Pro Tools 10 110

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  • 1/45 Questions

    What is the name of the dialog box that you use to label, format, map, and edit signal paths? 

    • Windows dialog box
    • I/O setup dialog box
    • Signal path dialog box
    • Routing dialog box
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Module Quizzes & Trivia
About This Quiz

This Pro Tools 10 110 quiz assesses knowledge on I\/O setup, internal and output busses, track management, and system configurations in Pro Tools 10. It is designed for learners aiming to enhance their audio engineering skills using Pro Tools software.

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  • 2. 

    What are the two busses provided by protools 10?

    • Internal mix busses and output busses

    • Input busses and edit busses

    • Left busses and right busses

    • Main busses and sub busses

    Correct Answer
    A. Internal mix busses and output busses
    Explanation
    In ProTools 10, there are two types of busses provided: internal mix busses and output busses. Internal mix busses are used for routing audio within the software, allowing for flexible signal processing and mixing. Output busses, on the other hand, are used to send audio signals out of ProTools to external devices or speakers. These two types of busses are essential for organizing and controlling audio routing in ProTools 10.

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  • 3. 

    How can you rename a signal path in the I/O setup dialog box? 

    • Right clicking on the I/O label

    • Clicking on the rename I/O tab in the I/O setup dialog box

    • Clicking the expander triangle to the left of the I/O selected

    • Double clicking on the I/O label

    Correct Answer
    A. Double clicking on the I/O label
    Explanation
    To rename a signal path in the I/O setup dialog box, you can simply double click on the I/O label. This action will allow you to edit the name of the signal path and update it to your desired name.

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  • 4. 

    Where are I/O setting saved? 

    • Both with the individual pro tools session and with the system

    • Both with the session parameters and with the session folder

    • With the I/O folder

    • With the backup files folder

    Correct Answer
    A. Both with the individual pro tools session and with the system
    Explanation
    The I/O settings in Pro Tools are saved in two locations. Firstly, they are saved with the individual Pro Tools session, ensuring that the specific I/O settings for that session are retained. Secondly, they are saved with the system, which means that the I/O settings are available for all sessions on the same system. This allows for consistency and ease of use when working with multiple sessions.

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  • 5. 

    Can I/O be shared with two systems? 

    • Yes

    • No

    • Only with Complete Production toolkit and hd systems

    • Only with I/O with less than 10 outputs

    Correct Answer
    A. Yes
    Explanation
    Yes, I/O can be shared with two systems. This means that input/output devices can be connected and used by two separate systems simultaneously. This allows for increased flexibility and efficiency in sharing resources and data between multiple systems.

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  • 6. 

    Describe the process the show and hide tracks in the tracks list. 

    Correct Answer
    To hide an track, click the track show/hide icon (solid black dot next to the track name). The track with hide from the edit and mix window when the dot is dimmed.
    Explanation
    The process to show and hide tracks in the tracks list is by clicking on the track show/hide icon, which is a solid black dot located next to the track name. When the dot is dimmed, it means that the track is hidden and will not be visible in the edit and mix window.

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  • 7. 

    Under what menu is the narrow mix under for narrower channel strips in the mix window? 

    • Setup

    • View

    • Options

    • Window

    Correct Answer
    A. View
    Explanation
    The correct answer is "View" because the question is asking for the menu where the narrow mix option can be found for narrower channel strips in the mix window. The "View" menu typically contains options related to the display and arrangement of elements in the software, so it makes sense that the narrow mix option would be located there.

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  • 8. 

    What does AMS stand for? What menu is AMS under? 

    Correct Answer
    Audio Midi Setup/ Setup menu > midi > midi studio
    Explanation
    AMS stands for Audio Midi Setup. It can be found under the Setup menu, specifically under the Midi option, and then further under the Midi Studio.

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  • 9. 

    What view is not available in the edit window? 

    • Comments

    • Inserts

    • Automation

    • Real Time Properties

    Correct Answer
    A. Automation
    Explanation
    The view that is not available in the edit window is Automation. This means that users cannot access or modify any automation settings or features within the edit window.

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  • 10. 

    Which tracks are tick-based by default?

