Arch History 1302 Practice Exam

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  • 1/137 Questions

    What characterized the 1700s?

    • Stability and resolve
    • Colonialism and unease
    • Same as the 1600s
    • Lais·sez-faire and contraction
Please wait...
About This Quiz

Arch History 1302 Practice Exam explores significant modernism trends and philosophies in architectural design, focusing on influential figures like Dieter Rams and Le Corbusier. It assesses understanding of design principles and their cultural impact.

Arch History 1302 Practice Exam - Quiz

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  • 2. 

    Why were colonial forts walls sloped?

    • To make burning oil flow better

    • To deflect canon and mortar shots

    • For reflecting the sun

    • Cheaper and more stable to build

    Correct Answer
    A. To deflect canon and mortar shots
    Explanation
    Colonial forts had sloped walls to deflect cannon and mortar shots. The sloping design helped to reduce the impact of incoming projectiles by causing them to ricochet off the walls instead of directly hitting them. This made it more difficult for enemy forces to breach the fortifications and provided better protection for those inside. Additionally, the sloped walls also made it harder for scaling ladders to be placed against them, further enhancing the defensive capabilities of the fort.

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  • 3. 

    What was the Hawa Mahal made for?

    • A way to display great power and elitism

    • A wind block for the palace

    • To allow for royals to be seen from the passing parades

    • To allow women to watch festival processions while remaining unseen

    Correct Answer
    A. To allow women to watch festival processions while remaining unseen
    Explanation
    The Hawa Mahal was built to allow women to watch festival processions while remaining unseen. The intricate latticework of the palace's windows provided a way for the women of the royal family to observe the festivities and street parades without being seen by the general public. This allowed them to maintain their privacy and adhere to the strict cultural norms of the time.

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  • 4. 

    What was the most important change to the architectural landscape during the Industrial Revolution?

    • The church

    • The factory

    • The truss

    • Waterpower

    Correct Answer
    A. The factory
    Explanation
    During the Industrial Revolution, the most important change to the architectural landscape was the introduction of factories. Factories revolutionized the way goods were produced by bringing together machinery, labor, and resources under one roof. This led to the rapid growth of urban areas and the decline of rural communities. The factory system also brought about significant social and economic changes, such as the rise of the working class and the shift from a predominantly agrarian society to an industrial one. The impact of factories on the architectural landscape was profound, as they became the focal point of industrialized cities and shaped the urban environment.

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  • 5. 

    What was the double appeal of Ancient Greece and the Renaissance?

    • Ancient Greece was seen as progressive, philosophically sophisticated and militaristic coupled with the artistic achievement of the Renaissance.

    • Ancient Greece was seen as lavish and opulent coupled with the emphasis of richness in the Renaissance.

    • Ancient Greece was see as conservative and economically powerful while the Renaissance was all about merchants and profitability.

    • Ancient Greece was seen as a model for political society and the Renaissance featured artwork that was made by the middle class.

    Correct Answer
    A. Ancient Greece was seen as progressive, philosophically sophisticated and militaristic coupled with the artistic achievement of the Renaissance.
    Explanation
    Ancient Greece and the Renaissance were both admired for their progressive and philosophically sophisticated nature. Ancient Greece was known for its advancements in philosophy and the arts, while the Renaissance was a period of great artistic achievement. The combination of these two aspects made Ancient Greece and the Renaissance particularly appealing to many people.

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  • 6. 

    One way Frank Lloyd Wright's modernism was different from the Europeans was...

    • Not afraid to build vertically and tall over 3 stories high.

    • Not afraid to incorporate porches and platforms into the living space of the building.

    • Not afraid to include white stucco walls and ribbon windows.

    • Not afraid to shut the outside areas off from the interior of the buildings.

    Correct Answer
    A. Not afraid to incorporate porches and platforms into the living space of the building.
    Explanation
    Frank Lloyd Wright's modernism was different from the Europeans because he was not afraid to incorporate porches and platforms into the living space of the building. Unlike European modernists who focused more on functionalism and minimalism, Wright believed in integrating nature into his designs and blurring the boundaries between indoor and outdoor spaces. He often included porches and platforms that extended the living area into the surrounding environment, creating a seamless connection between the interior and exterior of the building. This approach added a unique element to his modernist designs and set him apart from his European counterparts.

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  • 7. 

    What spurred the BROAD acceptance and use of concrete as a building material?

