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Teater sebagai kegiatan berkesenian yang mengacu kepada kegiatan dan pertunjukkan mengandung unsur-unsur sebagai berikut, kecuali ….
A.
Lakon
B.
Pemeran
C.
Sutradara
D.
Pentas
E.
Sponsor
Correct Answer
E. Sponsor
Explanation Teater sebagai kegiatan berkesenian melibatkan lakon, pemeran, sutradara, dan pentas sebagai unsur-unsur yang terlibat dalam pertunjukkan teater. Sponsor, sementara itu, tidak termasuk dalam unsur-unsur tersebut. Sponsor adalah pihak yang memberikan dana atau dukungan finansial kepada kegiatan teater, namun bukan bagian dari kegiatan artistik yang terlibat dalam pertunjukkan.
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2.
Unsur pertama yang terdapat dalam kegiatan teater adalah ….
A.
Penonton
B.
Publik
C.
Promotor
D.
Naskah
E.
Produser
Correct Answer
D. Naskah
Explanation The first element in a theater activity is the script. The script serves as the foundation for the performance, providing the dialogue, actions, and overall structure of the play. Without a script, there would be no storyline or characters for the actors to portray. The script is essential for the production and serves as a guide for the actors, director, and other members of the theater team.
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3.
Bagian pembuka dalam sebuah drama yang maksudnya untuk memberika pengarahan kepada pembaca atau penonton disebut ….
A.
Dialog
B.
Epilog
C.
Prolog
D.
Solilokui
E.
Monolog
Correct Answer
C. Prolog
Explanation The correct answer is "Prolog." A prolog is the opening section of a drama that provides guidance or direction to the reader or audience. It sets the stage for the story and introduces the characters and their backgrounds. It is different from a dialog, which is a conversation between two or more characters, and a monolog, which is a speech by a single character. An epilog is the closing section of a drama, and soliloquy refers to a character speaking their thoughts aloud.
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4.
Orang yang bertugas mewujudkan gagasan penulis drama di atas pentas secara utuh dan benar adalah
A.
Produser
B.
Pemeran
C.
Dramawan
D.
Sastrawan
E.
Promotor
Correct Answer
B. Pemeran
Explanation The correct answer is "Pemeran". Pemeran refers to the actors or performers who bring the writer's ideas to life on stage. They play a crucial role in interpreting the script, portraying the characters, and delivering the dialogue to the audience. The actors' performance is essential in ensuring that the playwright's vision is realized fully and accurately on stage.
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5.
Faktor-faktor yang mempengaruhi kehadiran jumlah penonton pada saat pagelaran berlangsung, kecuali ….
A.
Kostum mewah
B.
Publikasi yang gencar
C.
Kualitas pemain baik
D.
Popularitas kelompok
E.
Kerja sama yang baikdengan berbagai pihak
Correct Answer
A. Kostum mewah
Explanation The factors that affect the attendance of the audience during a performance are publicity, quality of the players, popularity of the group, and good cooperation with various parties. The luxurious costume is not mentioned as one of the factors that influence the attendance of the audience. Therefore, it can be concluded that the luxurious costume does not affect the number of audience attendance during a performance.
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6.
Bentuk setting yang sama sekali tidak menggunakan alat-alat tertentu selain tempat di mana lakon dimainkan,termasuk jenis setting….
A.
Konvensional set
B.
Natural set
C.
Modern set
D.
Interior set
E.
Tradisional set
Correct Answer
E. Tradisional set
Explanation Tradisional set adalah bentuk setting yang sama sekali tidak menggunakan alat-alat tertentu selain tempat di mana lakon dimainkan. Ini berarti bahwa tidak ada dekorasi atau properti tambahan yang digunakan untuk menciptakan suasana atau suasana tertentu. Dalam tradisional set, fokus utama adalah pada penampilan dan tindakan para aktor, dengan sedikit atau tanpa gangguan dari elemen visual lainnya.
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7.
Dalam merias seorang pemain, penata rias harus mempertimbangkanaspek-aspek berikut ini, kecuali….
A.
Gambaran fisik pelaku
B.
Warna kebangsaan
C.
Pemilihan bahan rias
D.
Harga bahan rias murah
E.