    • Audio Tracks

    • MIDI Tracks

    • Instrument Tracks

    • Both B and C

    Correct Answer
    A. Both B and C
    Explanation
    Both MIDI tracks and instrument tracks are tick-based by default. MIDI tracks are used for recording and playing back MIDI data, which is based on ticks. Instrument tracks are similar to MIDI tracks but also include a virtual instrument or plugin, and therefore operate on a tick-based system as well. Audio tracks, on the other hand, are not tick-based by default as they deal with recorded audio waveforms rather than MIDI data.

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  • 11. 

    Which of the following is a Relative Timescale?

    • Samples

    • Bars/Beats

    • Feet+Frames

    • Time Code

    • Mins:Secs

    Correct Answer
    A. Bars/Beats
    Explanation
    Bars/Beats is a relative timescale used in music production and composition. It represents the organization of musical events and is commonly used in software and digital audio workstations. Bars refer to measures, which are a set number of beats grouped together. Beats represent the basic unit of rhythm and are usually counted in multiples of four. This relative timescale allows musicians and producers to accurately arrange and synchronize different musical elements within a composition.

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  • 12. 

    Why is a relative timescale different from absolute timescales?

    • Every sub-division on a relative timeline has a specific duration regardless of tempo.

    • The relative timeline is unchanging.

    • Durations on a relative timeline change dynamically with the session tempo.

    • Relative timelines follow session velocities.

    Correct Answer
    A. Durations on a relative timeline change dynamically with the session tempo.
    Explanation
    A relative timescale is different from absolute timescales because durations on a relative timeline change dynamically with the session tempo. This means that as the tempo of the session changes, the durations of each sub-division on the relative timeline will also change accordingly. In contrast, absolute timescales have fixed durations for each sub-division, regardless of the tempo. The changing nature of durations on a relative timeline allows for flexibility and adaptability in different musical contexts.

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  • 13. 

    There are ___ ticks in a quarter note, and ___ ticks in an eight note.

    • 940; 480

    • 960; 240

    • 950; 240

    • 960; 480

    Correct Answer
    A. 960; 480
    Explanation
    A quarter note is typically divided into four beats, and each beat is further divided into 240 ticks. Therefore, there are 960 ticks in a quarter note. An eighth note, on the other hand, is typically half the duration of a quarter note. Since each beat is divided into 240 ticks, an eighth note would have 120 ticks. However, since an eighth note occurs twice in a quarter note, the total number of ticks in an eighth note would be 240.

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  • 14. 

    Sample-based audio will not move from it's absolute location in time if the session tempo is changed.

    • True

    • False

    Correct Answer
    A. True
    Explanation
    When working with sample-based audio, the audio is played back at its original tempo and timing. If the session tempo is changed, the sample-based audio will not be affected and will remain in its original position in time. This means that the audio will not be time-stretched or compressed to fit the new tempo, allowing it to maintain its original timing and sound. Therefore, the statement is true.

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  • 15. 

    What are virtual instruments?

    • Software applications that use the processing power of the CPU or DSP hardware to produce sounds or effects.

    • Software applications that use the processing power of the CPU or DSP hardware to produce sounds only, no effects.

    • Software applications that use the processing power of the CPU, not DSP hardware, to produce sounds or effects.

    • Software applications that do not use the processing power of the CPU, only DSP hardware, to produce sounds or effects.

    Correct Answer
    A. Software applications that use the processing power of the CPU or DSP hardware to produce sounds or effects.
    Explanation
    Virtual instruments are software applications that utilize the processing power of the CPU or DSP hardware to generate sounds or effects. This means that they can create various musical sounds or manipulate audio signals by utilizing the computational capabilities of the computer's central processing unit or digital signal processing hardware. These applications can be used in music production, recording, and live performances to simulate different musical instruments or create unique sound effects.

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  • 16. 

    The two general types of virtual instruments available for use in Pro Tools are ___ virtual instruments and ___ virtual instruments. ____ virtual instruments use ReWire and run independently from Pro Tools.

