.

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  • 17. 

    What do you call the long colonnaded building used around public places and as shelters at religious shrines in Greek architecture?

    • A.

      Propylae

    • B.

      Stoa

    • C.

      Peristyle

    • D.

      Agora

    Correct Answer
    B. Stoa
    Explanation
    A stoa is a long colonnaded building commonly found in Greek architecture. It is used around public places and serves as a shelter at religious shrines. The word "stoa" comes from the ancient Greek word "stoa poikile" which means painted porch. These structures were typically open on one side and supported by columns. They were used for various purposes such as meeting places, market stalls, and as a place for philosophers to teach and discuss ideas. The Stoa of Attalos in Athens is one of the most famous examples of a stoa.

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  • 18. 

    What historic style of architecture contributed the Doric, Ionic, and Corinthian “Orders of Architecture?

    • A.

      Early Christian

    • B.

      Byzantine

    • C.

      Greek

    • D.

      Egyptian

    Correct Answer
    C. Greek
    Explanation
    The correct answer is Greek because the Doric, Ionic, and Corinthian "Orders of Architecture" were developed and used by the ancient Greeks. These architectural styles were characterized by specific column designs and decorative elements, and they had a significant influence on later architectural styles in Western civilization.

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  • 19. 

    What do you call the enclosed space at the top of a ziggurat in Mesopotamia?

    • A.

      God’s house

    • B.

      Observatory

    • C.

      Priest house

    • D.

      Altar

    Correct Answer
    D. Altar
    Explanation
    In Mesopotamia, the enclosed space at the top of a ziggurat is called an altar. Ziggurats were ancient Mesopotamian temples, and the altar at the top was where religious rituals and sacrifices were performed. It served as a sacred space where offerings were made to the gods, and it played a central role in the religious practices of the time.

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  • 20. 

    Buddhist architecture shown in rock-cut temples with lavishly carved interiors is a characteristic feature of what style of architecture?

    • A.

      Japanese

    • B.

      Filipino

    • C.

      Indian

    • D.

      Chinese

    Correct Answer
    C. Indian
    Explanation
    The Buddhist architecture shown in rock-cut temples with lavishly carved interiors is a characteristic feature of Indian architecture. This style of architecture can be seen in various regions of India, such as Ajanta and Ellora caves, where intricate carvings and sculptures depicting Buddhist teachings and figures are found. These rock-cut temples are a testament to the rich cultural and artistic heritage of ancient India.

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  • 21. 

    Which of the following indicates the brightness of a color?

    • A.

      Chroma

    • B.

      Value

    • C.

      Hue

    • D.

      Intensity

    Correct Answer
    D. Intensity
    Explanation
    Intensity refers to the brightness or dullness of a color. It indicates how strong or weak a color appears. A high intensity color is bright and vibrant, while a low intensity color is dull and muted.

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  • 22. 

    What do you call the tool in architecture which organizes space or spatial composition related to function?

    • A.

      Space planning

    • B.

      Space articulation

    • C.

      Functional interrelationship diagram

    • D.

      Territoriality

    Correct Answer
    C. Functional interrelationship diagram
    Explanation
    A functional interrelationship diagram is a tool in architecture that helps organize space or spatial composition based on function. It allows architects to understand and visualize how different spaces within a building or structure relate to each other and how they can be arranged to optimize functionality. This diagram helps in creating efficient and effective spatial layouts that meet the specific needs and requirements of the users.

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  • 23. 

    From what style of architecture were the Chinese pagodas derived?

    • A.

      Muslim

    • B.

      Indian

    • C.

      Japanese

    • D.

      European

    Correct Answer
    B. Indian
    Explanation
    Chinese pagodas were derived from Indian architecture.

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  • 24. 

    What manifestation in a structure that identifies it as a work of architecture shows the adequate scheme or structural arrangement, effective choice of materials, and effective construction system?

    • A.

      Structural stability

    • B.

      Aesthetic sense of beauty

    • C.

      Economic quality

    • D.

      Utility

    Correct Answer
    A. Structural stability
    Explanation
    Structural stability is the manifestation in a structure that identifies it as a work of architecture. It encompasses the adequate scheme or structural arrangement, effective choice of materials, and effective construction system. This means that the structure is designed and built to withstand loads and forces, ensuring its safety and durability. It is an essential aspect of architecture as it ensures the longevity and functionality of the building, making it a fundamental characteristic of architectural design.

