The direction - working out the creator's mindset from the film always gives me a good challenge
The cinematography - I like the different camera angles that help demonstrate the story/mood
The acting - while sometimes appalling, performances can be turned to gold by great actors
The sound - visuals often bore me, but the sound can entrance me in the film and is probably the most elaborately-edited feature
The story - I love a good drama or crime, and what better than with the dialog and action to make it all pay off
Organised - I prefer not to get ahead of myself but to keep a clear mind. Being talkative can help spread my ideas to other people.
Experimental - I will often work on particular projects to achieve perfection or to have fun toying with multiple means; limitations are my greatest enemies
Sporadic - I can hardly talk or think about one thing without going onto something else! There's just too many ideas!
Patient - taking time with things can help me to experiment and tweak, but my focuses remain straight-forward. If something doesn't work, I can wait until it can be fixed.
Rash - exploitation may have to be used if all else fails. Other than that, I will branch out, thinking carefully about new ways in which things will work and their outcomes
The soldiers, and the stretcher they're attending to
The helicopter overhead, and what appears to be a desert in the backround
Whatever must have happened to these men for them to end up in this predicament
That fact that there's no noise, with only visuals to tell what's happening. Imagination can help me to perceive the sound being created there
They are fighting hard for something - going as far as to call an emergency helicopter for a fallen friend - but what for? And is the helicopter friendly?
Of course! - even with classic bad CGI-filled movies, there's at still a lot of work being put into particular details such as the effects
Most of the time - I do believe every film has some form of work from a lot of people in order to make it, well, a film
Sometimes - I tend to focus on what's being portrayed and try not to think of any stress the film crew went into making some scenes, otherwise I'll just feel bad if it doesn't pay off
Not really - I believe a lot more can be done with films, but some things are just done better than others. Apart from I don't see the effort making the film working its way onto the final peice
Hell no - movies are either for fun, cheap entertainment, money, experimentation or anything else these lazy-ass imbeciles could conjure up.
Wait, then see if the news reporter interviews me on my opinion on the incident
Walk on by, but check out the scene of the damage, and how it will look on the cameras which are zooming in on the wreckage
Walk in the background of the reporter and start dancing, fooling around, pulling faces and calling out friends and family's names
Ignore it; the drivers will probably be fine. But the police sirens sound cool, at least
Walk on by/walk away but take a few pictures and notes for yourself
Anything you write from music to book reports to novels will forever go down in history, earning you billions
A short book containing every piece of information on your favorite hobbie
A HD timelapse of fifty years of evolution on earth in two minutes
A personal picture and autograph from every renowned celebrity dating back to the Silent Era
The actual sound of God's voice captured by NASA
Introducing him/her in the midst of the adventure, only stopping for pit-stops to explain long segments of exposition about him/herself
Have a large, serene environment in which the his/her personality is found out finds his/her destiny, and goes on an adventure of epic scale
Finding out his/her personality first, finding out everything about them before their journey, then afterward have every subplot of his/hers be concluded satisfactorily
He/she dies in the climax, but through characters that are left we can find more about him/her from their opinions on him/her
Setting him/her up, sending him/her out on a journey, and finding out more about him/her through his/her journey
A lot - I know every camera angle, genre and insight in storytelling, could probably handle a movie all on my own
Quite a big - I know that cameras and settings are important, but perhaps a few tips would be nice
I'm getting there - I'm more of a sucker for how the starring cast handle themselves, other than that not much
Quite a bit actually, but not a lot. I know my own skills and will need to be shown the ropes
I'm an expert - but perhaps I know a lot on how to craft a film and not make it; others can definitely help me