7. But then, suddenly, the crayon meets with slight resistance, and letters, one after another,
emerge magically on the page: ABIJAH CRAVEN, 1701–45. Gogol has never met a person
named Abijah, just as, he now realizes, he has never met another Gogol. He wonders
how to pronounce Abijah, whether it's a man's or a woman's name. He walks to another
tombstone, less than a foot tall, and presses another sheet of paper to its surface. This
one says ANGUISH MATHER, A CHILD. He shudders, imagining bones no larger than his
below the ground. Some of the other children in the class, already bored with the project,
begin chasing one another around the stones, pushing and teasing and snapping gum.
But Gogol goes from grave to grave with paper and crayon in hand, bringing to life one
name after another. PEREGRINE WOTTON, D. 1699. EZEKIEL AND URIAH LOCKWOOD, BROTHERS,
R.I.P. He likes these names, likes their oddness, their flamboyance. "Now those are
some names you don't see very often these days," one of the chaperones, passing by
and looking down at his rubbings, remarks. "Sort of like yours." Until now it has not
occurred to Gogol that names die over time, that they perish just as people do.
Read the sentence below.
Until now it has not occurred to Gogol that names die over time, that they perish just as people do. |
Which of the following best explains what the phrase "names die over time" means?