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  • 25. 

    Which of the following indicates the name of a color?

    • A.

      Intensity

    • B.

      Chroma

    • C.

      Hue

    • D.

      Value

    Correct Answer
    C. Hue
    Explanation
    Hue is the correct answer because it refers to the attribute of a color that allows it to be classified as red, blue, green, etc. Intensity refers to the brightness or dullness of a color, chroma refers to the purity or saturation of a color, and value refers to the lightness or darkness of a color.

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  • 26. 

    In Indian, architecture, which of the following is not a characteristic feature?

    • A.

      Stupa

    • B.

      Horseshoe arch

    • C.

      Pointed arch

    • D.

      “sikhara”

    Correct Answer
    C. Pointed arch
    Explanation
    The pointed arch is not a characteristic feature in Indian architecture. Indian architecture is known for its unique features such as the Stupa, Horseshoe arch, and "sikhara". The Stupa is a dome-shaped structure used for Buddhist religious purposes. The Horseshoe arch is a distinctive arch shape commonly found in Indian and Islamic architecture. The "sikhara" refers to the tower-like structure often seen in Hindu temples. However, the pointed arch is more commonly associated with Gothic architecture in Europe rather than Indian architecture.

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  • 27. 

    Which construction system permit great spans of infinite variety of shapes of concrete, or steel combined with glass or plastic?

    • A.

      Space frame

    • B.

      Thin shell construction

    • C.

      Frame construction

    • D.

      Suspension system

    Correct Answer
    A. Space frame
    Explanation
    A space frame construction system permits great spans of infinite variety of shapes of concrete, or steel combined with glass or plastic. This system consists of a three-dimensional framework of interconnected beams or trusses that provides structural support and allows for flexibility in design. The use of space frames allows for the creation of large, open spaces without the need for intermediate columns or supports, making it ideal for structures such as airports, stadiums, and exhibition halls.

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  • 28. 

    What is the principal type of building in Muslim Architecture?

    • A.

      Mosque

    • B.

      Mausoleum

    • C.

      Temple

    • D.

      Church

    Correct Answer
    A. Mosque
    Explanation
    The principal type of building in Muslim Architecture is a mosque. Mosques are places of worship for Muslims and are designed with specific architectural features such as domes, minarets, and prayer halls. They serve as community centers and are used for daily prayers, Friday sermons, and other religious activities. Mosques are an important part of Islamic culture and can be found in various styles and designs across different regions of the world.

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  • 29. 

    What type of architectural character is derived through the use of the building?

    • A.

      Personality

    • B.

      Function

    • C.

      Association

    • D.

      Materials

    Correct Answer
    B. Function
    Explanation
    The correct answer is "Function". When considering the architectural character of a building, it is important to analyze how the building functions and serves its purpose. The design and layout of the building are influenced by its intended use and the activities that will take place inside. The way the building is organized, the circulation patterns, the placement of different spaces, and the overall layout are all determined by its function. Therefore, the architectural character of a building can be derived through the careful consideration of its function and how it influences the design decisions.

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  • 30. 

    What art principle shows the relationships between the various parts of an object/structure/groups of objects and structures?

    • A.

      Size

    • B.

      Volume

    • C.

      Proportion

    • D.

      Scale

    Correct Answer
    C. Proportion
    Explanation
    Proportion is the art principle that shows the relationships between the various parts of an object/structure/groups of objects and structures. It refers to the size, shape, and arrangement of the elements within a composition. Proportion helps create a sense of harmony and balance, ensuring that the different parts of an artwork or design work together cohesively. It involves determining the appropriate ratios and ratios between elements, so that they are visually pleasing and aesthetically balanced.

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  • 31. 

    Which historic style of architecture first introduced the clerestory?

    • A.

      Egyptian

    • B.

      Roman

    • C.

      Greek

    • D.

      West Asiatic

    Correct Answer
    A. Egyptian
    Explanation
    The correct answer is Egyptian. The clerestory, which is a row of windows or openings located high on a wall, allowing light to enter a building, was first introduced in Egyptian architecture. This architectural feature can be seen in many ancient Egyptian structures, such as temples and tombs. The use of clerestory windows in Egyptian architecture not only provided natural light but also created a sense of grandeur and height in the buildings.

