Music Publishing Outcome 2

SSA stands for Single Song Agreement. This term refers to a legal agreement between a songwriter and a music publisher or record label for the rights to a specific song. It outlines the terms and conditions regarding the ownership, royalties, and usage of the song. This agreement is commonly used in the music industry to protect the rights and interests of both the songwriter and the publisher/label.

PJ Harvey signed an administration deal with EMI publishing in February. By expecting her new publishers to collect and distribute royalties, she is hoping that they will handle the financial aspect of her music, ensuring that she receives the income she is entitled to from the usage of her songs. Additionally, by expecting them to issue licenses, she is entrusting them with the responsibility of granting permissions for others to use her music, further expanding her reach and potential earnings.

The period following the term when a publisher continues to own the rights within works is known as a retention period. This means that even after the initial term or contract has ended, the publisher retains ownership of the rights to the works. During this period, the publisher may still have control over how the works are used or distributed.

In Exclusive Songwriting Agreements (ESA), writers assign all rights to the publisher. This means that the writers give the publisher complete ownership and control over their songs, including the rights to reproduce, distribute, perform, and make derivative works. By assigning all rights, the writers are granting the publisher the exclusive authority to exploit their songs commercially and collect royalties on their behalf. This allows the publisher to maximize the potential income from the songs and ensures that the writers receive proper compensation for their work.

Of course they are, otherwise they wouldn't make any money for their writer.

A publisher may reject works created by a writer if they are not suitable for commercial exploitation. This means that the works may not have the potential to generate enough sales or profits for the publisher. Publishers are primarily interested in works that have market value and can appeal to a wide audience. If a writer's works do not meet these criteria, the publisher may choose to reject them in order to focus on works that have a higher likelihood of commercial success.

Jedward will not expect to pay any commission to a publisher because they are self-administering the rights in their works. This means that they are handling all aspects of their works themselves, including distribution and licensing, without the involvement of a publisher. Therefore, they will not owe any commission to a publisher.

The correct answer is competition from other publishers. In publishing agreements, the amount of advance paid to the writer is determined by the level of competition among publishers. If multiple publishers are interested in acquiring the writer's work, they may offer higher advances to secure the publishing rights. On the other hand, if there is less competition, the advance amount may be lower. Therefore, the level of competition from other publishers plays a crucial role in determining the advance paid to the writer.

The term "minimum commitment" refers to the number of songs that the writer is obligated to complete within the duration of the agreement with the publisher. It signifies the minimum amount of work that the writer must deliver during the agreed period of time.