Phss Session 10a: Introducing The Wesleys

1. Both John and Charles Wesley considered their conversions to have taken place long after their call to ministry.

True

False

Both John and Charles Wesley, who were influential figures in the Methodist movement, believed that their conversions happened after they had already been called to ministry. This suggests that they initially felt a sense of duty to serve God, but it was only later that they experienced a personal transformation and a deepening of their faith. This understanding aligns with the Wesleyan theology of "Christian perfection," which emphasizes the ongoing process of sanctification and growth in holiness. Therefore, the statement is true.

Explanation

Both John and Charles Wesley, who were influential figures in the Methodist movement, believed that their conversions happened after they had already been called to ministry. This suggests that they initially felt a sense of duty to serve God, but it was only later that they experienced a personal transformation and a deepening of their faith. This understanding aligns with the Wesleyan theology of "Christian perfection," which emphasizes the ongoing process of sanctification and growth in holiness. Therefore, the statement is true.

2. Altogether, Charles Wesley wrote how many hymns? (choose one)

Probably 41

Nearly 1000

Less than 5000

About 6500

Charles Wesley wrote a vast number of hymns throughout his lifetime. The answer "About 6500" suggests that he wrote approximately 6500 hymns. This number is significantly higher than the other options provided, indicating that Charles Wesley was an incredibly prolific hymn writer. His extensive body of work has had a lasting impact on Christian worship and hymnody.

Explanation

Charles Wesley wrote a vast number of hymns throughout his lifetime. The answer "About 6500" suggests that he wrote approximately 6500 hymns. This number is significantly higher than the other options provided, indicating that Charles Wesley was an incredibly prolific hymn writer. His extensive body of work has had a lasting impact on Christian worship and hymnody.

3. The Wesley brothers were quite impressed with what religious group, which later reflected in their hymnody? (choose one)

Jehovah's Witnesses

Moravian Cistern

Anglican clergymen

Moravian Brethren

The correct answer is Moravian Brethren. The Wesley brothers, John and Charles Wesley, were members of the Anglican Church but were greatly influenced by the Moravian Brethren. They were impressed by the Moravians' deep spirituality and their emphasis on personal faith and religious experience. This influence is evident in their hymnody, as they incorporated many Moravian themes and ideas into their hymns.

Explanation

The correct answer is Moravian Brethren. The Wesley brothers, John and Charles Wesley, were members of the Anglican Church but were greatly influenced by the Moravian Brethren. They were impressed by the Moravians' deep spirituality and their emphasis on personal faith and religious experience. This influence is evident in their hymnody, as they incorporated many Moravian themes and ideas into their hymns.

4. Some differences between the hymns of Isaac Watts and Charles Wesley include the following: (choose as many as apply)

Wesley used more variety of hymnic meter than did Watts

Watts was associated with electrical power, while Wesley was a university in Indiana

Watts was more declarative praise, while Wesley also employed broader subjects

Watts was a Dissenter, while Wesley was an Anglican

Watts was a Calvinist, and Wesley was Arminian

The answer is Wesley used more variety of hymnic meter than did Watts, Watts was more declarative praise, while Wesley also employed broader subjects, Watts was a Calvinist, and Wesley was Arminian. This is because the passage states that Wesley used more variety of hymnic meter than Watts, and that Watts was more focused on declarative praise while Wesley incorporated broader subjects. Additionally, it mentions that Watts was a Calvinist and Wesley was Arminian, indicating a difference in their theological beliefs.

Explanation

The answer is Wesley used more variety of hymnic meter than did Watts, Watts was more declarative praise, while Wesley also employed broader subjects, Watts was a Calvinist, and Wesley was Arminian. This is because the passage states that Wesley used more variety of hymnic meter than Watts, and that Watts was more focused on declarative praise while Wesley incorporated broader subjects. Additionally, it mentions that Watts was a Calvinist and Wesley was Arminian, indicating a difference in their theological beliefs.

Submit

5. Identify five of the instructions given by John Wesley for congregational singing. (choose five)

Sing the tenor part, because it is more spritual

Beware of singing as if half dead or half asleep

Sing slowly and deliberately

Sing modestly

Sing all

Do not run before or stay behind

Sing them as they are printed

The correct answer includes five instructions given by John Wesley for congregational singing. These instructions are to beware of singing as if half dead or half asleep, to sing modestly, to sing all, to not run before or stay behind, and to sing them as they are printed.

Explanation

The correct answer includes five instructions given by John Wesley for congregational singing. These instructions are to beware of singing as if half dead or half asleep, to sing modestly, to sing all, to not run before or stay behind, and to sing them as they are printed.

Submit

6. What are some of the stylistic traits of Methodist tunes of the 1700s? (choose as many as apply)

Verse and chorus employing the same chord loop throughout

Long, wandering melodies, with few repeats

Definitely tonal, but with secondary dominants along the way

Usually employs a chorus in the relative major

Melody in the soprano, sung without accompaniment

The stylistic traits of Methodist tunes in the 1700s included long, wandering melodies with few repeats. They were definitely tonal, but also incorporated secondary dominants along the way. The melody was typically sung in the soprano, without any accompaniment.

Explanation

The stylistic traits of Methodist tunes in the 1700s included long, wandering melodies with few repeats. They were definitely tonal, but also incorporated secondary dominants along the way. The melody was typically sung in the soprano, without any accompaniment.

Submit