The 'Microphone Test' assesses knowledge on microphone technology, focusing on types, functions, and directional patterns. It is designed for learners interested in audio and electrical engineering, enhancing understanding of how microphones convert sound into electrical signals.
Jack lead
XLR lead
Phono lead
MIDI lead
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Equivalent input noise
Frequency response
Polar pick up pattern
Sensitivity
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Large diaphragm (Like the Neumann U87i)
Small diaphragm (like the AKG C451)
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Proximity effect
Nexus effect
The relativity effect
Proximal effect
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Dynamic 'contact mic'
Carbon granule mic
Dynamic moving coil
Ribbon
Condensor
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Transponder
Transformer
Inductor
Transducer
Transfixer
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Only the snare
Only the kick drum
Only the tom-toms
Only the Hi-hat
The entire sound of the drum kit
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Coincident pair microphone positioning
Near coincident
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Poor sensitivity to sound
Poor high frequency response
Good sensitivity to sound and excellent high frequency response
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Cardiod
Hyper-cardiod
Figure of 8
Omni
Tri-directional
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Cardiod
Omni
Figure of 8
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Emphasizes all frequencies below 50Hz
Cuts all frequencies below 50Hz
Reduces the output at all frequencies
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Cardiod selected on one and figure of 8 on the other
Both mics are omni directional
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Wind shield
Noise gate
Pop shield
Acoustic screen
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Sound effects
Crowd noise
Electric guitar amplifiers
An ensemble like an orchestra or choir
Solo vocals
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Dynamic moving coil
Condensor
Electret
Dynamic ribbon
PZM
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A flat frequency response
A presence peak
Bass roll off
A high frequency lift
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Their diaphragm requires no external power
Their diaphragm is heavier than Electrets'
Their diaphragm is polarised, or charged by Phantom Power
They have a coil of wire attached to the diaphragm
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SM 58
SM 57
D112
MD 421
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Condensor mic
Ribbon mic
Moving coil dynamic
Carbon granule mic
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Electret condensor mics
Back electret condensor mics
True condensor mics
Dynamic moving coil
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Dynamic moving coil
Dynamic ribbon
True condensor
Electret
Static coil
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Total harmonic distortion
Equivalent input noise
Its sensitivity to sound
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Mid range response
High frequency response
Low frequency response
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Shure SM57
Neumann U67
AKG D112
Telefunken ELA M251
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Soundfield recording
Dolly head recording
Dummy head recording
XY recording
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Large diaphragm (Like the Rode NT2)
Small diaphragm (Like the SE1A)
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Moving coil dynamic
Electret condenser
True condensor
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Small diaphragm condensor
Large diaphragm condensor
Moving coil dynamic
Ribbon mic
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Reduces the output signal level
Increases the output signal level
Cuts low frequnency
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Omni and figure of 8
Omni and hyper-cardiod
Super-cardiod and figure of 8
Two figure of 8 patterns
Two omni directional
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Omni diectional
Cardiod
Figure of 8
Super-cardiod
Shot gun
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