'surrealistic Pillow' Album Quiz

The album "Surrealistic Pillow" by the American rock band Jefferson Airplane was released in 1967. This album is notable for its contribution to the burgeoning psychedelic rock movement during the 1960s, featuring popular songs like "Somebody to Love" and "White Rabbit." The release of "Surrealistic Pillow" helped to establish Jefferson Airplane as a significant force in the San Francisco music scene and played a vital role in the development of psychedelic rock as a genre. The album remains a beloved classic and an essential part of 1960s music history.

"Surrealistic Pillow" was released by RCA Victor, a subsidiary of Radio Corporation of America. RCA Victor played a significant role in the development of popular music throughout the 20th century, signing and promoting numerous influential artists across various genres. Jefferson Airplane's association with RCA Victor helped to establish their unique brand of psychedelic rock, with "Surrealistic Pillow" serving as a landmark album for both the band and the label.

The producer of "Surrealistic Pillow" was Rick Jarrard. Jarrard was a renowned music producer and engineer who worked with many influential artists during the 1960s and 1970s, including Harry Nilsson, The Doors, and Jefferson Airplane. His production work on "Surrealistic Pillow" contributed to the album's innovative and experimental sound, helping to capture the essence of the burgeoning psychedelic rock movement. Jarrard's collaboration with Jefferson Airplane resulted in a critically acclaimed album that remains a touchstone of 1960s counterculture.

The album that succeeded "Surrealistic Pillow" is titled "After Bathing at Baxter's." Released in November 1967, just a few months after "Surrealistic Pillow," this album continued Jefferson Airplane's exploration of psychedelic rock. Featuring tracks such as "The Ballad of You and Me and Pooneil" and "Watch Her Ride," "After Bathing at Baxter's" further showcased the band's creativity and experimental approach to music. The album's release solidified Jefferson Airplane's status as one of the leading acts in the burgeoning psychedelic rock movement and helped to shape the direction of popular music in the late 1960s.

"Surrealistic Pillow" reached the number three position on the US Billboard 200 chart. The album's popularity and influence helped to propel it up the charts, solidifying Jefferson Airplane's status as one of the leading acts in the psychedelic rock movement. This success contributed to the band's lasting legacy and impact on popular music, as "Surrealistic Pillow" remains a beloved and critically acclaimed album from the 1960s counterculture era. The album's high ranking on the Billboard 200 chart is a testament to its enduring appeal and significance in music history.

"Surrealistic Pillow" is primarily associated with the psychedelic rock genre, which emerged in the mid-1960s and was characterized by its exploration of new sonic territories, often incorporating elements of Eastern music, experimental sound structures, and innovative recording techniques. The album's intricate harmonies, complex arrangements, and use of unconventional instrumentation all contribute to its psychedelic qualities. While psychedelic rock is the predominant genre on "Surrealistic Pillow," the album also features influences from folk, blues, and other popular music styles of the era, showcasing Jefferson Airplane's diverse range of inspirations.

True. Grace Slick was indeed the lead vocalist for Jefferson Airplane during the recording of "Surrealistic Pillow." She joined the band in 1966, shortly before the album's production, and her powerful and distinctive voice contributed significantly to the album's success. Slick's vocal performances on tracks like "Somebody to Love" and "White Rabbit" helped to define the band's sound during this period and played a crucial role in establishing Jefferson Airplane's influence within the psychedelic rock genre. Her contributions to "Surrealistic Pillow" remain a defining aspect of the album's enduring appeal and impact on popular music.

False. While "Somebody to Love" and "White Rabbit" are indeed two of the most well-known tracks on "Surrealistic Pillow," they are not the opening and closing tracks on the album. The album's opening track is "She Has Funny Cars," and the closing track is "Plastic Fantastic Lover." "Somebody to Love" is the second track on the album, while "White Rabbit" is the sixth track. Despite not being the opening and closing tracks, both songs have become iconic representations of Jefferson Airplane's sound and the psychedelic rock genre.

Marty Balin played a crucial role as a primary songwriter and vocalist, shaping the lyrical and musical content of many tracks.

False. "Surrealistic Pillow" is not Jefferson Airplane's debut studio album. It is actually their second studio album, released in 1967. Their debut album, titled "Jefferson Airplane Takes Off," was released in 1966. "Surrealistic Pillow" is significant, however, as it marks the first album featuring vocalist Grace Slick and drummer Spencer Dryden, who joined the band after the release of their debut. "Surrealistic Pillow" helped to establish Jefferson Airplane's popularity and influence in the psychedelic rock genre, overshadowing their earlier work to some extent.