Odissi Repertoire And Artists

The correct answer is Mangalacharan, Batu, Pallavi, Abhinaya, Moksha. In Odissi, the Mangalacharan is the opening piece that pays homage to the gods and seeks their blessings. Batu is a pure dance composition that showcases the dancer's technical skills. Pallavi is a rhythmic exploration with intricate footwork and improvisation. Abhinaya is the expressive piece where the dancer portrays emotions and tells a story. Moksha is the concluding piece, representing liberation and spiritual attainment.

The given statement describes Abhinaya as an expressional dance or nritya piece that showcases deep emotions expressed through a song. This implies that Abhinaya is a form of dance that emphasizes the portrayal of emotions through movements and gestures synchronized with music. Therefore, the statement is true.

Mangalacharan is the correct answer because it is a piece in Indian classical dance that is traditionally performed at the beginning of a performance, signifying the dancer's entrance to the stage. It is a combination of movements, gestures, and expressions that pay homage to the gods and seek their blessings for a successful performance. The Mangalacharan sets the tone for the entire performance and establishes a connection between the dancer, the audience, and the divine.

Mudras, also known as hastas, are indeed hand gestures used in various forms of Indian classical dance and storytelling to convey emotions and narrate tales about deities, heroes, and other characters. These hand gestures are an integral part of the performance, allowing the dancers to express and communicate without the use of words. Therefore, the given answer, "true," accurately describes the function and significance of mudras.

Devadasis were the original temple dancers who were considered as "Serviettes of God". They were women dedicated to serving a deity or a temple through their dance and music. Devadasis played a crucial role in the religious and cultural rituals of the temples, performing intricate and expressive dance forms to please the gods. They were highly respected and held a special position in society, often receiving patronage from the royal courts. Over time, the practice of Devadasis became controversial and was eventually banned due to issues of exploitation and abuse.

The concept of Tribhang divides the body into three parts: head, bust, and torso. This implies that the body is divided into these three distinct sections.

Gotipuas are young boys who are trained in the craft of Odissi dance. Odissi is a classical Indian dance form that originated in the state of Odisha. Gotipuas are traditionally male dancers who dress up as female characters and perform Odissi dance. They are usually trained from a very young age and undergo rigorous training to perfect their skills. The term "Gotipua" literally means "single boy" in Odia, referring to the fact that these dancers were traditionally boys performing female roles. Today, Gotipuas play a significant role in preserving and promoting the Odissi dance tradition.

Sujata Mohapatra is the correct answer because the passage states that she has completed 18+ years of training under the late Kelucharan Mohapatra, indicating her dedication and expertise in dance. Pankaj Charan Das is not mentioned in the passage, so he is not the correct answer.

Kelucharan Mohapatra is the correct answer because he was a revered Odissi dancer who played a significant role in the revival of the dance form. He dedicated his life to preserving and promoting Odissi, and his contributions have had a lasting impact on the art form. Mohapatra's innovative choreography, technical excellence, and deep understanding of the dance form have made him a legendary figure in the world of Odissi. His efforts have helped Odissi gain recognition and popularity both in India and internationally.

The correct answer is "Mana/Tehai." In Indian classical music, a "Mana/Tehai" is a rhythmic phrase or sequence that is repeated at the end of a piece or section. It is typically performed in three sections, providing a clear indication that the ending of the music is approaching. This repetition helps to create a sense of closure and completion in the composition.

Madhavi Mudgal is the correct answer because the statement mentions that the dancer initially learned Kathak and Bharatnatyam, which aligns with Madhavi Mudgal's background. Madhavi Mudgal is a renowned Odissi dancer who started her training in Kathak and Bharatnatyam before specializing in Odissi. Therefore, she fits the description given in the statement.

This piece is a dance or nritya that serves as an offering to Lord Batuka Bhairava, also known as Lord Shiva. The correct answer, "Batu," refers to this particular piece.

The statement given by Pallavi suggests that the piece being discussed is the one that concludes the repertoire. However, the correct answer is "false," which means that the statement is not true. This implies that the piece being referred to does not conclude the repertoire.

Sujata Mohapatra is known for both her incredible performances and choreography in Odissi dance. She has gained recognition as an outstanding Odissi dancer, showcasing her talent through her mesmerizing performances. Additionally, she has also contributed to the field of dance by creating innovative choreographies that have been highly acclaimed. Her skills and artistic abilities have made her a prominent figure in the world of Odissi dance.

Pankaj Charan Das is the correct answer because he is known as the "Father of Odissi dance" due to his integral role in the revival of Odissi. He was a renowned artist who played a significant part in popularizing and preserving the Odissi dance form. His contributions to the art form earned him the title and recognition as one of the pioneers in Odissi dance.