    • Its fire resistance

    • Its strength

    • Its low cost

    • Its low-skilled worker needs

    Correct Answer
    A. Its fire resistance
    Explanation
    The correct answer is "its fire resistance". Concrete gained broad acceptance and use as a building material due to its ability to withstand fire. Unlike other materials, concrete does not burn or release toxic fumes when exposed to high temperatures. This makes it a safe and reliable choice for construction, especially in areas prone to fire hazards. Additionally, its fire resistance enhances the durability and longevity of structures, making it a preferred option for builders.

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  • 8. 

    The Arts and Crafts Movement help pave the way for modernism.

    • True

    • False

    Correct Answer
    A. True
    Explanation
    The Arts and Crafts Movement, which emerged in the late 19th century, emphasized the importance of craftsmanship, simplicity, and the use of natural materials in design and architecture. This movement sought to counter the negative effects of industrialization and mass production by promoting handmade, high-quality goods. The principles and aesthetics of the Arts and Crafts Movement greatly influenced the development of modernism, which emerged in the early 20th century. Modernism rejected traditional forms and embraced innovation, abstraction, and functionality in art, design, and architecture. Therefore, it can be concluded that the Arts and Crafts Movement did help pave the way for modernism.

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  • 9. 

    What does Dymaxion mean?

    • Dynamism, maximum, and ions

    • Disintegrating maximum integration

    • Dynamo, jello, yo-yo

    • Telephonic wavelength electrons

    Correct Answer
    A. Dynamism, maximum, and ions
    Explanation
    The term "Dymaxion" is a combination of the words dynamism, maximum, and ions. This suggests that it represents a concept or idea that encompasses both dynamism and maximum potential, possibly in relation to ions or energy. It implies a sense of movement, progress, and efficiency, combining the ideas of dynamic action and reaching the highest potential.

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  • 10. 

    What did Mrs Farnsworth feel like she was living in at her Mies van der Rohe designed house?

    • Fishbowl

    • Treehouse

    • Airplane

    • Boat

    Correct Answer
    A. Fishbowl
    Explanation
    Mrs Farnsworth felt like she was living in a fishbowl at her Mies van der Rohe designed house. This suggests that the house had a design or layout that made her feel exposed or observed, similar to how fish in a fishbowl can be seen from all angles. It implies that the house lacked privacy or a sense of seclusion, making Mrs Farnsworth feel as if she was constantly being watched or observed.

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  • 11. 

    What is the dominant and most significant structural system at play at Fallingwater?

    • Load bearing stone

    • Tensile steel

    • Post and lintel

    • Cantilevered concrete

    Correct Answer
    A. Cantilevered concrete
    Explanation
    The dominant and most significant structural system at play at Fallingwater is cantilevered concrete. This means that the concrete elements of the building are extended beyond their supports, creating an overhang. This design allows for open and uninterrupted spaces, as well as a seamless connection between the interior and exterior of the building. The cantilevered concrete system is a key feature of Fallingwater's iconic design, showcasing the innovative and daring approach of architect Frank Lloyd Wright.

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  • 12. 

    Where is Fallingwater?

    • Madison Wisconsin

    • Phoenix Arizona

    • Upstate New York

    • Bear Run, Pennsylvania

    Correct Answer
    A. Bear Run, Pennsylvania
    Explanation
    Fallingwater is located in Bear Run, Pennsylvania. This iconic house was designed by architect Frank Lloyd Wright and is a prime example of his organic architecture style. It is situated in the Bear Run Nature Reserve, overlooking a waterfall and surrounded by lush forest. Fallingwater is known for its innovative design, with cantilevered balconies and integration with the natural surroundings. It has become a popular tourist attraction and is considered a masterpiece of modern architecture.

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  • 13. 

    How would you describe the Brasilian Modernist Style?

    • Non-functiona

    • Meek

    • Non-influencial

    • Monumental

    Correct Answer
    A. Monumental
    Explanation
    The Brazilian Modernist Style can be described as monumental because it is characterized by large-scale and grand architectural designs. This style often incorporates bold and dramatic forms, emphasizing the importance and significance of the buildings. The use of monumental elements in Brazilian Modernist architecture reflects a desire to make a powerful visual impact and convey a sense of strength and permanence.

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  • 14. 

    According to Kahn, light is what?

