This is the Second Trimester Final for Mr. Simpson and Mr. Hammontree's Final Cut Pro classes. For some questions, more than one answer is possible.
From the Final Cut Pro menu
From the Sequence menu
From the Timeline
From the Viewer
A camera with different lenses was used to film various actions.
Multiple cameras were used to shoot different actions at different times.
Multiple cameras were used to shoot the same action at different times.
Multiple cameras were used to shoot the same action at the same time but from different angles.
Yes. When snapping is on, you can snap the playhead to markers and snap a clip marker to a sequence marker or to another clip marker.
No. When snapping is on, you cannot snap the playhead to markers and snap a clip marker to a sequence marker or to another clip marker.
"Lemurs"
"Lexington"
"Languish"
"Leverage"
Backup copies of your captures video clips.
Backup copies of your keyboard layout.
Backup copies of your project file.
Backup copies of your images and audio files.
Sprockets
Out Points
Timecode
In Points
They are saved at Users/[user name]/Library/Preferences/Final Cut Pro User Data
They are saved at Users/[user name]/Final Cut Pro User Data
They are saved on the desktop
They are saved in the Dock
A clip is a master clip if it represents the latest use of that clip in the project.
A clip is a master clip if it has been designated so using Command-M in the project.
A clip is a master clip if it has been designated so using Control-M in the project.
A clip is a master clip if it represents the first use of that clip in the project
You can use the Ripple tool.
You can view material outside the In and Out points.
Audio Waveforms are easier to manipulate.
The Viewer allows you to view the selected clip.
The E key extends the edit.
The < key extends the edit.
The X key extends the edit.
The > key extends the edit.
Wizard.
Thief.
Fighter.
Cleric.
The Roll tool adjusts the In and Out points of one clip.
The Roll tool adjusts one clip's Out point and the adjacent clip's In point.
The Roll tool affects three clips: the position of the middle clip, and the durations of the adjacent clips.
The Roll tool adjusts the In and Out points of every clip in the sequence.
Click a column heading.
Choose Final Cut > Sort Column
Choose Browser > Sort Column
Choose Window > Sort Column
The Slide tool adjusts the In and Out points of one clip.
The Slide tool adjusts one clip's Out point and the adjacent clip's In point.
The Slide tool affects three clips: the position of the middle clip, and the durations of the adjacent clips.
The Slide tool adjusts the In and Out points of every clip in the sequence.
In the Browser, Control-click (or right-click) the item and choose Label, then select a color.
In the Canvas, Control-click (or right-click) the item and choose Label, then select a color.
In the Timeline, Control-click (or right-click) the item and choose Label, then select a color.
In the File Menu, Control-click (or right-click) the item and choose Label, then select a color.
It rips the content from track to another.
It ripples the trim amount through the unlocked tracks in the sequence.
It trims the content from one track to another.
It snaps to the playhead.
One
Two
Three
Four
Set an In point in the Timeline, then choose Modify > Make Subclip.
Set In and Out points in the clip, then choose Modify > Make Subclip.
Set an In point in the clip, then choose Modify > Make Subclip.
Set In and Out points in the Timeline, then choose Modify > Make Subclip.
It allows you to shorten a clip without rippling the other clips in the sequence.
It allows you to toggle the Clip Enable function in the shortcut menu.
It allows you to lengthen a clip without bumping into a bordering clip on either side.
It allows you to use the Blade tool without cutting through audio clips.
Repositions the copy in a different location, leaving the original sequence clip in place.
Option-dragging moves a sequence clip to a new location, allowing you to make either an insert or overwrite edit.
Option-dragging cuts a sequence clip from the sequence, allowing it to be pasted at the playhead.
Option-dragging creates a hybrid of every clip the sequence clip is dragged over, changing the order of the sequence but not the overall length.
You cannot show something you cannot see.
Control-click a column heading and choose Show [column] from the shortcut menu.
Right-click a column heading and choose Show [column] from the shortcut menu.
Command-click a column heading and choose Show [column] from the shortcut menu.
Control-click in the Timeline ruler. The markers appear at the bottom of the shortcut menu.
Control-click in the Timeline ruler. The markers appear at the top of the shortcut menu.
Control-click in the Browser. The markers appear at the bottom of the shortcut menu.
Control-click in the Browser. The markers appear at the top of the shortcut menu.
No.
Yes, you can collapse a multiclip by choosing Modify > Collapse Multiclip(s).
Yes, you can collapse a multiclip by choosing File > Collapse Multiclip(s).
Yes, you can collapse a multiclip by choosing Sequence > Collapse Multiclip(s).
Position the playhead over the frame of the sequence clip, and press F.
Position the playhead over the frame of the sequence clip, and press S.
Position the playhead over the frame of the clip in the viewer, and press F.
