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Double Sphered Aspherical
Dual Super Aspherical
Dual Sided Aspherical
You can zoom out and isolate the subject better from a cluttered or busy background
The wider lens tends to flatter most people
Generally, at the same aperture, the background and foreground 'defocus' is greater with a longer lens, enabling poorer isolation of the photographed subject
You can capture more of the environment surrounding the subject, providing greater context to the picture
Compositionally, it can better 'isolate' the more aesthetically significant parts of the scenery
The long lens tends to provide better depth of field than a wide angle lens, generally speaking
Generally, at the same aperture, the background defocus is greater with a longer lens, enabling better isolation of the photographed subject
All OM-D and the PEN E-P5 models
All OM-D and PEN models
E-M1
E-M1 and E-M10
All OM-D and the PEN E-P5 models
All OM-D and PEN models
E-M1
E-M1 and E-M10
0 to 40 degrees Celsius
-5 to 40 degrees Celsius
-10 to 40 degrees Celsius
Focus peaking
Focus aid
Histogram
Designed to provide smooth and precise autofocus for video recording, and extremely fast autofocus speeds for normal photo taking
Designed to provide manual shooting compatibility
Designed to be mechanical smooth and controllable
1.5x
1.8x
2.0x
An optical lens where at least one surface does not form part of a sphere
A piece of optical glass whose curved surfaces form part of a sphere
They utilise a modern low-moving mass, high precision AF drive system; completely different from conventional SLR lens drive systems
They have more powerful lens motors
They have less lens elements
They are smaller
The digital viewfinder provides instant feedback – making it easy and intuitive for the novice to understand basic photo concepts such as exposure
It is not advantageous as the optical viewfinder in DSLRs provides a direct, clearer view. The digital viewfinder is less pure.
It shoots at a faster frame rate
Extremely high optical performance, weatherproofing, and high durabiity
Fast or very bright apertures
Extremely high cost of ownership
Extra-Dispersion
Extra-low Dispersion
Extra Dynamic
Aspherical lenses are inherently difficult to manufacture with high precision in cost-effective production volume
Large diameter (>5cm) size aspherics are especially hard to mass manufacture accurately at commercially justifiable prices and volume
The glass materials for aspherical elements are more brittle than regular spherical elements
21
51
81
M.Zuiko 7-14mm f2.8ED PRO, M.Zuiko 12-40mm f2.8 ED PRO, M.Zuiko 40-150mm ED PRO
M.Zuiko 7-14mm f2.8ED PRO, M.Zuiko 12-40mm f2.8 ED PRO, M.Zuiko 50-150mm ED PRO
M.Zuiko 7-14mm f2.8ED PRO, M.Zuiko 12-40mm f2.8 ED PRO, M.Zuiko 50-200mm ED PRO
10.00%
20.00%
30.00%
M.Zuiko 60mm f2.8 Macro
M.Zuiko 60mm 2.8 Macro and the Zuiko Digital 35mm and 50mm lenses with the MMF series adapters
All M.Zuiko lenses, and Zuiko lenses with MMF series adapters
2/3 f-stop approximately; but it depends on subject distance as well
1 f-stop approximately; but it depends on subject distance as well
1.5 f-stops; but it depends on subject distance as well
Interchangeable Lens Camera – a category that includes both DSLR and 'Mirrorless' types
Interchangeable Lens Compact – a category that includes both compact sized DSLR and Mirrorless types
Interchangeable Lens Case – a case for lenses that can be used for SLR and Mirrorless camera
Zuiko Extra-low Reflection Optical Coating - Olympus' best optical multi-coating
Zero Extra-ordinary Reflective Optical Coating - Olympus' best optical multi-coating
Zuiko Extra Reflective Optical Coating - Olympus' best optical multi-coating
200
300
500
M.Zuiko lenses utilise a contemporary low-moving mass lens design that inherently outperforms yhe relatively high moving-mass lens designs of most SLR lenses.
