Effects and EQ
Balance and music
Fades and guitars
Reverbs and delays
Song length
Add high frequency EQ
Use a limiter or compressor & ride the fader of the track
Erase the track
Add an out of phase mult on the track
None of the above
A lead vocal
Stereo effects
Lead pipes
Drums
Midi instruments
Brighter
Softer
Intermittent
Louder
Boomy
Levels
Type
Age
Salary
Tone
Reverb
Level
Delay
EQ
All of the above
A jingle date & rough mis
A 5.1 mix
A final mix
A digital mix
A single mix
Center
Right
Left
Surround speaker
.1
Very low or loud monitoring levels
Stereo monitoring
Moderate monitoring levels after a meal
Bi amped monitoring systems
None of the Above
Deep low frequency
Bright saturation
Clipping modals
Notching frequencies
All of the above
Compression & totalization
Totalization & editing
Preview head & Eqing
Normalization & compression
Editing & Eqing
True
False
True
False
Evaluate expensive and cheaply done mixes with the same criteria
The public always makes allowances for a mix done on the cheap
Radio stations love to play mixes if the mixer saved money for the client
Most people will buy a CD if a lot of money was spent on the mix
The minimum EQ spectrum
The RIAA download lawsuit parameters
United Association of Mixers Basic Guidelines
Film compatability standards
None of the above
Be able to switch back and forth between them in real time
Play one, and take a break, then play the other
Play them at the same time
Play one and play the other soon after
Listen to one at night and the other when you're fresh
VU
Digital
Peak
Analog
Low ballistic
It might be placed in the center
The bass frequencies may be low
The lyrics need to be understood
People can't tap their feet to wet vocals
It's a rule from the mixers federation guidelines
Add the number of minutes to the number of seconds
Count four bars and multiply by 4
Play the song backward and notice the first beat
Count the number of beats in 15 seconds and multiply by 4
Add EQ
Change levels
Undo compression
Resequence songs
Add compression to one song
The digital multitrack or DAW of the song
Video
Mono
5.1
4 bit
India
Indonesia
Jamaica
Indiana
Japan
Intro and outro
Verse and chorus
Bridge and middle 8
Solo and end
Contata and fugue
Low and mid frequencies
Q range
High frequencies
Parametric frequencies
Be in time with the music
Be after the audio that is effected
Never be equalized
Be in mono
None of the above