    • The form giver

    • The maker of material (and material is spent light)

    • The reason we design (and why architects are good or bad)

    • A necessary evil

    Correct Answer
    A. The maker of material (and material is spent light)
    Explanation
    According to Kahn, light is considered the maker of material. He believed that light is not only a physical element, but it also has the power to shape and define the material world. In his architectural philosophy, Kahn emphasized the importance of light in creating meaningful spaces and enhancing the experience of architecture. He believed that material is ultimately transformed and brought to life through the presence and manipulation of light.

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  • 15. 

    What is the principle design element of Le Corbusier's Cahpel at Ronchamp?

    • The triangle

    • The rectangle

    • The square

    • The curve

    Correct Answer
    A. The curve
    Explanation
    Le Corbusier's Chapel at Ronchamp is known for its unique and innovative design, which prominently features curves. The use of curves in the building's architecture creates a sense of fluidity and organic form, deviating from the traditional rectilinear shapes commonly found in architectural design. The curves in the Chapel's roof, walls, and windows not only add visual interest but also allow for the manipulation of natural light and create a dynamic spatial experience for visitors. The principle design element of Le Corbusier's Chapel at Ronchamp is the curve, which sets it apart from other architectural structures.

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  • 16. 

    As mentioned in the film about the Exter Library, what was Kahn's simple approach to organizing the library based on a metephor?

    • Geometries to inspire mystic understanding

    • Using brick as a manner of warmth and security

    • Taking a book from the darkness to the read it in the light

    • The heaviness of the concrete holding the knowledge

    Correct Answer
    A. Taking a book from the darkness to the read it in the light
    Explanation
    Kahn's simple approach to organizing the library based on a metaphor was to take a book from the darkness to read it in the light. This suggests that he believed in bringing knowledge and information out of obscurity and making it accessible and illuminated for people to explore and learn from.

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  • 17. 

    Especially at the Salk building, but really in all of his buildings, Kahn attempted to do what for modern architecture?

    • Show the power of metaphor and symbolism

    • Restore concrete as a choice building material

    • Restore a traditional sensibility for the modern world

    • Restore monumentality and gravitas

    Correct Answer
    A. Restore monumentality and gravitas
    Explanation
    Kahn attempted to restore monumentality and gravitas in his buildings, particularly at the Salk building. This means that he aimed to bring back a sense of grandeur, significance, and seriousness to modern architecture. He wanted to create buildings that had a strong presence and conveyed a sense of importance and weight. By doing so, Kahn sought to counter the trend of functionalism and utilitarianism in modern architecture and instead emphasize the emotional and symbolic aspects of design.

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  • 18. 

    Who got credit for the work from the Eames studio?

    • Everyone in the office

    • Charles, the male designer

    • Charles and Ray equally

    • Ray, the woman behind the man

    Correct Answer
    A. Charles, the male designer
    Explanation
    The correct answer is Charles, the male designer. This suggests that Charles received credit for the work from the Eames studio, implying that he was recognized as the primary contributor or the main figure behind the work.

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  • 19. 

    What was the main building material for the Eames House?

    • Wood

    • Brick

    • Steel

    • Stone

    Correct Answer
    A. Steel
    Explanation
    The main building material for the Eames House was steel. This is evident from the fact that steel is listed as one of the options and is the correct answer.

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  • 20. 

    What was the Georges Pompidou center about?

    • Brutalism

    • Metabolism

    • Legibility

    • Post modernism

    Correct Answer
    A. Legibility
    Explanation
    The Georges Pompidou center was about legibility. Legibility refers to the clarity and comprehensibility of a design or structure. The center, located in Paris, was designed in a style known as high-tech architecture, which emphasized transparency and exposed structural elements. The building's innovative design aimed to make the functions and organization of the center easily understandable to visitors, with clear circulation paths and visible services.

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  • 21. 

    According to Zumthor, how do people design things with such a beautiful, natural presence?

    • Trial and error

    • Atmosphere

    • Craftsmanship

    • Practice

    Correct Answer
    A. Atmosphere
    Explanation
    Zumthor believes that people design things with a beautiful, natural presence through creating the right atmosphere. This suggests that the ambiance or environment in which the design process takes place is crucial in achieving such results. By carefully curating the atmosphere, designers can tap into their creativity and intuition, allowing them to create designs that possess a sense of beauty and authenticity.

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  • 22. 