Efek sinar lampu pentas yang mungkin dihasilkan
Correct Answer
D. Harga bahan rias murah
Explanation In the process of styling a player, a makeup artist must consider various aspects such as the physical appearance of the performer, the national colors, the selection of makeup materials, and the possible effects of stage lighting. However, the price of the makeup materials is not a relevant factor to consider in this context.
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8.
Berikut ini yang tidak termasuk fungsi dari teater rakyat adalah ….
A.
Sebagai alat pendidikan masyarakat
B.
Sebagai alat penebal perasaan solidaritas-kolektif
C.
Sebagai alat mempertahankan suatu budaya bangsa
D.
Sebagai alat yang memungkinkan seseorang biasa bertindak dengan penuh kekuasaan terhadap orang yang menyeleweng
E.
Sebagai alat untuk mengeluarkan protes terhadap ketidakadilan yang terjadi di masyarakat
Correct Answer
C. Sebagai alat mempertahankan suatu budaya bangsa
Explanation The given answer states that "Sebagai alat mempertahankan suatu budaya bangsa" (As a tool to preserve a nation's culture) is not a function of people's theater. This suggests that people's theater does not serve the purpose of preserving a nation's culture.
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9.
Secara umum, teater tradisional rakyat memiliki ciri-ciri sebagai berikut, kecuali….
A.
Cerita digarap berdasarkan fenomena terbaru
B.
Unsur lawakan selalu muncul
C.
Nilai dan laku dramatik dilakukan secara spontan
D.
Penonton mengikuti pertunjukkan secara santai
E.
Tempat pertunjukkan teruka dalam bentuk arena
Correct Answer
A. Cerita digarap berdasarkan fenomena terbaru
Explanation The correct answer is "Cerita digarap berdasarkan fenomena terbaru". This is because traditional folk theater typically does not focus on current phenomena or trends, but instead draws from traditional stories, myths, legends, or historical events.
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10.
Perkembangan teater Barat di Indonesia sudah mulai tumbuh dan berkembang pada masa pemerintahan….
A.
Jepang
B.
Hindia Belanda
C.
Yunani Kuno
D.
Indo-Eropa
E.
Portugis
Correct Answer
B. Hindia Belanda
Explanation During the colonial period, the Dutch East Indies (now known as Indonesia) was under the control of the Dutch colonial government. This period saw the introduction of Western influences, including theater, to Indonesia. The Dutch brought their own theatrical traditions and performances to the region, which began to influence and shape the development of theater in Indonesia. Therefore, the correct answer is "Hindia Belanda" (Dutch East Indies).
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11.
Teater Indonesia yang menggunakan bahasa Indonesia mulai tumbuh dan berkembang secara baik pada masa pendudukan ….
A.
Hindia Belanda
B.
Spanyol
C.
Jepang
D.
Indo-Eropa
E.
Portugis
Correct Answer
C. Jepang
Explanation During the Japanese occupation of Indonesia, the growth and development of Indonesian theater using the Indonesian language began to thrive. The Japanese regime encouraged the use of the Indonesian language in various cultural activities, including theater, as part of their efforts to gain support from the local population. This period saw the emergence of new theater groups and the production of plays in Indonesian, contributing to the development of Indonesian theater as an important cultural medium.
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12.
Teater klasik barat bersumber dari teater …..
A.
Amereka Serikat
B.
Portugis
C.
Belanda
D.
Yunani Kuno
E.
Roma
Correct Answer
D. Yunani Kuno
Explanation The correct answer is Yunani Kuno. Western classical theater originated from ancient Greece, where it was an integral part of their culture and society. Greek theater had a significant influence on the development of theater in the Western world, including the use of masks, the division of plays into acts and scenes, and the use of a chorus. The plays of famous Greek playwrights such as Sophocles, Euripides, and Aeschylus are still studied and performed today, making ancient Greek theater a foundational influence on Western theater traditions.
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13.
Tokoh utama dalam teater disebut....
A.
Protagonis
B.
Antagonis
C.
Foil
D.
Tetragonis
E.
Compiden
Correct Answer
A. Protagonis
Explanation The correct answer is "Protagonis". In theater, the main character is referred to as the protagonist. They are usually the central figure or the hero of the story, and their actions and decisions drive the plot forward.
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14.
Pelaku yang menyebabkan timbulnya konflik dalam cerita adalah ….
