This is revision of microphones
Transponder
Transformer
Inductor
Transducer
Transfixer
Dynamic moving coil
Dynamic ribbon
True condensor
Electret
Static coil
Dynamic moving coil
Condensor
Electret
Dynamic ribbon
PZM
Dynamic 'contact mic'
Carbon granule mic
Dynamic moving coil
Ribbon
Condensor
Equivalent input noise
Frequency response
Polar pick up pattern
Sensitivity
Cardiod
Hyper-cardiod
Figure of 8
Omni
Tri-directional
Omni and figure of 8
Omni and hyper-cardiod
Super-cardiod and figure of 8
Two figure of 8 patterns
Two omni directional
Proximity effect
Nexus effect
The relativity effect
Proximal effect
Omni diectional
Cardiod
Figure of 8
Super-cardiod
Shot gun
Cardiod
Omni
Figure of 8
Their diaphragm requires no external power
Their diaphragm is heavier than Electrets'
Their diaphragm is polarised, or charged by Phantom Power
They have a coil of wire attached to the diaphragm
Mid range response
High frequency response
Low frequency response
A flat frequency response
A presence peak
Bass roll off
A high frequency lift
Condensor mic
Ribbon mic
Moving coil dynamic
Carbon granule mic
Electret condensor mics
Back electret condensor mics
True condensor mics
Dynamic moving coil
Large diaphragm (Like the Rode NT2)
Small diaphragm (Like the SE1A)
Large diaphragm (Like the Neumann U87i)
Small diaphragm (like the AKG C451)
Only the snare
Only the kick drum
Only the tom-toms
Only the Hi-hat
The entire sound of the drum kit
Sound effects
Crowd noise
Electric guitar amplifiers
An ensemble like an orchestra or choir
Solo vocals
Shure SM57
Neumann U67
AKG D112
Telefunken ELA M251
Wind shield
Noise gate
Pop shield
Acoustic screen
Shock mount
Pop shield
Jack lead
XLR lead
Phono lead
MIDI lead
Soundfield recording
Dolly head recording
Dummy head recording
XY recording
Coincident pair microphone positioning
Near coincident
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