    There are doors in Zumthor's thermal spa.

    • True

    • False

    Correct Answer
    A. False
    Explanation
    The statement mentions "doors in Zumthor's thermal spa." However, it does not specify the number or presence of doors. Therefore, it cannot be determined whether there are doors or not in Zumthor's thermal spa. Hence, the answer is False.

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  • 23. 

    According to Zumthor towards the end of the video Peter Zumthor The Thermae of Stone, what is Architecture?

    • Any built structure

    • It provides freedom

    • Good buildings

    • Buildings that impose themselves into the landscape

    Correct Answer
    A. It provides freedom
    Explanation
    According to Zumthor in the video "Peter Zumthor The Thermae of Stone," architecture is described as something that provides freedom. This suggests that architecture has the ability to create spaces that allow individuals to feel liberated and unrestricted. It implies that architecture has the power to enhance the human experience by providing a sense of openness and possibility within built structures.

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  • 24. 

    According to Peter Zumthor, what is quality architecture to him?

    • Moderne architecture

    • Architecture that is white

    • When a building manages to move him

    • Concrete columns

    Correct Answer
    A. When a building manages to move him
    Explanation
    According to Peter Zumthor, quality architecture is when a building manages to move him. This suggests that he believes a truly remarkable and impactful architecture is one that evokes emotions and creates a deep connection with the viewer. It goes beyond physical aesthetics or specific materials used, emphasizing the power of architecture to touch and inspire individuals on a personal and emotional level.

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  • 25. 

    What does the design of the spa area revolve around?

    • A series of columns

    • Regular spaced light fixtures

    • A huge fireplace

    • Two irregularly shaped pools

    Correct Answer
    A. Two irregularly shaped pools
    Explanation
    The design of the spa area revolves around two irregularly shaped pools. These pools are likely the central focus of the design, providing a unique and visually appealing element to the space. The irregular shapes of the pools may create a sense of organic flow and relaxation, enhancing the overall spa experience for guests. The pools may also serve as a focal point for various spa activities, such as hydrotherapy or lounging areas, further emphasizing their importance in the design.

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  • 26. 

    What's the problem with the term 'good design'?

    • You have to look into the past for it

    • Willingness to be opinionated

    • Tastes can't be considered moral

    • Connotation of moral authority

    Correct Answer
    A. Connotation of moral authority
    Explanation
    The term 'good design' has a problem with the connotation of moral authority. This means that the term implies that there is a moral judgment attached to what is considered good design, suggesting that there is a right or wrong way to design something. However, design is subjective and personal taste plays a significant role in determining what is considered good design. Therefore, the term 'good design' should not carry the connotation of moral authority as it is a matter of personal preference rather than a universally accepted standard.

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  • 27. 

    What are the three characteristics of design (according to Richard Buchanan

    • Logos

    • Prontos

    • Pathos

    • Santos

    • Ethos

    Correct Answer(s)
    A. Logos
    A. Pathos
    A. Ethos
    Explanation
    The three characteristics of design, according to Richard Buchanan, are logos, pathos, and ethos. Logos refers to the logical and rational aspects of design, focusing on functionality and problem-solving. Pathos relates to the emotional and experiential elements of design, aiming to evoke certain feelings and create a connection with the user. Ethos pertains to the ethical and moral dimension of design, considering the impact and responsibility of design on society and individuals. These three characteristics encompass different aspects of design, ensuring a holistic and well-rounded approach to creating meaningful and impactful designs.

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  • 28. 

    Promoters of the Modern Movement think that machines should

    • Be covered with beautiful ornament.

    • Speak for themselves.

    • Live beyond their makers.

    • Cover up their insides.

    Correct Answer
    A. Speak for themselves.
    Explanation
    The correct answer is "speak for themselves." Promoters of the Modern Movement believe that machines should be designed in a way that their functionality and aesthetics are self-explanatory. They should be able to convey their purpose and value without the need for additional ornamentation or decoration. This approach focuses on the idea that the design of a machine should be honest, transparent, and expressive of its intended function, rather than relying on superficial embellishments.

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  • 29. 

    What are the three scales of engagement with space (from smallest to largest)?

    • Local, state, national

    • 1/4"=1'-0", 1/2"=1'-0", 1"=1'-0"

    • Local, national, global

    • Human (individual) experience, social constructs and environmental factors

    Correct Answer
    A. Human (individual) experience, social constructs and environmental factors
  • 30. 