A.
Tritagonis
B.
Figuran
C.
Sampingan
D.
Sentral
E.
Antagonis
Correct Answer
E. Antagonis
Explanation The correct answer is "Antagonis". In a story, the antagonist is the character or force that opposes the protagonist, creating conflict and obstacles for the main character to overcome. The antagonist is usually portrayed as the villain or the source of the problems in the story. They may have different motivations or goals than the protagonist, leading to clashes and tension between the two. In this case, the antagonist is the one responsible for causing the conflict in the story.
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15.
Permasalahan yang paling dominan menjiwai suatu naskah drama dari awal sampai akhir cerita disebut ….
A.
Tema minor
B.
Subtema
C.
Tema sampingan
D.
Tema mayor
E.
Tema cabang
Correct Answer
D. Tema mayor
Explanation The correct answer is "Tema mayor". Tema mayor refers to the main theme or central idea that dominates a drama from beginning to end. It is the overarching topic or message that the playwright wants to convey to the audience. In contrast, tema minor, subtema, tema sampingan, and tema cabang refer to smaller or secondary themes that may be present in the drama but are not as significant as the main theme.
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16.
Dilihat dari cara menyusun bagian-bagiannya, alur atau plot cerita dapat dibedakan menjadi beberapa macam, kecuali ….
A.
Progresif
B.
Alur sorot balik
C.
Flashback
D.
Alur cabang
E.
Alur campuran
Correct Answer
D. Alur cabang
Explanation The given options are different types of narrative structures or plot developments. "Progresif" refers to a linear and chronological progression of events. "Alur sorot balik" refers to a narrative structure that includes flashbacks. "Flashback" refers to a narrative technique where the story shifts to a previous time. "Alur campuran" refers to a mixed or hybrid narrative structure. "Alur cabang" refers to a branching or non-linear narrative structure, where the story follows multiple paths or storylines. Therefore, the correct answer is "Alur cabang" because it is the only option that does not fit with the others as it represents a different narrative structure.
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17.
Secara garis besar, latar dalam drama dapat dikelompokkkan menjadi tiga bagian pokok, yaitu ….
A.
Latar waktu, latar tempat, latar sosial
B.
Latar waktu, latar tempat, latar ekonomi
C.
Latar politik, latar geografis, latar sosial
D.
Latar intern, latar tempat, latar strata
E.
Latar waktu, latar zaman, latar sosial
Correct Answer
A. Latar waktu, latar tempat, latar sosial
Explanation The correct answer is "Latar waktu, latar tempat, latar sosial". This answer is correct because it accurately identifies the three main elements of background or setting in drama. "Latar waktu" refers to the time or period in which the story takes place, "latar tempat" refers to the physical location or setting of the story, and "latar sosial" refers to the social context or environment in which the story unfolds. These three elements are essential in establishing the context and atmosphere of a dramatic work.
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18.
Teater Broadway terletak di kota....
A.
London
B.
Jakarta
C.
New York
D.
Singapura
E.
Beijing
Correct Answer
C. New York
Explanation The correct answer is New York because Broadway Theater is famously located in New York City. It is known as the hub of theater and performing arts in the United States, with numerous theaters and productions. The city has a rich history of theatrical performances and is home to many renowned Broadway shows, making New York the most suitable location for Broadway Theater.
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19.
Teater berasal dari kata “Theatron” yang berarti...
A.
Teater
B.
Drama
C.
Pertunjukan
D.
Tribun
E.
Gedung Pertunjukan
Correct Answer
E. Gedung Pertunjukan
Explanation The word "teater" originated from the Greek word "Theatron," which means "a place for viewing." Therefore, the correct answer is "Gedung Pertunjukan," which translates to "performance venue" or "theater building."
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20.
Unsur internal Teater adalah sebagai berikut, kecuali...
A.
Tokoh
B.
Naskah
C.
Kostum
D.
Sutradara
E.
Produser
Correct Answer
E. Produser
Explanation The correct answer is "Produser." Unsur internal teater seperti tokoh, naskah, kostum, dan sutradara berhubungan langsung dengan proses kreatif dan artistik dalam sebuah pertunjukan teater. Namun, produser adalah unsur eksternal yang bertanggung jawab untuk mengatur aspek-aspek produksi seperti pendanaan, pemasaran, dan administrasi.