    • Digital; Analog: Digital

    • Plug-in; Stand-alone; Stand-alone

    • Plug-in; Independent; Independent

    • Digital; Stand-alone; Digital

    Correct Answer
    A. Plug-in; Stand-alone; Stand-alone
    Explanation
    Plug-in virtual instruments are software programs that can be loaded directly into Pro Tools and are controlled within the Pro Tools environment. They rely on Pro Tools for their functionality and cannot run independently. On the other hand, stand-alone virtual instruments are separate software programs that can be used outside of Pro Tools. They can be run independently and do not require Pro Tools to function. Therefore, the correct answer is "Plug-in; Stand-alone; Stand-alone."

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  • 17. 

    Which of the following is NOT a characteristic of DSP plug-ins?

    • Available only on Pro Tools/HD systems(TDM plug-ins) or Pro Tools/HDX systems(AAX DSP plug-ins)

    • Rely on DSP hardware for processing

    • Are not affected by host CPU performance

    • Available for all Pro Tools systems including Pro Tools and Pro Tools HD/Native

    Correct Answer
    A. Available for all Pro Tools systems including Pro Tools and Pro Tools HD/Native
    Explanation
    DSP plug-ins are known for relying on DSP hardware for processing, meaning they offload the processing power from the host CPU to dedicated DSP chips. They are also typically only available on Pro Tools/HD systems or Pro Tools/HDX systems. However, the given answer states that DSP plug-ins are available for all Pro Tools systems, including Pro Tools and Pro Tools HD/Native. This contradicts the characteristic mentioned earlier, making it the correct answer.

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  • 18. 

    Which of the following best describes the Transfuser virtual instrument?

    • A virtual workstation synthesizer that lets you create sounds from multi-sampled instruments as well as FM, wavetable, and virtual analog synthesis.

    • A modular loop-manipulating, beat-munging groove generator.

    • A premium software synthesizer that reproduces the warm and powerful sound of legendary analog synths combined with modern digital technology.

    • A professional sampler workstation

    Correct Answer
    A. A modular loop-manipulating, beat-munging groove generator.
  • 19. 

    Which of the following best describes the Xpand!2 virtual instrument?

    • A modular loop-manipulating, beat-munging groove generator.

    • A professional sampler workstation

    • A virtual workstation synthesizer that lets you create sounds from multi-sampled instruments as well as FM, wavetable, and virtual analog synthesis.

    • A premium software synthesizer that reproduces the warm and powerful sound of legendary analog synths combined with modern digital technology.

    Correct Answer
    A. A virtual workstation synthesizer that lets you create sounds from multi-sampled instruments as well as FM, wavetable, and virtual analog synthesis.
    Explanation
    The Xpand!2 virtual instrument is described as a virtual workstation synthesizer that allows users to create sounds using multi-sampled instruments, FM synthesis, wavetable synthesis, and virtual analog synthesis. This suggests that the instrument provides a wide range of options and capabilities for sound creation, making it a versatile tool for musicians and producers.

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  • 20. 

    Which of the following best describes the Hybrid virtual instrument?

    • A premium software synthesizer that reproduces the warm and powerful sound of legendary analog synths combined with modern digital technology.

    • A professional sampler workstation

    • A modular loop-manipulating, beat-munging groove generator.

    • A virtual workstation synthesizer that lets you create sounds from multi-sampled instruments as well as FM, wavetable, and virtual analog synthesis.

    Correct Answer
    A. A premium software synthesizer that reproduces the warm and powerful sound of legendary analog synths combined with modern digital technology.
    Explanation
    The Hybrid virtual instrument is described as a premium software synthesizer that combines the warm and powerful sound of legendary analog synths with modern digital technology. This suggests that it is a high-quality virtual instrument that is capable of producing a wide range of sounds, including those typically associated with analog synthesizers. The use of "reproduces" implies that it accurately emulates the sound of analog synths, making it a popular choice for musicians and producers looking for a versatile and authentic virtual instrument.

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  • 21. 

    Which of the following best describes the Structure virtual instrument?

    • A premium software synthesizer that reproduces the warm and powerful sound of legendary analog synths combined with modern digital technology.

    • A professional sampler workstation

    • A modular loop-manipulating, beat-munging groove generator.

    • A virtual workstation synthesizer that lets you create sounds from multi-sampled instruments as well as FM, wavetable, and virtual analog synthesis.

