Quiz: Do You Know Blue Lines Album?

The first single released from Massive Attack's "Blue Lines" album is "Safe from Harm." The track features vocals by Shara Nelson and a distinctive blend of electronic beats, soulful vocals, and atmospheric production. "Safe from Harm" was released in September 1991, ahead of the full album's release, and it provided an early glimpse into Massive Attack's groundbreaking fusion of hip-hop, soul, and electronic music. "Safe from Harm" set the stage for the critical and commercial success of "Blue Lines" and established Massive Attack as a force to be reckoned with in the UK's burgeoning trip-hop scene. The single's innovative sound and style resonated with fans and critics alike, paving the way for the widespread acclaim and lasting influence that "Blue Lines" would achieve.

The song "Unfinished Sympathy" by Massive Attack, featuring the vocals of Shara Nelson, appears on the soundtrack to the film "Silver" (1993). The song's inclusion in the film helped expose Massive Attack's music to a broader audience and contributed to the growing popularity of the trip-hop genre in the early 1990s. "Unfinished Sympathy" is often regarded as one of the most influential and iconic songs from "Blue Lines," Massive Attack's debut album. Its fusion of soulful vocals, electronic beats, and innovative production techniques has left a lasting impact on the music industry and continues to inspire artists today.

The song "Daydreaming" by Massive Attack contains a sample of "Mambo" by Wally Badarou. "Daydreaming" is a track from the 2012 remixed and remastered version of Massive Attack's debut album, "Blue Lines." The sample of "Mambo" by Wally Badarou, a musician and composer from Benin, adds a distinctive and rhythmic element to "Daydreaming." Massive Attack is known for their innovative use of sampling and blending of various musical styles, and "Daydreaming" is a prime example of their creative approach to production. By incorporating elements of Wally Badarou's "Mambo" into their track, Massive Attack created a unique sound that contributed to the album's genre-defying style and lasting impact on the music industry.

The "Blue Lines" album by Massive Attack was re-released in 2012. This remixed and remastered version marked the 21st anniversary of the original album, which was first released in 1991. The 2012 re-release included additional tracks and expanded the iconic album's impact on the music world. The 2012 reissue of "Blue Lines" provided fans with an opportunity to revisit the groundbreaking fusion of hip-hop, soul, and electronica that Massive Attack had pioneered. The added tracks and improved sound quality helped showcase the depth and richness of the original album's production, further solidifying "Blue Lines" as a seminal work in the trip-hop genre and an enduring influence on contemporary music.

The only member of Massive Attack who provided both vocals and played keyboards on the "Blue Lines" album is Daddy G (Grant Marshall). Daddy G's contributions to "Blue Lines" were integral to shaping the album's unique sound and style. Along with his vocals, his keyboard work added depth and texture to the tracks, helping to create the atmospheric and moody soundscapes that characterized "Blue Lines." Daddy G's role within Massive Attack extended beyond "Blue Lines," as he continued to provide vocals and contribute to the group's music throughout their career. Alongside fellow members 3D (Robert Del Naja) and Mushroom (Andrew Vowles), Daddy G helped establish Massive Attack as a pioneering force in the trip-hop genre and one of the most influential and innovative acts in modern music.

The "Blue Lines" album by Massive Attack was released on April 8, 1991. This groundbreaking album marked the beginning of Massive Attack's highly influential career and was a significant milestone in the development of the trip-hop genre. "Blue Lines" blended elements of hip-hop, soul, and electronic music, resulting in a unique and innovative sound that captivated audiences and critics alike. Upon its release, "Blue Lines" received widespread acclaim and was praised for its creative vision, atmospheric production, and the powerful vocal performances of Shara Nelson, Horace Andy, and Tricky. The album's success established Massive Attack as one of the most innovative and exciting acts in modern music, and it continues to be regarded as a classic and highly influential work in the trip-hop genre.

The only song from Massive Attack's "Blue Lines" album written by William DeVaughn is "Be Thankful for What You've Got." This track is a cover of DeVaughn's original 1974 song, which Massive Attack reimagined and incorporated into their groundbreaking debut album. The song's smooth soulful sound and poignant lyrics fit seamlessly with the trip-hop aesthetic that Massive Attack pioneered on "Blue Lines," making it a standout track on an already iconic album.

The statement "The song “Unfinished Sympathy” from the “Blue Lines” album is considered one of the greatest songs in the history of music" is true. "Unfinished Sympathy" has received widespread critical acclaim and is often cited as a defining track of Massive Attack's career, as well as a touchstone of the trip-hop genre. The song's hauntingly beautiful vocals by Shara Nelson, its lush orchestration, and its innovative fusion of styles have all contributed to its enduring popularity and influence. "Unfinished Sympathy" has been recognized on numerous "best of" lists, including being ranked as one of the greatest songs of all time by publications such as NME, The Guardian, and Rolling Stone. Its lasting impact on music and culture is a testament to its status as one of the greatest songs in music history.

The statement "The “Blue Lines” album was recorded entirely in Bristol, UK" is false. While a significant portion of the album was recorded in Bristol, the album was also recorded in London, specifically at the home of Cameron McVey and Neneh Cherry. This home studio environment provided Massive Attack with the creative freedom and atmosphere they needed to craft the innovative sound of "Blue Lines." Bristol undoubtedly played a crucial role in shaping Massive Attack's music and the trip-hop genre as a whole. The city's diverse cultural influences and vibrant music scene heavily influenced the group's unique blend of hip-hop, soul, and electronic music. However, it is important to note that "Blue Lines" was not recorded exclusively in Bristol, as the recording process also involved locations in London.