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  • 32. 

    Public buildings are important structures in Greek architecture. What do you call the town square used as center of Greek social and business life?

    • A.

      Agora

    • B.

      Tenemos

    • C.

      Stoa

    • D.

      Propylae

    Correct Answer
    A. Agora
    Explanation
    In Greek architecture, the town square used as the center of Greek social and business life is called the Agora. The Agora was a public space where people would gather for various activities such as political discussions, commercial transactions, and socializing. It was an essential part of Greek city planning and played a significant role in the daily life of the community.

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  • 33. 

    Which of the following represent the primary colors?

    • A.

      Green, orange, violet

    • B.

      Red, yellow, green

    • C.

      Blue, yellow, violet

    • D.

      Red, yellow, blue

    Correct Answer
    D. Red, yellow, blue
    Explanation
    The primary colors are the colors that cannot be created by mixing other colors together. They are the building blocks for all other colors. In the subtractive color model, which is used in painting and printing, the primary colors are red, yellow, and blue. Mixing these colors together in different combinations can create all other colors. Therefore, the correct answer is red, yellow, blue.

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  • 34. 

    With regards to relationship of structure to architecture, which of the following describes formal or sculptured structure?

    • A.

      Uses least amount of material

    • B.

      Focuses on novelty of form

    • C.

      Materials used below maximum load-bearing capacity

    • D.

      Exaggerated elements

    Correct Answer
    D. Exaggerated elements
    Explanation
    Exaggerated elements in architecture refer to the use of oversized or exaggerated features in a structure, such as large columns, arches, or decorative elements. This approach focuses on creating a visually striking and dramatic effect, often disregarding practicality or efficiency. While it may not necessarily use the least amount of material or focus solely on novelty of form, the emphasis on exaggerated elements sets it apart as a description of formal or sculptured structure.

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  • 35. 

    Which of the following principles: 1.       Frameworks structurally independent of walls 2.       Free-standing façade 3.       Roof garden 4.       Open planning 5.       Cube form elevated on stilts or columns were adopted by Le Corbusier in his Villa Savoye

    • A.

      2, 4, 5

    • B.

      3, 4, 5

    • C.

      1, 2, 3

    • D.

      1, 2, 3, 4, 5

    Correct Answer
    D. 1, 2, 3, 4, 5
    Explanation
    Le Corbusier adopted all of the principles mentioned in the options for his Villa Savoye. The Villa Savoye is known for its innovative and modern design, which incorporates a free-standing façade, open planning, a roof garden, and a cube form elevated on stilts or columns. Additionally, the design of the Villa Savoye features frameworks that are structurally independent of walls. Therefore, all of the principles listed in the options were adopted by Le Corbusier for this iconic building.

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  • 36. 

    In modern Muslim mosques, which of the following features are required to be applied?

    • A.

      Niche

    • B.

      Pulpit

    • C.

      Minarets and domes

    • D.

      All listed items here

    Correct Answer
    D. All listed items here
    Explanation
    In modern Muslim mosques, all the listed items are required to be applied. A niche, also known as a mihrab, is a semicircular indentation in the wall that indicates the direction of Mecca, the holy city towards which Muslims pray. A pulpit, or minbar, is a raised platform from which the imam delivers sermons. Minarets are tall towers often attached to mosques, used for the call to prayer. Domes are architectural features commonly found in mosques. Therefore, all these features are necessary components of modern Muslim mosques.

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  • 37. 

    Which of the following is a contribution of byzantine architecture?

    • A.

      Use of domes on pendetives

    • B.

      Use of conical timber roof over domes

    • C.

      Triumphal arch

    • D.

      Interior peristyle

    Correct Answer
    A. Use of domes on pendetives
    Explanation
    The contribution of Byzantine architecture is the use of domes on pendetives. This architectural technique allowed for the creation of large, open spaces with a sense of grandeur and height. The use of domes on pendetives became a defining feature of Byzantine architecture, particularly in religious buildings such as churches and cathedrals. It allowed for the construction of impressive domed structures, such as the Hagia Sophia in Istanbul, which became iconic examples of Byzantine architecture.