They use more powerful motors
They use more plastic and are therefore lighter and faster
AF-S Nikkor 14-24mm f2.8G ED, AF-S 24-70mm f2.8G ED, AF-S Nikkor 70-200mm f2.8G ED VR II
AF-S Nikkor 14-24mm f2.8G ED VR, AF-S 24-70mm f2.8G ED VR, AF-S Nikkor 70-200mm f2.8G ED VR
AF-S Nikkor 14-24mm f2.8G ED, AF-S 28-105mm f2.8G ED, AF-S Nikkor 70-200mm f2.8G ED VR II
By default, it shows you the actual picture the camera will capture, even before the shot is taken; thereby providing the photographer with greater creative control and confidence
It shows you the effects of digital filters, exposure changes and white balance settings for stills and video shooting
It enables the development of new image control or manipulation settings that only an all-digital viewing interface can make intuitive and easy to understand
It is not actually better
The optical design of the lens
The shape of the lens aperture blades when closed at various aperture settings
The distance to the subject and the relative distance of the subject from the background and foreground
The visual pattern of both background and foreground scenery
The aperture setting of the lens
F2.0, f2.8, f4.0, f5.6, f8.0, f11, f16, f22
F22, f16, f11, f8.0, f5.6, f4.0. f2.8, f2.0
M.Zuiko, M.Zuiko Premium and M.Zuiko PRO lenses
M.Zuiko Standard, M.Zuiko Premium and M.Zuiko PRO lenses
M.Zuiko Standard, M.Zuiko High Grade and M.Zuiko Super High Grade lenses
100%, 120%, 140%
100%, 170%, 180%
100%, 110%, 130%
13
29
45
Combine multiple still shots into one long-exposure image
Combine multiple still shots into one panoramic image
Combine multiple still shots into one ideally composed image
1
2
3
Through their eye-level viewfinders, the D7100 AF system covers a larger area with more AF points compared to the E-M10
Through their eye-level viewfinders, the E-M10’s AF system covers a larger area with more AF points compared to the D7100
Through their eye-level viewfinders, both the E-M10 and the Nikon D7100 covers the same area with an identical number of AF points
Nikon D7100
Canon 5D MkIII
Olympus E-M1
Fuji XT-1
It has the world's most effective image stabiliser built-in which means that stabilisation benefits all lenses used with the camera– most of Fuji's X series lenses are not stabilised making the camera system less capable for low light photography
The E-M1 has a touch LCD screen, the XT-1 does not
The E-M1 is still the overall faster focusing camera (system) as most Fuji X series lenses do not have similar FAST-AF/MSC technology
A wider shutter speed range of 1/8000th to 60 seconds
Better video functionality – e.g., Art Filters can be applied to video, manual exposure is possible, AF is more accurate
The E-M10
The E-M5
The E-M1
It focuses quicker in most single-shot AF situations than most comparable classes of DSLR cameras
It focuses visibly quicker and more accurately under all shooting and lighting situations
It provides many more autofocus points spread across a much wider area of the scene ensuring that the subject can be focused when situated within most parts of the image composition
NFC does not exist on iOS platforms hence you cannot use it with Apple devices
Working range is further
There is no advantage
Large Normal (LN)
Large Fine (LF)
Large Super Fine (L-SF)
Automatic Chromatic Aberration removal
Adaptive recovery of lens resolution at diffraction limits
Adaptive sharpening tuned for each lens model
Automatic correction of vignetting
Automatic correction of rectilinear distortion
The aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens
The aesthetic quality of both the in focus and out of focus parts of an image
The aesthetic quality of the in focus parts of an image
Lenses with very large open (or maximum) aperture specifications for their class
Lenses that enable the use of generally higher shutter speeds that can be used to freeze fast moving action due to large maximum apertures
Lenses that have aperture blades that can open and close extremely quickly
The overall image brightness is not increased significantly, enabling special long exposure creative photography such as light painting even in normal ambient lighting situations
Fireworks can appear with blacker night sky backgrounds
Star trails are easier to capture whilst reducing image noise
The exposure time can be significantly longer
Fuji XT-1
Sony A7R
Nikon D7100
Canon 5D MkIII
Nikon D610
Any Nikon lens with a focal length of 25mm
Any Nikon lens with a focal length of 35mm
Any Nikon lens with a focal length of 50mm
Image quality is a function of: lens performance, sensor performance and image processing quality
Image quality is a function of: lens performance, sensor performance, image processing quality, and in the real world usage, image stabilisation capability
Pitch
Yaw
Tilt
Lateral Shift Up-Down
Lateral Shift Left-Right
Lens-axis roll
Quiz Review Timeline (Updated): Mar 20, 2022 +
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