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21.
Orang yang bertugas untuk mengurus produksi secara keseluruhan serta menetapkan petugas pendukung teater adalah...
A.
Sutradara
B.
Crew
C.
Desainer
D.
Stage manager
E.
Produser
Correct Answer
E. Produser
Explanation The correct answer is "Produser". A produser is responsible for managing the overall production and determining the supporting theater staff. They oversee the budget, fundraising, and hiring of crew members, designers, and stage managers. They play a crucial role in ensuring the smooth execution of a production by coordinating and overseeing all aspects of the production process.
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22.
Seni Teater yang menyajikan rangkaian cerita secara persis dengan kejadian nyata adalah....
A.
Teater Boneka
B.
Teatrikal puisi
C.
Teater Gerak
D.
Drama Musika
E.
Teater dramatik
Correct Answer
E. Teater dramatik
Explanation Teater dramatik adalah seni teater yang menyajikan rangkaian cerita secara persis dengan kejadian nyata. Dalam teater ini, para aktor menggambarkan karakter dan situasi yang realistis dan menghadirkan cerita yang menyerupai kehidupan sehari-hari. Dalam teater boneka, teatrikal puisi, teater gerak, dan drama musika, cerita yang disajikan mungkin memiliki elemen fiksi atau tidak sepenuhnya mengikuti kejadian nyata. Oleh karena itu, teater dramatik adalah jawaban yang paling sesuai dengan deskripsi tersebut.
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23.
Pelaku yang menyebabkan timbulnya konflik dalam cerita adalah ….
A.
Tritagonis
B.
Figuran
C.
Antagonis
D.
Sampingan
E.
Sentral
Correct Answer
C. Antagonis
Explanation The correct answer is "Antagonis". In a story, the antagonist is the character or force that opposes the protagonist, creating conflict and obstacles for the main character to overcome. The antagonist is usually portrayed as the villain or the source of the problem in the story. They are responsible for driving the plot forward and creating tension and drama.
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24.
Permasalahan yang paling dominan menjiwai suatu naskah drama dari awal sampai akhir cerita disebut ….
A.
Tema minor
B.
Subtema
C.
Tema sampingan
D.
Tema mayor
E.
Tema cabang
Correct Answer
D. Tema mayor
Explanation The dominant problem that drives the entire storyline of a drama script from beginning to end is referred to as the "Tema mayor" or the main theme.
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25.
Dilihat dari cara menyusun bagian-bagiannya, alur atau plot cerita dapat dibedakan menjadi beberapa macam, kecuali….
A.
Progresif
B.
Alur sorot balik
C.
Flashback
D.
Alur cabang
E.
Alur campuran
Correct Answer
D. Alur cabang
Explanation The question is asking to identify the type of plot or story structure that cannot be distinguished based on the way its parts are arranged. The other options, such as Progresif, Alur sorot balik, Flashback, and Alur campuran, all refer to specific ways in which the story progresses or the narrative is presented. However, Alur cabang (branching plot) does not necessarily refer to a specific way in which the story is structured, but rather indicates that the story has multiple storylines or paths that branch off from the main narrative. Therefore, Alur cabang is the correct answer as it cannot be distinguished based on the arrangement of its parts.
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26.
Tugas seorang sutradara adalah....
A.
Menonton drama
B.
Memainkan peran sesuai arahan
C.
Mempersiapkan kostum
D.
Mempersiapkan setting tempat
E.
Pengatur jalannya teater
Correct Answer
E. Pengatur jalannya teater
Explanation The correct answer for this question is "Pengatur jalannya teater". This is because a director's job is to oversee and coordinate all aspects of a theater production, including the staging and execution of the play. They are responsible for ensuring that the performance runs smoothly, managing the actors, and making sure that the overall vision of the play is realized on stage.
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27.
Apa yang dimaksudkan dengan introduksi dalam alur?
A.
Pengenalan tokoh
B.
Kesimpulan cerita
C.
Penurunan klimaks
D.
Penyelesaian masalah
E.
