Third Quarter Independent Read- More Than Meets The Eye- Files

The statement "Picasso lived from 1881 to 1973" is a fact because it provides a specific and verifiable information about Picasso's lifespan. It is not subjective or open to interpretation, making it a statement of fact.

In Van Gogh's painting of himself, he portrayed the feelings of hopelessness and confusion by using dark shadows and swirls of blue. These elements create a sense of darkness and turmoil, reflecting the artist's inner emotions. The use of dark shadows adds depth and intensity to the painting, while the swirls of blue evoke a sense of chaos and unease. Through these artistic choices, Van Gogh effectively conveys his state of mind, allowing viewers to experience his feelings of hopelessness and confusion.

Van Gogh's interest in painting portraits was not focused on making the picture look like a photograph, creating a pattern of colors, or making the person look attractive. Instead, he was primarily interested in trying to show the person's feelings through his brushstrokes and use of color. His unique style of painting, characterized by bold and expressive brushwork, was a means for him to convey the emotional depth and inner turmoil of his subjects.

The customers did not like a creative change to their picture, which caused the artist to have to do extra work. This suggests that the artist had to make modifications or redo certain parts of the picture in order to meet the customers' preferences. As a result, the artist had to put in additional effort and time to satisfy the customers' demands, leading to extra work.

The word "incorporated" means to include something as a part of something else. In the context of the sentence, it means that some artists have included photographs as a part of their artwork.

The invention of photography and the ability to take people's portraits would have the effect of artists starting to create more creative portraits. This is because photography provided a new way of capturing realistic images of people, which challenged artists to explore different techniques and styles to differentiate their work from the growing popularity of photography.

The author's main purpose in this selection is to explain how portrait painting has changed. The passage discusses the evolution of portrait painting from traditional methods to modern techniques. It highlights the shift from realistic and detailed portraits to more abstract and expressive styles. The author also mentions the use of technology and digital tools in contemporary portrait painting. Overall, the focus is on the transformation and progression of portrait painting over time.

"Following in the steps of" means using the same techniques as someone before you. This phrase implies that someone is emulating or imitating the methods or approaches that another person has used previously. It suggests that the person is not necessarily innovating or creating something new, but rather building upon the established practices or ideas of someone else.

The author would probably agree that there are many ways to paint a portrait. This can be inferred from the fact that the author does not suggest that artists should stop trying to paint portraits or that the best portraits were painted long ago. Additionally, the author does not mention anything about artists not using photographs in portraits. Therefore, the most reasonable conclusion is that the author believes in the versatility and variety of methods available for painting portraits.

The statement "The portraits they painted were often boring and forgettable" expresses an opinion because it presents a subjective judgment about the quality of the portraits. Opinions are personal beliefs or judgments that can vary from person to person, and this statement reflects a particular viewpoint rather than stating a factual claim.

Common people didn't have as much money as the richer people to have bigger portraits made. This suggests that the cost of creating larger portraits was higher and therefore not affordable for common people. As a result, they opted for smaller, simpler portraits that were more within their financial means.

The main idea of this selection is that portrait painting has changed since photography was invented. This suggests that the traditional practice of painting portraits has been impacted by the emergence and widespread use of photography. The passage does not mention that some artists still paint portraits for a living or compare Van Gogh and Picasso as the best portrait painters. It also does not state that painted portraits are more pleasing than photographs.

Picasso's portraits were considered strange because they deviated from traditional artistic conventions and featured distorted forms, abstract elements, and unconventional perspectives. These unconventional characteristics challenged the traditional notion of beauty and realism in art, which might have seemed odd or unfamiliar to people accustomed to the old type of portraits.

The effect of the artists not taking creative chances would be that the portraits they created would be boring and forgettable. This is because without taking risks and trying new things, the artists would likely stick to safe and conventional techniques, resulting in uninteresting and easily forgettable artwork.

Before the invention of photography, portraits were the only way to capture a person's likeness. Therefore, it was crucial for a portrait to accurately represent the person who posed for it. Bright, bold colors, many interesting details, creativity, and uniqueness were not as important as capturing the true likeness of the individual.

In the past, portraits of powerful people and ordinary people differed in various ways. Firstly, the size of the portrait was different, with portraits of powerful people often being larger and more grandiose compared to those of ordinary people. Secondly, the time it took to create these portraits varied, with portraits of powerful people usually receiving more time and attention to capture their importance and status. Lastly, the amount of details in the portraits differed, with powerful people's portraits often featuring intricate details and finer craftsmanship compared to portraits of ordinary people. The type of framing, however, is not mentioned and therefore cannot be considered as a difference between the two types of portraits.

Both Vincent Van Gogh and Andy Warhol's portraits share the similarity of having unrealistic colors. They both deviated from natural or realistic color palettes to create a more expressive and emotive effect in their artwork. Additionally, both artists did not intend for their portraits to be true to life, as they often emphasized their own artistic style and interpretation rather than aiming for a realistic representation.