    Correct Answer
    A. A professional sampler workstation
    Explanation
    The correct answer is "A professional sampler workstation." This is the best description of the Structure virtual instrument because it implies that it is a software tool designed for sampling and creating music. It suggests that it is a professional-grade instrument, indicating that it is of high quality and suitable for professional musicians or producers. The term "workstation" further emphasizes its functionality and versatility in music production.

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  • 22. 

    Pro Tools can receive up to __ audio streams from ReWire-compatible applications.

    • 32

    • 16

    • 64

    • 46

    Correct Answer
    A. 64
    Explanation
    Pro Tools, a digital audio workstation, has the capability to receive up to 64 audio streams from ReWire-compatible applications. ReWire is a software protocol that allows different music production software to work together seamlessly. This means that Pro Tools can integrate and collaborate with other applications, such as virtual instruments or synthesizers, and receive a maximum of 64 audio streams from them. This allows for a more versatile and expansive audio production experience within Pro Tools.

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  • 23. 

    Some ReWire-compatible istruments can be used without needing to receive MIDI data as input. You can configure this type of instrument on an Aux Input.

    • True

    • False

    Correct Answer
    A. True
    Explanation
    Some ReWire-compatible instruments can be used without needing to receive MIDI data as input. This means that these instruments can function independently and do not require any external MIDI signals to produce sound. Instead, they can be configured on an Aux Input, allowing users to directly control and manipulate their audio output. Therefore, the statement "True" is correct.

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  • 24. 

    You can only select whether a track is sample-based or tick-based when you create it.

    • True

    • False

    Correct Answer
    A. False
    Explanation
    When creating a track, you have the option to select whether it is sample-based or tick-based. This means that the given statement is incorrect.

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  • 25. 

    ____ act(s) like MIDI ports and provide software MIDI connections between Pro Tools and other MIDI software.

    • MIDI nodes

    • MIDI thru

    • Patches

    • MIDI tones

    Correct Answer
    A. MIDI nodes
    Explanation
    MIDI nodes act like MIDI ports and provide software MIDI connections between Pro Tools and other MIDI software. They allow for the transfer of MIDI data between different MIDI devices and software applications, enabling communication and synchronization between them. MIDI nodes essentially serve as virtual connectors, facilitating the exchange of MIDI information in a digital environment.

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  • 26. 

    ______ is a musical randomization algorithm that let's you create variations of sequencer patterns with a single click within the Transfuser VST.

    • N.O.T.E.

    • Tone Randomize

    • S.H.I.F.T.

    • M.A.R.I.O.

    Correct Answer
    A. M.A.R.I.O.
    Explanation
    M.A.R.I.O. is a musical randomization algorithm that allows users to generate variations of sequencer patterns with a single click within the Transfuser VST. This algorithm helps to add variety and creativity to music production by automatically creating different versions of the original pattern, making it easier for musicians and producers to experiment and explore different musical ideas.

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  • 27. 

    Xpand!2 has _____ included presets.

    • 1200

    • 900

    • 600

    • 314

    Correct Answer
    A. 1200
    Explanation
    Xpand!2 includes 1200 presets.

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  • 28. 

    ReWire is a protocol developed by _______ that enables compatible software applications to communicate with one another.

    • Avid

    • Abelton

    • Propellerhead

    • M-Audio

    Correct Answer
    A. Propellerhead
    Explanation
    Propellerhead is the correct answer because ReWire is a protocol developed by Propellerhead. This protocol allows compatible software applications to communicate with each other.

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  • 29. 

    ReWire uses a "_________" system.

    • Master/Client

    • Master/Slave

    • Master/Secondary

    • Master/Minion

    Correct Answer
    A. Master/Client
    Explanation
    ReWire uses a "Master/Client" system, where one device acts as the master and controls the other devices, which act as clients. This system allows the master device to send commands and instructions to the clients, who then carry out the tasks assigned to them. The master device has the authority and control over the clients, making decisions and coordinating their actions. This system ensures efficient communication and coordination between the master and client devices, enabling smooth operation and synchronization.

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  • 30. 

    Elastic Audio processing is provided by special plug-in processors that are available in the _____ window only.