Tokoh utama memiliki konflik
Correct Answer
A. Pengenalan tokoh
Explanation Introduksi dalam alur adalah tahap awal dalam cerita di mana tokoh-tokoh utama diperkenalkan kepada pembaca atau penonton. Pada tahap ini, karakter-karakter tersebut dapat diperkenalkan melalui deskripsi fisik, latar belakang, kepribadian, atau peran mereka dalam cerita. Pengenalan tokoh ini penting untuk membangun pemahaman dan koneksi emosional antara pembaca atau penonton dengan karakter-karakter dalam cerita.
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28.
Tata artistik merupakan unsur yang tidak dapat dipisahkan dari teater. Make up para pemain termasuk ke dalam...
A.
Tata panggung
B.
Tata busana
C.
Tata cahaya
D.
Tata rias
E.
Tata suara
Correct Answer
D. Tata rias
Explanation Tata rias refers to the makeup of the actors, which is an essential element of theater. It involves applying cosmetics and prosthetics to enhance the appearance of the actors and bring their characters to life on stage. Tata panggung (stage design), tata busana (costume design), tata cahaya (lighting design), and tata suara (sound design) are also important aspects of theater, but in this case, the correct answer specifically focuses on the makeup of the actors.
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29.
Contoh teater non tradisional adalah....
A.
Wayang kulit
B.
Makyong
C.
Randai
D.
Dardanella
E.
Pantomim
Correct Answer
E. Pantomim
Explanation Pantomim is a form of non-traditional theater that relies heavily on physical movements, gestures, and facial expressions to convey a story or message. Unlike traditional theater forms like wayang kulit, makyong, randai, and dardanella, pantomim does not use spoken words or dialogue. Instead, it focuses on the use of body language and mime to communicate with the audience. Pantomim is often performed in a comedic or exaggerated manner, making it a unique and entertaining form of non-traditional theater.
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30.
Kualitas penyinaran berdasarkan suasana adegan merupakan pengertian dari....
A.
Tata busana
B.
Tata cahaya
C.
Tata rias
D.
Tata pentas
E.
Tata suara
Correct Answer
B. Tata cahaya
Explanation The correct answer is "Tata cahaya". This is because "kualitas penyinaran berdasarkan suasana adegan" translates to "the quality of lighting based on the atmosphere of the scene." Therefore, "Tata cahaya" refers to the art and technique of lighting in a performance or production, which plays a crucial role in creating the desired mood and atmosphere for the scene.
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31.
Teater yang menekankan pada tokoh untuk melakukan dialog adalah....
A.
Teater non verbal
B.
Teater verbal
C.
Teater teatrikal
D.
Teater tradisional
E.
Teater modern
Correct Answer
B. Teater verbal
Explanation Teater yang menekankan pada tokoh untuk melakukan dialog adalah teater verbal. Dalam teater verbal, dialog antara tokoh-tokoh penting dan menjadi fokus utama dalam pertunjukan. Melalui dialog, cerita dan konflik diungkapkan dan dikembangkan. Tokoh-tokoh berinteraksi satu sama lain melalui percakapan yang berarti dan penting bagi alur cerita. Dalam teater non verbal, komunikasi dilakukan melalui gerakan tubuh, ekspresi wajah, dan tindakan fisik tanpa menggunakan kata-kata.
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32.
Tugas pemeran dalam teater adalah........
A.
Menonton drama
B.
Memainkan peran sesuai arahan
C.
Mempersiapkan kostum
D.
Mempersiapkan setting tempat
E.
Pengatur jalannya teater
Correct Answer
B. Memainkan peran sesuai arahan
Explanation The correct answer is "Memainkan peran sesuai arahan" which means "Playing the role according to the direction". In theater, actors have the responsibility to portray their characters and perform their roles as directed by the director. They need to understand their character's motivations, emotions, and actions, and effectively communicate them to the audience. By following the director's guidance, actors bring the script to life and contribute to the overall success of the theater production.
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33.
Teater yang pesan ceritanya disampaikan melalui ekspresi tubuh disebut....
A.
Teater non verbal
B.
Teater verbal
C.
Teater teatrikal
D.
Teater tradisional
E.
