"The Ghost Of The Lagoon" Reading Comprehension And Vocabulary Quiz

The correct answer is "a shark in the ocean." This is because a ghost is typically associated with being a supernatural entity or spirit, and none of the other options fit this description. Mako's pet dog, the king of Bora Bora, and an underwater coral garden do not have any connection to the concept of a ghost. However, a shark in the ocean can be seen as a ghostly figure due to its stealthy nature and ability to appear suddenly and disappear quickly.

The word "tense" in this story refers to a feeling of unease or anxiety. It suggests that the characters in the story are feeling nervous or on edge.

The islanders are surprised that Mako has killed Tupa because Mako is a boy and Tupa is very dangerous. This suggests that it is unexpected for a boy to be able to kill such a dangerous creature.

A restless person is unable to sleep. Restlessness often refers to a state of being unable to find peace or calmness, leading to difficulty in falling asleep or maintaining a peaceful sleep. This can be caused by various factors such as anxiety, stress, physical discomfort, or medical conditions. Restlessness can disrupt the sleep cycle and result in insomnia or poor quality sleep.

The story of the three fishermen is important to Mako because it is about his father's death. This suggests that Mako has a personal connection to the story and that his father's death has had a significant impact on his life. The story may provide Mako with a sense of closure or understanding about his father's passing, and it could also serve as a way for him to remember and honor his father's memory.

Tupa is the antagonist of this short story because the term "antagonist" refers to the character or force that opposes the protagonist or main character. Since the question does not provide any information about the protagonist, we can infer that Tupa is the character who creates conflict and opposes the main character's goals or desires in the story.

The correct answer is Mako because the protagonist of a story is typically the main character or the character that drives the plot forward. In this short story, it is implied that Mako is the protagonist, suggesting that the story revolves around their actions and experiences.

The detail that Mako practices hitting 'eyeholes' most helps predict where he will aim his spear because it suggests that he is specifically targeting the eyes of his target. This detail implies that Mako is aware of the vulnerable spots on his prey and is honing his skills to accurately hit those spots. Therefore, it can be inferred that Mako will aim his spear at the eyes of his target.

A pursuit refers to the act of chasing or following someone or something in order to catch or capture them. It involves actively seeking and attempting to catch up with the target, usually with the intention of apprehending or overtaking them. Therefore, the correct answer is "a chase," as it accurately describes the nature of a pursuit.

The fact that Mako's grandfather sings a song about him suggests that his family is proud of him. Singing a song about someone is often a way to celebrate and honor their achievements or qualities. It shows that Mako's grandfather recognizes and appreciates his accomplishments, indicating that his family takes pride in him.

The detail that most helps predict that Mako will try to save Afa is that Afa goes everywhere with Mako. This suggests a strong bond and attachment between the two characters, indicating that Mako would be motivated to protect and save Afa from any danger or harm.

Mako paddles out to the little island to get bananas. This implies that Mako's purpose for going to the island is to acquire bananas. The other options, such as building a canoe, hunting for Tupa, or finding a wild pig, are not mentioned in the given information. Therefore, the most logical explanation is that Mako's intention is to obtain bananas from the little island.

The story's third-person point of view lets you know what Mako is thinking when Tupa attacks because the narrator directly tells you Mako's thoughts. This means that the narrator is providing insight into Mako's internal dialogue and emotions, allowing the reader to understand his perspective and reactions during the attack.

Mako would be considered a round character because round characters are well-developed and have complex personalities. They often undergo significant changes throughout a story and have a depth of emotions and motivations. Mako, as a character, exhibits these traits as he goes through personal growth, faces internal conflicts, and experiences a range of emotions. He is not a flat character, which is one-dimensional and lacks depth. He is also not a static character, as he undergoes changes and development. Lastly, he is not an antagonist, as he is not portrayed as a primary source of conflict in the story.

Characterization refers to the way an author creates and develops a character. It involves the techniques used by the author to bring a character to life, including their physical appearance, personality traits, thoughts, feelings, and actions. Through characterization, the author provides the reader with a deeper understanding of the character and their role in the story. This can be achieved through direct descriptions, dialogue, and the character's interactions with other characters and the plot. By developing well-rounded and believable characters, the author enhances the overall quality and depth of the story.

A round character is a character that the reader can see all sides of. This means that the character is well-developed and complex, with a range of emotions, motivations, and behaviors. The reader gets to know the character deeply and understands their thoughts, feelings, and actions from various perspectives. Unlike a flat character who is one-dimensional and lacks depth, a round character is multi-dimensional and adds depth and complexity to the story.

A static character is a character who remains unchanged throughout a short story. This means that their personality, beliefs, and behaviors do not undergo any significant transformation or development as the story progresses. They maintain a consistent and unchanging nature from the beginning to the end of the story, regardless of the events or circumstances they encounter.

Mako expects his reward for killing Tupa to be a piece of land and a sailing canoe. This implies that Mako believes that his reward will be in the form of tangible assets that will benefit him and his family. A piece of land would provide them with a stable and secure place to live, while a sailing canoe would enable them to travel and fish more efficiently. This reward aligns with Mako's desire to improve his living conditions and support his mother.

Direct characterization refers to when the author explicitly states the traits and qualities of a character. This can include physical descriptions, personality traits, or other direct statements about the character. Indirect characterization, on the other hand, involves the reader inferring information about the character based on their actions, dialogue, and interactions with other characters. This can include analyzing their thoughts, feelings, and motivations to understand their personality and traits.

A flat character is a character who can only be seen from one perspective, typically only as good or bad. Unlike a round character who is complex and multi-dimensional, a flat character lacks depth and development throughout the story. They often serve a specific purpose or function in the narrative, without undergoing any significant changes or growth.

A dynamic character is a character that changes throughout the story as a result of events in the story. This means that the character evolves, grows, or undergoes a transformation in their personality, beliefs, or behavior as the plot progresses. Unlike static characters who remain the same, dynamic characters are multi-dimensional and can be seen from various perspectives, allowing the audience to witness different sides of their personality.