Test Your Knowledge On Dance

Jazz dance originated in the 19th century. This form of dance emerged from African-American communities in the United States, particularly in New Orleans. It was heavily influenced by African and European dance traditions, as well as the music of the time, such as ragtime and blues. Jazz dance is characterized by its syncopated rhythms, improvisation, and energetic movements. It has since evolved and developed into various styles and techniques, becoming a popular and influential genre in the world of dance.

Bhangra dance originated in Southeast Asia. Bhangra is a traditional folk dance that originated in the Punjab region of Southeast Asia, which includes parts of India and Pakistan. It is characterized by energetic movements, vibrant costumes, and rhythmic music, typically performed during harvest festivals or celebrations. Bhangra has since gained popularity worldwide and is now performed in various cultural events and competitions globally.

The correct answer is Foxtrot because it is a ballroom dance that has different forms such as "traveling", where dancers move around the dance floor, "social", which is more casual and adaptable to different settings, and "on the spot", where dancers stay in one place and perform intricate footwork.

The missionaries to the Hawaiian Islands viewed Hula dancing as evil and wrong. This could be because they considered it to be a pagan practice that went against their religious beliefs and values. They may have seen it as a form of immorality or as a threat to their efforts of converting the Hawaiian people to Christianity. The missionaries likely disapproved of Hula dancing and sought to suppress or eliminate it from Hawaiian society.

The Waltz is a ballroom dance that is often associated with freedom of expression and movement. It originated in the 18th century and was considered scandalous at the time due to its close hold and flowing movements. The dance allowed partners to move freely across the dance floor, breaking away from the rigid structure of traditional dances. The Waltz's graceful and sweeping movements gave dancers the opportunity to express themselves and showcase their individuality, making it a symbol of freedom in ballroom dancing.

The correct answer is "Negative." This suggests that dance teachers did not have a favorable opinion of "swing" and the "Lindy" dance style. They may have criticized or disapproved of it, possibly due to its unconventional and energetic nature compared to traditional dance styles.

Primitive dance was a form of communication and storytelling in early human societies. Through body and hand gestures, people would convey narratives, myths, and historical events to future generations. This allowed important cultural knowledge and traditions to be preserved and passed down orally, ensuring their continuity over time.

In the early 20th century, belly dancing evolved to meet Western and European expectations by becoming more sexualized. This change was influenced by the exoticized and eroticized portrayals of belly dancers in Western media and popular culture. As a result, belly dancers began to emphasize sensual movements and attire, catering to the Western fascination with sexuality and exoticism. This evolution aimed to meet the expectations and desires of Western audiences, who viewed belly dancing as a form of entertainment that was both alluring and provocative.

Moves from ancient Egyptian dances were named for the gesture they imitate. This means that the names of the dance moves were based on the specific movements or actions that they represented or mimicked. This naming convention allowed for clear communication and understanding of the dances, as the names would directly indicate the gestures being performed.

During the 16th century, Irish Hey, Rinnce Fada, and Trenchmore were all principal Irish dances. However, Veil Dancing was not one of the principal Irish dances during this time period.

Bob Wills is the correct answer because he is widely recognized as the creator of the dance called "Western Swing." Bob Wills was an American musician and bandleader who popularized this genre of music and dance in the 1930s and 1940s. He blended elements of jazz, blues, and country music to create a unique style that became known as Western Swing. Wills and his band, The Texas Playboys, were influential in spreading this dance style and making it popular across the United States.

The Samba was first officially introduced in the United States through a play. This suggests that the dance form gained recognition and popularity in the country through theatrical performances, possibly incorporating the Samba dance style into the storyline or choreography. The play would have provided a platform for showcasing the Samba to a wider audience, contributing to its establishment and dissemination in the United States.

In Medieval times, music for English circle dances was produced by the dancers themselves singing. This means that the dancers would sing or vocalize the music as they danced in a circular formation. This was a common practice during that time period and allowed for a more interactive and participatory experience for both the dancers and the audience. The singers would provide the rhythmic and melodic elements of the music, creating a lively and engaging atmosphere for the dance.

The Viennese Waltz is a ballroom dance characterized by fast-paced, flowing movements. The Backwards Twirl is not a recognized step or figure in the Viennese Waltz. The other options, Forward Change Step, Left Whisk, and Natural Turn, are all commonly used steps in the Viennese Waltz.

Merce Cunningham introduced postmodern dance in the 1960s. Postmodern dance is a style that rejects traditional dance techniques and incorporates elements of everyday movements and non-traditional forms of expression. It focuses on exploring the relationship between movement, space, and time, and often incorporates improvisation and chance elements. Cunningham's approach to dance challenged conventional ideas and pushed the boundaries of what was considered acceptable in the dance world, making him a significant figure in the development of postmodern dance.