Position the playhead over the frame of the clip in the canvas, and press C.
The Slip tool adjusts the In and Out points of one clip.
The Slip tool adjusts one clip's Out point and the adjacent clip's In point.
The Slip tool affects three clips: the position of the middle clip, and the durations of the adjacent clips.
The Slip tool adjusts the In and Out points of every clip in the sequence.
It replaces a sequence clip with a source clip, aligning the Viewer and Timeline playhead positions.
It deletes a source clip with a sequence clip, aligning the Viewer and Timeline playhead positions.
It replaces a source clip with a sequence clip, aligning the Viewer and Timeline playhead positions.
It replaces a sequence clip with a source clip, aligning the Viewer and Canvas playhead positions.
Cutting changes the edit point you see at the playhead location; switching makes a new edit point at that location.
There is no difference (they do the same thing).
Cutting changes the angle you see at the playhead location; switching makes a new edit point at that location.
Switching changes the angle you see at the playhead location; cutting makes a new edit point at that location.
The clip has received a "final cut"
The clip is offline
The clip is broken
The clip is disconnected from its media file
Command-click the clip in the sequence and deselect Clip Enable in the shortcut menu.
Control-click the clip in the sequence and select Clip Enable in the shortcut menu.
Control-click the clip in the sequence and deselect Clip Enable in the shortcut menu.
Command-click the clip in the sequence and select Clip Enable in the shortcut menu.
/
\
[
]
Select the Browser window and press Control-F to open the Find window, and choose specific search criteria.
Select the Timeline and press Command-F to open the Find window, and choose specific search criteria.
Select the Browser window and press Command-F to open the Find window, and choose specific search criteria.
Select the Browser window and press Shift-F to open the Find window, and choose specific search criteria.
"Unlinks" the selection.
It makes the clip go dark, disabling it.
It moves the In or Out edit points to the playhead.
It allows you to select and trim one track of a linked clip.
Turn off the linked selection
Turn on the linked selection
Hold down Option before clicking the track
Hold down Command before clicking the track
Command-Z
Control-click the red out-of-sync indicators on the tracks you want to adjust and choose "Slip into Sync" or "Move into Sync"
Command-click the red out-of-sync indicators on the tracks you want to adjust and choose "Slip into Sync" or "Move into Sync"
Control-Z
Extending changes an edit point in the same way rolling does.
Extending changes an edit point in the same way slipping does.
Extending changes an edit point in the same way sliding does.
Extending changes an edit point in the same way all three does.
The Option key is used to shuffle a clip and ripple all other clips in the sequence.
The Control key is used to shuffle a clip and ripple all other clips in the sequence.
The Command key is used to shuffle a clip and ripple all other clips in the sequence.
The Shift key is used to shuffle a clip and ripple all other clips in the sequence.
The Command key
The Shift key
The Control key
The Option key
[ and ]
J and L keys
{ and } keys
< and >
In columns
In rows
Each clip slightly lower than the previous clip.
Alphabetically
In the Sequence Settings window (Sequence>Settings)
Control-Q
In the Timeline Settings window (Timeline>Settings)
Command-0
The Command key is used to create a new poster frame (Command-P).
The Option key is used to create a new poster frame (Option-P).
The Shift key is used to create a new poster frame (Shift-P).
The Control key is used to create a new poster frame (Control-P).
A clip in the Viewer
A clip in the Canvas
In the Timeline ruler
A selected clip in the Timeline
The < and > keys
The [ and ] keys
The { and } keys
The left and right arrow keys
Control-click (or right-click) a selected clip or bin and choose Add Multiclip from the shortcut menu.
In the Browser, select the clips you want to include in the multiclip and choose Modify > Make Multiclip.
Control-click (or right-click) a selected clip or bin and choose Make Multiclip from the shortcut menu.
In the Browser, select the clips you want to include in the multiclip and choose Modify > Add Multiclip.
Hold down the Shift key as you drag.
Select the clip and press Option-Up Arrow or Option-Down Arrow.
Copy and paste the clip in the new track.
Select the clip and press [ or ].
The Interface Buttons menu
From the Button List window
From the Keyboard Layout window
From the Interface menu
Select the clip, and press Command-9 to open the Item Properties window.
Control-click the clip and choose Item Properties from the shortcut menu
Right-click the clip and choose Item Properties from the shortcut menu
Choose Edit > Item Properties
It is impossible!
Choose Sequence > Sequence Settings
Select the sequence in the Browser and press Command-0 to open the Sequence Settings window.
Make the sequence active in the Timeline and press Command-0 to open the Sequence Settings window.
Quiz Review Timeline (Updated): Mar 22, 2022 +
Our quizzes are rigorously reviewed, monitored and continuously updated by our expert board to maintain accuracy, relevance, and timeliness.