Teater modern
Correct Answer
A. Teater non verbal
Explanation Teater non verbal adalah teater di mana cerita disampaikan melalui ekspresi tubuh, gerakan, dan tindakan fisik, tanpa menggunakan kata-kata atau dialog. Dalam teater non verbal, aktor menggunakan bahasa tubuh, mimik wajah, gerakan tangan, dan ekspresi fisik lainnya untuk mengkomunikasikan cerita kepada penonton. Ini berbeda dengan teater verbal di mana cerita disampaikan melalui dialog dan teks yang diucapkan oleh para aktor. Teater non verbal sering kali mengandalkan kekuatan visual dan interpretasi individual untuk menghadirkan cerita kepada penonton.
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34.
Berikut ini yang termasuk Ciri-ciri teater non tradisional ialah...
A.
Fungsi pertunjukan untuk hiburan
B.
Peralatan pentas lebih sederhana
C.
Mengunakan bahasa daerah setempat
D.
Tidak ada naskah baku
E.
Pewarisan seni bersifat turun temurun
Correct Answer
A. Fungsi pertunjukan untuk hiburan
Explanation Non-traditional theater is characterized by performances that are primarily for entertainment purposes. Unlike traditional theater, non-traditional theater uses simpler stage equipment and often incorporates local dialects. Additionally, there is no fixed script, allowing for more spontaneous and improvisational performances. Another characteristic of non-traditional theater is its emphasis on the inheritance of artistic traditions from one generation to another.
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35.
Contoh teater non verbal adalah....
A.
Stand up comedy
B.
Sinetron
C.
Ludruk
D.
Pantomim
E.
Lenong
Correct Answer
D. Pantomim
Explanation Pantomim is a type of non-verbal theater that uses physical movements, gestures, and facial expressions to convey a story or message. Unlike stand-up comedy or sinetron, which rely on spoken language, pantomim is performed without the use of words, making it a prime example of non-verbal theater. Ludruk and lenong, on the other hand, are traditional forms of theater that may involve spoken dialogue and songs. Therefore, pantomim is the correct answer as it fits the criteria of being a non-verbal form of theater.
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36.
Peran utama yang berwatak jahat yang menjadi lawan dari peran utama pusat adalah...
A.
Protagonis
B.
Antagonis
C.
Foil
D.
Tetragonis
E.
Compiden
Correct Answer
B. Antagonis
Explanation Antagonis adalah peran utama yang berwatak jahat dan menjadi lawan dari peran utama pusat. Mereka sering kali bertindak sebagai penghalang atau musuh bagi peran utama, menciptakan konflik dan meningkatkan ketegangan dalam cerita.
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37.
Perpindahan tempat pemain dari satu tempat ke tempat lainnya adalah...
A.
Tanjidor
B.
Ketoprak
C.
Lenong
D.
Longser
E.
Ludruk
Correct Answer
C. Lenong
38.
Ciri-ciri teater tradisional adalah...
A.
Ada naskah baku
B.
Karya seni bersifat temporal
C.
Tidak diketahui penciptanya
D.
Diketahui penciptanya
E.
Penonton bersifat khusus dan membayar
Correct Answer
C. Tidak diketahui penciptanya
Explanation Teater tradisional memiliki ciri-ciri bahwa penciptanya tidak diketahui. Hal ini berarti bahwa teater tradisional telah ada sejak lama dan telah menjadi bagian dari budaya dan tradisi suatu masyarakat tanpa ada catatan yang jelas tentang siapa yang menciptakannya. Ciri ini menunjukkan bahwa teater tradisional telah berkembang secara organik dan diwariskan dari generasi ke generasi tanpa ada satu individu atau kelompok yang dapat diidentifikasi sebagai penciptanya.
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39.
Konten Emosional Teater Musikal adalah, kecuali...
A.
Humor
B.
Pathos
C.
Cinta
D.
Dialog
E.
Kemarahan
Correct Answer
D. Dialog
Explanation The given options are different elements of emotional content in musical theater, except for "Dialog." Dialog refers to the spoken lines or conversations between characters in a musical, which is not specifically categorized as an emotional content element. Humor, pathos, cinta (love), and kemarahan (anger) are all emotional elements that can be portrayed through music, lyrics, and performances in musical theater.
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40.
Teater west end terletak di kota....
A.
Beijing
B.
Jakarta
C.
New York
D.
Singapura
E.
London
Correct Answer
E. London
Explanation The correct answer is London because the question is asking for the location of the West End theater, and London is known for its famous West End theater district.
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