    The entire class is framed (presented through an idea of) the idea of...

    • Architectural Heroes

    • War time production methods

    • A Euro-centric bias

    • What "good" architecture is.

    Correct Answer
    A. What "good" architecture is.
    Explanation
    The given options suggest different themes or ideas that the entire class is framed around. The correct answer, "What 'good' architecture is," implies that the class is centered around understanding and defining the characteristics and qualities that make architecture good or successful. This suggests that the class may focus on analyzing and evaluating architectural designs, principles, and criteria to determine what constitutes good architecture.

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  • 31. 

    How did the Bakufu affect the city of Edo (now Tokyo)?

    • Created a city open to nature

    • Allowed the populace to mix more freely

    • Create divisions between each class

    • allowed more localized authority.

    Correct Answer
    A. Create divisions between each class
    Explanation
    The Bakufu, or the military government of Japan, created divisions between each class in the city of Edo (now Tokyo). This means that the Bakufu implemented policies or systems that separated and distinguished the different social classes within the city. This could have included regulations on where people of different classes could live, what jobs they could have, or what privileges they were entitled to. These divisions would have had an impact on the social structure and dynamics of the city, potentially leading to inequality and limited social mobility.

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  • 32. 

    In Korea the Pyoungsan Academy was built for what class of citizens?

    • Lower middle class

    • Poor

    • chongjas elite

    • Yangban elite

    Correct Answer
    A. Yangban elite
    Explanation
    The Pyoungsan Academy in Korea was built for the yangban elite class of citizens. The yangban were the highest social class in traditional Korean society, consisting of aristocrats, scholars, and government officials. The academy was established to provide education and training to the yangban elite, preparing them for positions of power and leadership in the government and society.

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  • 33. 

    Neo-Palladianism was generally associated with what political party in England?

    • Torey

    • Protestantism

    • Republican

    • Whig

    Correct Answer
    A. Whig
    Explanation
    Neo-Palladianism was generally associated with the Whig political party in England. The Whigs were a political faction that emerged in the late 17th century and were known for their support of constitutional monarchy, limited government, and the preservation of individual liberties. Neo-Palladianism, a style of architecture that drew inspiration from classical Roman and Greek designs, was favored by the Whigs as it represented their ideals of order, reason, and enlightenment. This architectural style became popular during the 18th century and was often used to symbolize the Whig party's commitment to progress and intellectualism.

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  • 34. 

    Qianlong practiced Tibetan Buddhism in private, eventhough the official government policy was based on Confusian ethics. He therefore tried to be a model Buddhist leader. How did this affect his practice of architecture? 

    • He kept the architecture specific to each region, which respected the individual cultures of the big empire.

    • He preferred to have a single style based on the ancient Chinese secrets of Dung-po.

    • He took aspects of several types of architecture and cultures and melded them into a modernized synthetic whole.

    • He thought that his preferences didn't matter, so he let each project architect choose how to build according to what they thought was appropriate.

    Correct Answer
    A. He took aspects of several types of architecture and cultures and melded them into a modernized synthetic whole.
    Explanation
    Qianlong's practice of Tibetan Buddhism influenced his approach to architecture by taking aspects of several types of architecture and cultures and combining them into a modernized synthetic whole. This means that he incorporated elements from different architectural styles and cultures, respecting the individual cultures of the diverse empire. This approach allowed him to create a unique architectural style that reflected the diversity and inclusivity of his empire, while also showcasing his commitment to being a model Buddhist leader.

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  • 35. 

    What are all Hindu temples a model of?

    • The Earth

    • The Palace

    • Heaven

    • The cosmos

    Correct Answer
    A. The cosmos
    Explanation
    Hindu temples are often considered a model of the cosmos. This is because they are designed to represent the universe and its various elements. The temple structure symbolizes the sacred Mount Meru, which is believed to be at the center of the universe in Hindu cosmology. The different levels and sections of the temple correspond to different realms of existence, from the earthly realm to the heavenly realms. The intricate carvings and decorations on the temple walls depict various celestial beings, gods, and goddesses, further emphasizing the connection to the cosmos.

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  • 36. 

    What is the city of Jaipur theoretically based upon?