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  • 38. 

    Toranas or gateways are characteristic feature of what style of architecture?

    • A.

      Japanese

    • B.

      Indian

    • C.

      Filipino

    • D.

      China

    Correct Answer
    B. Indian
    Explanation
    Toranas or gateways are a characteristic feature of Indian architecture. In Indian architecture, toranas are ornamental gateways usually found at the entrance of temples, palaces, and other important structures. They are typically adorned with intricate carvings and sculptures, depicting various mythological and religious motifs. These toranas serve as grand entrances and are considered symbolic representations of auspiciousness and prosperity.

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  • 39. 

    Due to generally rainless and bright sunshine climate, which of the following describe Egyptian structures?

    • A.

      Steep roofs

    • B.

      Large openings

    • C.

      Small openings

    • D.

      Absence of open court

    Correct Answer
    C. Small openings
    Explanation
    The correct answer is small openings. Egyptian structures have small openings due to the generally rainless and bright sunshine climate. This design helps to keep the interior cool and shaded from the intense sunlight. Additionally, small openings also provide privacy and protection from sandstorms.

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  • 40. 

    The “Arabesque” surface ornamentation originated from what style of architecture

    • A.

      Muslim

    • B.

      Chinese

    • C.

      Japanese

    • D.

      Thai

    Correct Answer
    A. Muslim
    Explanation
    The "Arabesque" surface ornamentation originated from Muslim architecture. Arabesque is a form of artistic decoration that consists of intricate patterns of geometric and floral designs. It is commonly found in Islamic art and architecture, including mosques, palaces, and other religious buildings. The use of Arabesque ornamentation reflects the influence of Islamic culture and design principles in the artistic traditions of the Muslim world.

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  • 41. 

    Which of the following is true about Egyptian pyramids and Babylonian ziggurats?

    • A.

      Pyramids are used as temple observatories, while ziggurats are royal tombs

    • B.

      Pyramids are sun-dried bricks faced with kiln-burnt bricks, while ziggurats use masonry, huge blocks of stone

    • C.

      Pyramids have square plans, while plans of ziggurats are rectangular

    • D.

      Both pyramids and ziggurats have square plans

    Correct Answer
    C. Pyramids have square plans, while plans of ziggurats are rectangular
    Explanation
    Pyramids have square plans, while plans of ziggurats are rectangular. This means that the base of a pyramid is in the shape of a square, while the base of a ziggurat is in the shape of a rectangle. This is a distinguishing feature between the two structures.

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  • 42. 

    What is the difference between Chinese and Japanese pagodas? 

    • A.

      Chinese pagodas are polygonal; Japanese are square in plan

    • B.

      Chinese pagodas are mostly five-storeyed; Japanese are three to fifteen

    • C.

      Japanese pagodas plans are polygonal; Chinese are square

    • D.

      Japanese pagodas are mostly four-storeyed; Chinese are three to seven

    Correct Answer
    A. Chinese pagodas are polygonal; Japanese are square in plan
    Explanation
    Chinese pagodas are polygonal in shape, meaning they have multiple sides, whereas Japanese pagodas are square in plan, meaning they have four sides. This architectural difference is one of the key distinctions between Chinese and Japanese pagodas.

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  • 43. 

    Mediaeval architecture, which is characterized by the pointed style, was prevalent in Western Europe from the 13th to the 15th century. What do you call this style?

    • A.

      Romanesque

    • B.

      Arabesque

    • C.

      Doric

    • D.

      Gothic

    Correct Answer
    D. Gothic
    Explanation
    Gothic architecture is characterized by the pointed style and was prevalent in Western Europe from the 13th to the 15th century. It is known for its tall, soaring structures, intricate detailing, and large stained glass windows. The term "Gothic" was originally used as a derogatory term to describe this style, as it was seen as a deviation from the classical Romanesque architecture. However, over time, the term became widely accepted and is now used to refer to this specific architectural style.

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  • 44. 

    Which of the following is a major contribution of Early Christian architecture?

    • A.

      Column and lintel

    • B.

      Exterior peristyle

    • C.

      Basilican type of cruciform plan

    • D.