    • Transport

    • Warp

    • Mix

    • Edit

    Correct Answer
    A. Edit
    Explanation
    Elastic Audio processing is a feature in digital audio workstations that allows for time and pitch manipulation of audio recordings. This processing is done using special plug-in processors that are available in the Edit window only. The Edit window is where users can manipulate and edit audio tracks, making it the appropriate location for accessing and applying Elastic Audio processing.

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  • 31. 

    If you  want the track  to update dynamically to match any tempo changes you make in the session, the track must be _____?

    • Sample-based

    • Tick-based

    • Record enabled

    • MIDI

    Correct Answer
    A. Tick-based
    Explanation
    If you want the track to update dynamically to match any tempo changes you make in the session, the track must be tick-based. This means that the track is synchronized to the session's timeline using ticks, which are small increments of time. Tick-based tracks can accurately follow changes in tempo and adjust their playback accordingly, ensuring that the track stays in sync with the rest of the session.

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  • 32. 

    To have new tracks default to tick-based, enable the NEW TRACKS DEFAULT TO TICK TIMEBASE option in the _______ page.

    • Editing Preferences

    • Elastic Audio Preferences

    • Elastic Audio Plug-in

    • George Bush

    Correct Answer
    A. Editing Preferences
    Explanation
    The correct answer is Editing Preferences. This is because the question is asking about where to enable the option for new tracks to default to tick-based. In Pro Tools, the Editing Preferences page allows users to customize various settings related to editing, including the default timebase for new tracks. By enabling the "NEW TRACKS DEFAULT TO TICK TIMEBASE" option in the Editing Preferences, users can ensure that any new tracks they create will automatically be set to tick-based.

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  • 33. 

    After enabling elastic audio and selecting a clip, how can you conform the tempo of a clip to your session tempo map?

    • Choose Clip>Conform To Tempo

    • Right Click and select "Conform To Tempo" from the pop-up menu

    • Double Click and select "Conform To Tempo" from the pop-up menu

    • Both A and B

    Correct Answer
    A. Both A and B
    Explanation
    Both options A and B are correct because they both provide a way to conform the tempo of a clip to the session tempo map. Option A suggests using the menu option "Clip>Conform To Tempo" to perform this action, while option B suggests right-clicking on the clip and selecting "Conform To Tempo" from the pop-up menu. Both methods achieve the same result, allowing the user to adjust the tempo of the clip to match the session tempo.

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  • 34. 

    Waveforms temporarily appear _______ as clips go offline during elastic audio analysis.

    • White

    • Grayed out

    • Black

    • Purple

    Correct Answer
    A. Grayed out
    Explanation
    During elastic audio analysis, waveforms temporarily appear grayed out as clips go offline. This is because the clips are being analyzed and processed by the elastic audio feature, causing the waveforms to become temporarily inactive or unavailable for editing. The grayed out appearance indicates that the clips are currently being modified and will return to their normal state once the analysis is complete.

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  • 35. 

    In DigiBase browsers, analyzed audio files are indicated by a _______ to the left of their file names.

    • Speaker symbol

    • X

    • Disclosure triangle

    • Check mark

    Correct Answer
    A. Check mark
    Explanation
    In DigiBase browsers, analyzed audio files are indicated by a check mark to the left of their file names. This symbol is commonly used to indicate that a task or process has been completed or verified. In this case, the check mark suggests that the audio files have been analyzed and are ready for use or further action.

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  • 36. 

    Which of the following would most likely NOT cause Elastic Audio to detect no tempo for analyzed audio?

    • Files with only a single transient.

    • Files with tempo changes.

    • Files without regular periodic rythmic patterns.

    • Files with low event confidence.

    Correct Answer
    A. Files with low event confidence.
    Explanation
    Elastic Audio analyzes audio files to detect their tempo and adjust them accordingly. It does this by identifying transients, tempo changes, and regular rhythmic patterns in the audio. However, if a file has low event confidence, it means that the software is not confident in its ability to detect the events accurately. This could be due to various factors such as low-quality audio or ambiguous transient markers. Therefore, files with low event confidence are less likely to cause Elastic Audio to detect no tempo compared to the other options provided.

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  • 37. 

    You can lower the ________ to filter out erroneous events that are detected with lower confidence during elastic audio analysis.