    • Star constellations

    • Wagon wheel

    • Ceremonial procession

    • Nine-square mandala

    Correct Answer
    A. Nine-square mandala
    Explanation
    Jaipur is theoretically based upon the nine-square mandala. A mandala is a geometric design that represents the universe in Hindu and Buddhist symbolism. In the case of Jaipur, the city was designed using a nine-square grid layout, with each square representing a different sector or aspect of the city. This layout was believed to bring harmony and balance to the city, aligning it with the principles of the mandala. The nine-square mandala layout is a unique feature of Jaipur's urban planning and contributes to its cultural and architectural significance.

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  • 37. 

    What conversation did the fakeness of the plaster building material provoke about colonial architecture?

    • Pride and shame as a function of appearance of buildings

    • Structural worry and engineering debate

    • Earthquake resistance versus beauty of form

    • Racial division and economic disparity

    Correct Answer
    A. Pride and shame as a function of appearance of buildings
    Explanation
    The fakeness of the plaster building material provoked a conversation about pride and shame as a function of the appearance of buildings in colonial architecture. This suggests that the use of fake materials in building construction may have caused a sense of embarrassment or dissatisfaction among the colonial architects and residents, as it did not reflect the desired aesthetic or quality. The conversation might have explored the impact of appearances on the perception of colonial architecture and how it reflected the socio-economic status or cultural identity of the colonizers.

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  • 38. 

    Where was the first fireproof warehouse in the world?

    • Paris

    • Madrid

    • Liverpool

    • London

    Correct Answer
    A. Liverpool
    Explanation
    Liverpool is the correct answer because it was the location of the world's first fireproof warehouse. This warehouse was built in 1799 by William Parr and Thomas Haigh, and it was made entirely of cast iron and brick, with no wood used in its construction. This innovative design made it resistant to fire and helped protect the valuable goods stored inside. The success of this fireproof warehouse in Liverpool led to the construction of similar buildings in other cities around the world.

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  • 39. 

    What ideology did Greek Revival architecture reinforce in the United States?

    • Republicanism

    • Elitism

    • Artistic

    • Democracy

    Correct Answer
    A. Elitism
    Explanation
    Greek Revival architecture in the United States reinforced the ideology of elitism. This architectural style, which drew inspiration from ancient Greek and Roman designs, was associated with wealth, power, and sophistication. It was often used to construct grand public buildings, mansions, and institutions, symbolizing the social and economic status of the elite class. The use of classical elements in these structures aimed to evoke a sense of superiority and exclusivity, reinforcing the idea that only the privileged few deserved such opulent and prestigious architecture.

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  • 40. 

    What is a dakhma?

    • Islamic altar

    • Theatrical stage

    • Funerary tower

    • Sacrificial altar

    Correct Answer
    A. Funerary tower
    Explanation
    A dakhma is a funerary tower. In Zoroastrianism, a dakhma, also known as a "Tower of Silence," is a raised structure where the dead bodies are placed to be exposed to the elements and scavenging birds, as part of the traditional burial ritual. This practice is based on the belief that dead bodies are impure and should not pollute the earth or water. The dakhma allows for the natural decomposition of the body while preventing contamination of the environment.

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  • 41. 

    Altes Museum: What is the interior of the central space modeled after?

    • Pantheon

    • Acropolis

    • Parthenon

    • Atheneum

    Correct Answer
    A. Pantheon
    Explanation
    The interior of the central space of the Altes Museum is modeled after the Pantheon. The Pantheon is a famous ancient Roman temple in Rome, known for its impressive dome and circular design. The Altes Museum, located in Berlin, Germany, was designed by architect Karl Friedrich Schinkel and completed in 1830. It was inspired by classical Greek and Roman architecture, and the central space of the museum emulates the grandeur and architectural style of the Pantheon.

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  • 42. 

    What was an Atheneum?

    • A place which promoted the central power of the government

    • A place to house school kids at boarding school

    • A place for the schools to store used equipment

    • A place to promote learning and culture in the model of ancient Greece.

    Correct Answer
    A. A place to promote learning and culture in the model of ancient Greece.
    Explanation
    An Atheneum was a place that aimed to promote learning and culture, following the model of ancient Greece. It served as a center for intellectual and cultural activities, providing a space for education, discussions, and the exchange of ideas. It was not focused on promoting the central power of the government or housing school kids at boarding school, nor was it intended for storing used equipment. Its primary purpose was to foster intellectual growth and the appreciation of arts and sciences.

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  • 43. 

