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Channel:Mic input -> Small Fader -> Routing Matrix Monitor: Tape return -> Large Fader -> Quad bus
Channel: Mic input -> Large Fader -> Quad bus Monitor: Tape return -> Small Fader -> Routing Matrix
Channel:Line input -> Large Fader -> Routing matrix Monitor: Tape return -> Small Fader -> stereo bus
Channel:Line input -> Small Fader -> Routing Matrix Monitor: Tape return -> Large Fader -> Quad bus
The channel path to send a mix of bus 19 and other channel signals to group output 19
The channel path to send bus 19 directly to the mix bus
The channel path to send to bus 19 disabling all other feeds to bus 19
The monitor path to send to bus 19 disabling all other feeds to bus 19
Select the signal that you want to record to tape
Select the status in every single I/O module, regardless of the master status
Select the input signal to the monitor path
Select the input signal to the channel path
Both need to be pressed in order to enable the track for recording
Quad bus
Tape machine output 20
Group 20
Small fader 20
Switches the dynamics section into channel path post EQ
Switches the dynamics section into channel path pre EQ
Switches the dynamics section sidechain post EQ
Switches the dynamics section to channel path post fader
Post Large fader
Pre Large fader, pre processing
Pre Large fader, post processing
Post Larger fader, pre processing
AFL (non destructive)
Solo in Place (destructive)
PFL
Inactive
None of the above
Channel, monitor and group (bus)
Mic, line and Insert
Channel, mic and monitor
Quad bus, cue sends and external to monitors
Post EQ
Directly after the input of the channel path
Directly after the input of the monitor path
Post dynamics
Post processing, post fader
Post processing, pre fader
Pre processing, pre fader
Pre processing, post fader
Pre EQ, post Dyn, post fader
Direct
Float
C/O
Flip
Phase Reverse
Post processing, post fader
Post processing, pre fader
Pre processing, pre fader
Pre processing, post fader
Pre EQ, post Dyn, post fade
Reverses the faders for that module against the master status, and sends the monitor signal to the matrix
Switches the VCA fader into the monitor and reverses the signal flow against the master status
Switches the channel signal to the routing matrix, nothing goes to the quad buss
Sends the fader feeding the Quad bus to the Routing Matrix and disables the output of the other fader.
Changes the compressor to a gate
Changes the expander to a gate
Mutes signals going into the expander below a certain threshold
Switches the external key inputs from the patchbay into the sidechains
16
4
8
2
None
Places all modules to mic input
Individual channel status is dependent on the selection of the Ready Group or Ready Tape buttons
Disables the output of the fader feeding the matrix
Disables the float button
Individual channel status is dependent on the selection of the 'Float' button
Small fader feeds the Mix (quad) bus
Small fader feeds the routing matrix
Small fader output is disabled
Large fader feeds the routing matrix
'Small Fader' button and the level pot to the down position
'Pre' + 'Small Fader' buttons and the level pot to the 'down' position
'Pre' button and the level pot to the down position
'Pre' button and the level pot to the up position
Quad to Cues
External to Monitors
External to Studio
Status Lock None
It has to be patched
2 channels (Stereo)
4 channels (Quad)
6 channels (5.1)
8 channels (7.1)
Group Output 24 to 'Gen' patch point
MOTU SMPTE Output to 'Read' patch point
Multitrack Return 24 to 'Read' patch point
Multitrack Return 24 to patch point A in the SMPTE to machines sections
Channel Solos only
Group Solos only
Channel & Group Solos
It has nothing to do with solo isolate
Channel Solos only
Group Solos only
Channel & Group Solos
It has nothing to do with solo isolate
1-8
17-24
25-32
None, Pro Tools must be patched
You enable the insert return pre EQ in the monitor path
You enable the insert return pre EQ in the channel path
You enable the insert return post EQ in the channel path
You enable the insert return post EQ in the monitor path
You send a feedback loop to the headphones deafening the singer and securing your career as a NYC Bus Driver
Pulling up the ratio or range knob
Pulling up the release knob
Pulling up the threshold knob
Pushing down the release knob
Pushing down the ratio or range knob
In the monitor path
Filtered in the side chain
Patched into the key input on the patch bay
Louder than the signal it is triggering
Yes
No, there is no way to do it
Yes, but you have to patch the return directly into the headphone mix
No, you have to patch the returns back to modules
The quad bus
A separate mono solo bus
The group matrix
Modules in record mode only
The cue sends output
Plug any signal into the key input
Patch into the insert return
Hit ready tape button
Hit 'Ch In' or 'Ch Out' and 'Mon' buttons
The dynamics section must be after the EQ
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