      Corbelled arch

    Correct Answer
    C. Basilican type of cruciform plan
    Explanation
    The major contribution of Early Christian architecture is the development and use of the basilican type of cruciform plan. This architectural plan, characterized by a rectangular nave, side aisles, and a transept that forms a cross shape, became the standard layout for Christian churches. It allowed for a clear separation of the clergy and the congregation, with a central space for worship and side aisles for circulation. This plan was influential in shaping the design of churches throughout the medieval period and beyond.

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  • 45. 

    Mies van der Rohe first envisioned the all-glass skyscraper in the 1920s.A true genius, he designed a structure that could not be built at that time, but some thirty years later the technology was at hand. The long-held dream of the crystalline tower was finally realized in these famous building, 38 stories of black steel and glass.

    • A.

      Lever House

    • B.

      Seagram Building

    • C.

      Lakeshore Drive Apartment

    • D.

      S.R. Crown Hall

    Correct Answer
    B. Seagram Building
    Explanation
    Mies van der Rohe first envisioned the all-glass skyscraper in the 1920s, and the Seagram Building is a famous building that fits this description. It was designed by Mies van der Rohe and was built around thirty years after he first envisioned the concept. The Seagram Building is a 38-story structure made of black steel and glass, making it the correct answer.

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  • 46. 

    Expressionist Architect.

    • A.

      Eero Saarinen

    • B.

      Alvar Aalto

    • C.

      Hennevique

    • D.

      Erich Mendelsohn

    Correct Answer
    D. Erich Mendelsohn
    Explanation
    Erich Mendelsohn is the correct answer because he was a prominent architect associated with the Expressionist movement. He is known for his innovative and dynamic designs that incorporated bold curves and organic forms. Mendelsohn's architecture often evoked a sense of movement and emotion, reflecting the expressive qualities of Expressionism. His notable works include the Einstein Tower in Potsdam and the Schocken Department Store in Stuttgart. Mendelsohn's contributions to the field of architecture align with the characteristics of Expressionist architecture, making him the correct choice.

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  • 47. 

    Architect of Central Bank of the Philippines, Manila.

    • A.

      Gabriel Formoso

    • B.

      George Ramos

    • C.

      Froilan Hong

    • D.

      Leandro Locsin

    Correct Answer
    A. Gabriel Formoso
    Explanation
    Gabriel Formoso is the correct answer because he is known as the architect of the Central Bank of the Philippines in Manila. He was responsible for designing and overseeing the construction of the building, which is considered a significant architectural landmark in the country.

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  • 48. 

    Architect of the National Library, Philippines.

    • A.

      Jose Herrera

    • B.

      Juan Nakpil

    • C.

      Cesar Concio

    • D.

      Felipe Mendoza

    Correct Answer
    D. Felipe Mendoza
    Explanation
    Felipe Mendoza is the correct answer because he is known as the architect of the National Library in the Philippines. He is recognized for his contribution in designing and overseeing the construction of the National Library building, which is located in Manila. Mendoza's architectural expertise and vision played a significant role in creating a prominent cultural institution that houses a vast collection of books, manuscripts, and other valuable resources for the Filipino people.

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  • 49. 

    Invented reinforced concrete in France.

    • A.

      Erich Mendelsohn

    • B.

      Le Corbusier

    • C.

      Mies van de Rohe

    • D.

      Hennevique

    Correct Answer
    D. Hennevique
    Explanation
    Hennevique is the correct answer because he is credited with inventing reinforced concrete in France. Erich Mendelsohn, Le Corbusier, and Mies van de Rohe are all influential architects, but they did not invent reinforced concrete.

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  • 50. 

    "Architecture is Organic".

    • A.

      Mies van de Rohe

    • B.

      Walter Gropius

    • C.

      Le Corbusier

    • D.

      Frank Lloyd Wright

    Correct Answer
    D. Frank Lloyd Wright
    Explanation
    Frank Lloyd Wright believed that architecture should be in harmony with its natural surroundings, reflecting the organic forms and principles found in nature. He believed that buildings should be designed to blend seamlessly with their environment, using natural materials and incorporating natural elements such as light and vegetation. This philosophy is evident in his work, which often features open floor plans, large windows, and integration of indoor and outdoor spaces. Wright's approach to architecture as organic reflects his belief in the importance of creating spaces that are connected to and respectful of the natural world.

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