    Which was built first, the Robie House or the Ville Savoye?

    • Robie House

    • Built at same time

    • Villa Savoye

    • Scholars don't know

    Correct Answer
    A. Robie House
    Explanation
    The Robie House was built first.

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  • 44. 

    What did the appropriation of Western architectural styles lead to in Japan by World War II?

    • A traditionalist backlash that lead to militarization

    • An embracing of Western ideals that brought peace to Japan

    • An appropriation of the feudal organizational structure of medieval England

    • A hybrid of Japanese and European architectural styles

    Correct Answer
    A. A traditionalist backlash that lead to militarization
    Explanation
    The appropriation of Western architectural styles in Japan by World War II led to a traditionalist backlash that resulted in militarization. This means that the adoption of Western architectural styles caused a negative reaction from traditionalists in Japan, leading to a shift towards militaristic ideologies and actions.

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  • 45. 

    Why was Expressionism important?

    • It was first movement to use concrete in making curvy forms that were not square

    • It was the first architectural movement that was both architectural and urban and that had no attachment to historical models

    • It was an off-shoot of previous styles that allowed it to flourish under a strong lineage

    • It was the first movement that allowed humanism into its philosophical underpinnings

    Correct Answer
    A. It was the first architectural movement that was both architectural and urban and that had no attachment to historical models
    Explanation
    Expressionism was important because it was the first architectural movement that broke away from traditional historical models and embraced a new, innovative approach to design. It focused on creating unique and unconventional forms that were not limited to square shapes, setting a precedent for future architectural styles. Additionally, it emphasized the integration of architecture with urban planning, recognizing the importance of designing buildings in harmony with their surrounding environment. This departure from traditional norms allowed for a fresh perspective in architectural design, making Expressionism a significant movement in the field.

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  • 46. 

    Why were German architects so innovative around the turn of the 20th century?

    • The German architecture schools were better

    • Not hampered by Beaux-Arts system

    • The cold climate

    • Development of white stucco

    Correct Answer
    A. Not hampered by Beaux-Arts system
    Explanation
    German architects were innovative around the turn of the 20th century because they were not hampered by the Beaux-Arts system. The Beaux-Arts system, which was popular in other countries, emphasized classical and traditional architectural styles. However, German architects were able to break free from these constraints and explore new and experimental designs. This freedom allowed them to push boundaries and develop innovative architectural styles that were not limited by traditional conventions.

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  • 47. 

    According to Philip Johnson, what was Frank Lloyd Wright's relationship to modern architecture?

    • He kept the modern movement from happening.

    • He founded it, but he was not part of it.

    • He had no influence over it nor its architects.

    • Nobody in the modern movement thought he was influential.

    Correct Answer
    A. He founded it, but he was not part of it.
    Explanation
    Frank Lloyd Wright's relationship to modern architecture was that he founded it, but he was not part of it. This means that while Wright played a significant role in establishing the modern movement in architecture, his own architectural style and principles were distinct from those of the modern movement. Despite his foundational contributions, Wright's work and ideas did not align completely with the principles and practices of modern architecture.

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  • 48. 

    What chair is Mies van der Rohe famous for?

    • London

    • Berlin

    • Madrid

    • Barcelona

    Correct Answer
    A. Barcelona
    Explanation
    Mies van der Rohe is famous for his design of the Barcelona chair. The Barcelona chair was designed in 1929 for the German Pavilion at the International Exposition in Barcelona, Spain. It is considered an iconic piece of modern furniture design and is known for its sleek and minimalist aesthetic. The chair is characterized by its chrome frame and leather upholstery, and it has since become a symbol of modernist design.

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  • 49. 

    Frank Lloyd Wright's Usonian homes were made for the rich.

    • Right

    • Wrong

    Correct Answer
    A. Wrong
    Explanation
    Frank Lloyd Wright's Usonian homes were not made for the rich. In fact, they were designed to be affordable and accessible to the middle class. Wright believed that everyone should have the opportunity to live in a well-designed, beautiful home, regardless of their income level. Usonian homes were characterized by their open floor plans, integration with nature, and use of economical materials. They were intended to be practical and functional, while still embodying Wright's principles of organic architecture.

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  • Current Version
  • Aug 28, 2023
    Quiz Edited by
    ProProfs Editorial Team
  • Jul 15, 2017
    Quiz Created by
    Rosanna

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