Explore the thematic and structural elements of Imtiaz Dharker's 'Tissue' with this insightful quiz. Assess your understanding of imagery, the symbolic role of paper, and personal identity as shaped by textual constructs.
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False
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The solidity of the objects
Echoes the beating of a heart
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True
False
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If buildings were paper, I might/feel their drift (lines 13-14)
And what was paid by credit card/might fly our lives like paper kites
Where a hand has written in the names and histories (line 7)
Script over numbers over line/and never wish to build again with brick (lines 27-28
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False
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The conditional construction 'If buildings were paper (line 13)
The modal verb 'might/ feel their drift' (lines 13-14)
The modal verb ' might fly our lives like paper kites' (line 4)
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False
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Money
Religion
Nature
Pride
Governments
A and B only
B and C only
All of the above
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Life is more complex than the other things we create
Life is more precious than the other things we create
Light is a positive force that that enables people to see and understand, that can move through and beyond boundaries, that can break objects
Life is temporary but forms part of a bigger and ongoing story
All of the above
None of the above
A,B and C only
A and B only
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Paper smoothed and stroked
Thinned
Shine through
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The different layers of life
The lack of rhythm and rhyme
Their own identity and how it is created
History, human experience and the creation of human life
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Both are extended metaphors.
Both use concrete images for description.
Both poems are written in the form of a sonnet.
Both use metaphor and images of passing time.
Both poems deal with transient aspects of human life.
Ozymandias is more narrative in style, while Dharker layers up images.
All of the above
All of the above except A and D
All of the above except C
A, B and C only
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She uses examples of important aspects of life, such as buildings, money and food
She refers to paper being 'thinned by age'
She directly compares paper to skin
All of the above
A only
A and B only
A and C only
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'daylight break through/capitals and monoliths'
Maps too. The sun shines through/their borderlines, the marks
Raise a structure/never meant to last
All of the above
A and B only
A and C only
B and C only
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Where a hand /has written in the names and histories ( lines 6-7)
Pages smoothed and stroked and turned (line 11)
An architect could use all this,/place layer over layer, luminous (lines 25-26)
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