Avant-garde
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Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Aleatoricism
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Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Expressionism
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Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Serialism
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Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Total serialism
Select a Match
Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Polytonal
Select a Match
Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Minimalism
Select a Match
Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Impressionism
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Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Primitivism
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Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Neoclassicism
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Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Post-minimalism
Select a Match
Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Polytonal
Select a Match
Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Sprechstimme
Select a Match
Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
Klangfarbenmelodie
Select a Match
Slowly evolving patterns
Somewhat obscure – harkening back to minimalism
Simultaneous use of more than one tonal centre
OCD twelve tone – everything is organized mathematically: form, melody, harmony, rhythm, etc.
Emphasis on rhythm and percussive elements
Where the notes of the melody are passed between instruments
Revival of 17th century ideas and concepts
Use of chance or random methods
Very emotional, often hysterical
Melody in one key, accompaniment in another
More musical than recitative
Music organized to use all twelve tones of the scale – dodecaphonic
Experimental artists or composers
French style with emphasis on colour, not rhythm
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