    • Elastic Threshold

    • Event Sensetivity

    • Event Confidence

    • Elastic Sensetivity

    Correct Answer
    A. Event Sensetivity
    Explanation
    The correct answer is "Event Sensitivity". Event sensitivity refers to the ability to adjust the threshold or sensitivity level during elastic audio analysis to filter out erroneous events that are detected with lower confidence. By lowering the event sensitivity, events that are detected with lower confidence will be filtered out, ensuring more accurate and reliable results.

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  • 38. 

    Pro Tools provides 2 track veiws for elastic audio-enabled tracks: ______ veiw and ______ veiw.

    • Warp; Analysis

    • Warp; Waveform

    • Analysis; Elastic

    • Waveform; Elastic

    Correct Answer
    A. Warp; Analysis
    Explanation
    Pro Tools provides two track views for elastic audio-enabled tracks: "Warp" view and "Analysis" view. The "Warp" view allows users to manipulate the timing and tempo of audio regions, while the "Analysis" view provides detailed information about the audio's transient markers and warp markers.

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  • 39. 

    Event markers may not display when audio is zoomed out too far

    • True

    • False

    Correct Answer
    A. True
    Explanation
    When audio is zoomed out too far, event markers may not display. This means that if the audio is viewed at a very low level of zoom, the markers that indicate specific events within the audio may not be visible. This could be due to the fact that when the audio is zoomed out, the markers become too small to be seen clearly. Therefore, the statement "Event markers may not display when audio is zoomed out too far" is true.

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  • 40. 

    If you change the track timbase from ticks to samples, any Tempo Event-Generated Warp Marker will remain unchanged.

    • True

    • False

    Correct Answer
    A. False
    Explanation
    Changing the track timebase from ticks to samples will affect the placement of Tempo Event-Generated Warp Markers. Since samples are a more accurate representation of time than ticks, the position of the markers will be adjusted accordingly to maintain the correct timing and synchronization of the audio. Therefore, the correct answer is False.

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  • 41. 

    Which of the folling is NOT a method to add Event markers in Analysis view?

    • Command click with the Grabber Tool

    • Double Click with the Grabber Tool

    • Control click with the Grabber Tool

    • Single click with the Pencil Tool

    • Right click with any edit Tool and select "Add Event Marker" from pop up menu

    Correct Answer
    A. Command click with the Grabber Tool
    Explanation
    Command click with the Grabber Tool is not a method to add Event markers in Analysis view. The other options mentioned, such as Double Click with the Grabber Tool, Control click with the Grabber Tool, Single click with the Pencil Tool, and Right click with any edit Tool and select "Add Event Marker" from the pop-up menu, are all valid methods to add Event markers in Analysis view.

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  • 42. 

    Which of the following is NOT a method of deleting Event Markers in Analysis view? 

    • Option click with the Pencil or Grabber Tool

    • Make a selection with selector tool and press delete on keyboard.

    • Double click with the Grabber Tool

    • Make a selection with selector tool and right click to select "Remove event Marker" from the pop up menu.

    Correct Answer
    A. Double click with the Grabber Tool
    Explanation
    Double clicking with the Grabber Tool is a method of deleting Event Markers in Analysis view.

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  • 43. 

    Which of the following is NOT a method to add a Warp Marker in Warp view?

    • Right click with any edit tool and select "Add Warp Marker"

    • Double click with the Grabber Tool

    • Control click with The Grabber Tool

    • Single click with the pencil tool

    • Command click with the Grabber Tool

    Correct Answer
    A. Command click with the Grabber Tool
    Explanation
    The correct answer is "Command click with the Grabber Tool". This is not a method to add a Warp Marker in Warp view. The other options mentioned are valid methods to add a Warp Marker, such as right-clicking with any edit tool and selecting "Add Warp Marker", double-clicking with the Grabber Tool, control-clicking with the Grabber Tool, and single-clicking with the pencil tool.

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Quiz Review Timeline (Updated): Mar 21, 2023 +

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  • Current Version
  • Mar 21, 2023
    Quiz Edited by
    ProProfs Editorial Team
  • Apr 04, 2013
    Quiz Created by
    Xtremeteam2013

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