Basic Signal Flow
To achieve a high signal-to-noise ratio into the channel strip
To acheive a low signal to noise ratio to 'tape
To acheive a low signal to noise ratio into the channel strip
All of the above
None of the above
100hz-800hz
100hz-8khz
1khz-8khz
800hz-1khz
None of the above
Aux 1 & 2
Aux 3 & 4
Aux 5 & 6
All of them
You don't use Aux Sends to make a headphone mix
Reverb
Eq
Delay
Compressor
Both an Eq & a Compressor
TIP= Return, RING= Send, SLEEVE= Shield
TIP= Shield, RING= Return, SLEEVE= Send
TIP= Send, RING= Shield, SLEEVE= Return
TIP= Send, RING= Return, SLEEVE= Shield
None of the Above
PRE Eq, POST Lo Cut
PRE Fader, POST Pan
PRE Pan, POST Fader
PRE Lo Cut, Post Insert
None of the Above
PRE Eq, POST Lo Cut
PRE Trim, POST Insert
PRE Fader, POST Eq
PRE Assignments, POST Direct Out
None of the Above
1
2
3
4
5
2
4
6
8
3
Boost the low frequencies
Cut out rumble and transmission noise
Create resonance effects in the low frequencies
Cut the high frequencies
None of the Above
A shorter, cleaner signal path
You are able send the signal pre-fader
Ability to route multiple channels to a single tape track
It allows you to bypass the aux sends
None of the Above
Pre fader, from tape send
Post fader from tape send
Pre fader, from tape return
Post fader, from tape return
None of the above
Pre fader, from tape send
Post fader fron the tape send
Pre fader, from tape return
Post fader, from tape return
None of the above
9 volts DC
117 volts AC
48 volts DC
48 volts AC
12 volts DC
An equalizer
A delay unit
A compressor
A noise gate
All of the above
A split console can't be used for monitoring
An inline console has an EQ section
A split console allows bussing
A split console contains aux sends
A split console must use a separate channel strip to return your signal from tape
Afl
Pfl
Nfl
Ssp
Ssl
8 kHz
10 kHz
12 kHz
16 kHz
None of the above
6 dB/octave
12 dB/octave
18 dB/octave
24 dB/octave
3 dB/octave
60 Hz
75 Hz
80 Hz
100 Hz
10 kHz
Full parametric
Sweepable peak
Shelf
Graphic
None of the above
1
2
3
6
10
1 and 2
3 and 4
5 and 6
3 and 4, 5 and 6 (split)
All of the above
The operation of condenser microphones
The proper regulation of power for the console
The operation of any outboard gear plugged into an insert
The operation a dynamic microphones
All of the above
A parallel connection
A SCSI connection
A multiple connection
A serial connection
None of the above
Go to a multitrack tape recorder
Go to a stereo dynamics fx processor
Go to a 2 track recording device
Go to the speakers in the control room
None of the above
All Faders Listen
All Faders Level
After Flow Level
After Fader Listen
None of the above
Post Fader Level
Pre Fader Listen
Poor Fader Level
Potentiometer Fader Level
None of the aboce
To go to tape
To go to time based fx
To go to dynamic fx
To make headphone mixes with
To record the final mix
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