Pro Tools 10 110

45 Questions | By Xtremeteam2013 | Last updated: Apr 8, 2013 | Total Attempts: 229

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Module 5 is uploaded 2013-04-07.

Questions and Answers

1.

What is the name of the dialog box that you use to label, format, map, and edit signal paths?
- A.
  
  Windows dialog box
- B.
  
  I/O setup dialog box
- C.
  
  Signal path dialog box
- D.
  
  Routing dialog box
2.

What are the two busses provided by protools 10?
- A.
  
  Internal mix busses and output busses
- B.
  
  Input busses and edit busses
- C.
  
  Left busses and right busses
- D.
  
  Main busses and sub busses
3.

How can you rename a signal path in the I/O setup dialog box?
- A.
  
  Right clicking on the I/O label
- B.
  
  Clicking on the rename I/O tab in the I/O setup dialog box
- C.
  
  Clicking the expander triangle to the left of the I/O selected
- D.
  
  Double clicking on the I/O label
4.

Where are I/O setting saved?
- A.
  
  Both with the individual pro tools session and with the system
- B.
  
  Both with the session parameters and with the session folder
- C.
  
  With the I/O folder
- D.
  
  With the backup files folder
5.

Can I/O be shared with two systems?
- A.
  
  Yes
- B.
  
  No
- C.
  
  Only with Complete Production toolkit and hd systems
- D.
  
  Only with I/O with less than 10 outputs
6.

Describe the process the show and hide tracks in the tracks list.
7.

Under what menu is the narrow mix under for narrower channel strips in the mix window?
- A.
  
  Setup
- B.
  
  View
- C.
  
  Options
- D.
  
  Window
8.

What does AMS stand for? What menu is AMS under?
9.

What view is not available in the edit window?
- A.
  
  Comments
- B.
  
  Inserts
- C.
  
  Automation
- D.
  
  Real Time Properties
10.

Which tracks are tick-based by default?
- A.
  
  Audio Tracks
- B.
  
  MIDI Tracks
- C.
  
  Instrument Tracks
- D.
  
  Both B and C
11.

Which of the following is a Relative Timescale?
- A.
  
  Samples
- B.
  
  Bars/Beats
- C.
  
  Feet+Frames
- D.
  
  Time Code
- E.
  
  Mins:Secs
12.

Why is a relative timescale different from absolute timescales?
- A.
  
  Every sub-division on a relative timeline has a specific duration regardless of tempo.
- B.
  
  The relative timeline is unchanging.
- C.
  
  Durations on a relative timeline change dynamically with the session tempo.
- D.
  
  Relative timelines follow session velocities.
13.

There are ___ ticks in a quarter note, and ___ ticks in an eight note.
- A.
  
  940; 480
- B.
  
  960; 240
- C.
  
  950; 240
- D.
  
  960; 480
14.

Sample-based audio will not move from it's absolute location in time if the session tempo is changed.
- A.
  
  True
- B.
  
  False
15.

What are virtual instruments?
- A.
  
  Software applications that use the processing power of the CPU or DSP hardware to produce sounds or effects.
- B.
  
  Software applications that use the processing power of the CPU or DSP hardware to produce sounds only, no effects.
- C.
  
  Software applications that use the processing power of the CPU, not DSP hardware, to produce sounds or effects.
- D.
  
  Software applications that do not use the processing power of the CPU, only DSP hardware, to produce sounds or effects.
16.

The two general types of virtual instruments available for use in Pro Tools are ___ virtual instruments and ___ virtual instruments. ____ virtual instruments use ReWire and run independently from Pro Tools.
- A.
  
  Digital; Analog: Digital
- B.
  
  Plug-in; Stand-alone; Stand-alone
- C.
  
  Plug-in; Independent; Independent
- D.
  
  Digital; Stand-alone; Digital
17.

Which of the following is NOT a characteristic of DSP plug-ins?
- A.
  
  Available only on Pro Tools/HD systems(TDM plug-ins) or Pro Tools/HDX systems(AAX DSP plug-ins)
- B.
  
  Rely on DSP hardware for processing
- C.
  
  Are not affected by host CPU performance
- D.
  
  Available for all Pro Tools systems including Pro Tools and Pro Tools HD/Native
18.

Which of the following best describes the Transfuser virtual instrument?
- A.
  
  A virtual workstation synthesizer that lets you create sounds from multi-sampled instruments as well as FM, wavetable, and virtual analog synthesis.
- B.
  
  A modular loop-manipulating, beat-munging groove generator.
- C.
  
  A premium software synthesizer that reproduces the warm and powerful sound of legendary analog synths combined with modern digital technology.
- D.
  
  A professional sampler workstation
19.

Which of the following best describes the Xpand!2 virtual instrument?
- A.
  
  A modular loop-manipulating, beat-munging groove generator.
- B.
  
  A professional sampler workstation
- C.
  
  A virtual workstation synthesizer that lets you create sounds from multi-sampled instruments as well as FM, wavetable, and virtual analog synthesis.
- D.
  
  A premium software synthesizer that reproduces the warm and powerful sound of legendary analog synths combined with modern digital technology.
20.

Which of the following best describes the Hybrid virtual instrument?
- A.
  
  A premium software synthesizer that reproduces the warm and powerful sound of legendary analog synths combined with modern digital technology.
- B.
  
  A professional sampler workstation
- C.
  
  A modular loop-manipulating, beat-munging groove generator.
- D.
  
  A virtual workstation synthesizer that lets you create sounds from multi-sampled instruments as well as FM, wavetable, and virtual analog synthesis.
21.

Which of the following best describes the Structure virtual instrument?
- A.
  
  A premium software synthesizer that reproduces the warm and powerful sound of legendary analog synths combined with modern digital technology.
- B.
  
  A professional sampler workstation
- C.
  
  A modular loop-manipulating, beat-munging groove generator.
- D.
  
  A virtual workstation synthesizer that lets you create sounds from multi-sampled instruments as well as FM, wavetable, and virtual analog synthesis.
22.

Pro Tools can receive up to __ audio streams from ReWire-compatible applications.
- A.
  
  32
- B.
  
  16
- C.
  
  64
- D.
  
  46
23.

Some ReWire-compatible istruments can be used without needing to receive MIDI data as input. You can configure this type of instrument on an Aux Input.
- A.
  
  True
- B.
  
  False
24.

You can only select whether a track is sample-based or tick-based when you create it.
- A.
  
  True
- B.
  
  False
25.

____ act(s) like MIDI ports and provide software MIDI connections between Pro Tools and other MIDI software.
- A.
  
  MIDI nodes
- B.
  
  MIDI thru
- C.
  
  Patches
- D.
  
  MIDI tones

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