Video 101: Editing And Shots! Trivia Quiz

Close-ups provide detail because they focus on a specific subject or object, allowing viewers to see it up close and in great detail. This can reveal intricate textures, patterns, and features that may not be easily visible from a distance. Close-ups are commonly used in photography and film to highlight specific aspects of a scene or subject and provide a more intimate and detailed view for the audience.

A high angle shot is when the camera is positioned above the subject, looking down on them. This can create a sense of vulnerability or inferiority for the subject, as it diminishes their power or importance. It can also be used to show the subject's environment or surroundings. In this case, since the question does not provide any additional context or information, it is not possible to determine the specific reason for the high angle shot.

The term "wide shots" refers to a type of camera shot that captures a wide view of the setting or location. Therefore, the correct answer "Where are we?" aligns with the purpose of wide shots, as they provide the audience with a clear view and understanding of the surroundings or environment in which the scene is taking place.

The commonly-used industry term for "editing" is "cutting". This term is often used in various industries such as film, video production, and photography to refer to the process of selecting and removing unwanted parts or sections from a larger piece of content. Cutting involves carefully trimming and rearranging the footage or images to create a cohesive and visually appealing final product.

Headroom refers to the space above the subject's head in a well-composed shot. It is important in photography and videography to ensure that there is enough headroom to avoid cutting off the subject's head or crowding the frame. This allows for a balanced composition and gives the subject room to breathe within the frame.

A jump cut is a type of editing technique where two shots of the same subject are edited together, creating a noticeable jump in the continuity of the action. This can be jarring and disrupt the flow of the scene, making it a bad thing in the context of editing.

A standard close-up should cut the person off at the armpit. This framing is commonly used in photography and film to focus on the upper body and facial expressions of the subject. Cutting off at the armpit allows for a closer view of the person while still maintaining enough distance to capture their body language and expressions effectively.

In filmmaking, sequences usually start with a wide shot. This is because a wide shot establishes the setting and provides context for the scene. It allows the audience to understand the location and the relationship between different elements in the frame. Starting with a wide shot sets the stage for the upcoming action or dialogue and helps to create a sense of space and scale.

The correct answer is that the 4 shots were gathered at different times and later pieced together. This means that the video photographer(s) captured each shot separately at different moments and then combined them to create the final footage.

In the film industry, a closer shot is referred to as a "tighter" shot. This means that the camera is positioned closer to the subject, resulting in a more intimate and focused view. This term is commonly used to describe shots that emphasize the details or emotions of a character or object.

To create a sequence, at least two shots are necessary. With only one shot, there is no possibility of creating a sequence as it requires a minimum of two elements. Therefore, the correct answer is 2.

"Far shot" is not a commonly used industry synonym for "wide shot". While "long shot" and "establishing shot" are both commonly used terms in the film industry to refer to a wide shot, "far shot" is not a widely recognized term for the same concept.

The correct answer is "Sequence." In video editing, a sequence refers to the arrangement of shots in a specific order to create a coherent and continuous narrative. It involves selecting and organizing the shots in a way that they flow smoothly and appear to happen in real time. A sequence is an essential part of storytelling in film and television production, as it helps to convey the intended message or story to the audience effectively.

Placing an edit AFTER a subject has left the frame or BEFORE she enters the frame solves screen direction problems. Screen direction refers to the consistent direction of movement and positioning of subjects within a scene. If the edit is not placed correctly, it can create confusion for the audience regarding the spatial relationships between the subjects and the overall flow of the scene. By placing the edit after the subject has left or before she enters the frame, the continuity of screen direction is maintained, avoiding any confusion or discontinuity for the viewers.

An extreme close-up shot is a type of shot that focuses on a specific detail or part of a subject, usually showing only a small portion of the subject. This shot is used to emphasize the importance or significance of that specific detail and create a sense of intimacy or intensity. It allows the audience to see the subject in great detail, highlighting its texture, expression, or any other important element.

The best place for the edit would be in the middle of the nail-striking motion because it creates a smooth transition between the wide shot and the close-up shot. This allows the audience to see the action up close without any interruption or jarring jump cuts. It maintains the continuity of the action and provides a visually engaging sequence.

The reason "talking heads" are most of what you see on TV is because it shows human emotion better. Close-up shots of people's faces allow viewers to see their facial expressions and reactions, which helps to convey emotions and engage the audience. This visual element is important in television as it adds depth and connection to the content being presented.

The term "far shot" is not commonly used to describe a shot that captures an entire scene. The correct terms used for this purpose are wide shot, establishing shot, and long shot. A wide shot shows a broad view of the scene, while an establishing shot sets the context or location. A long shot captures a subject from a distance. However, "far shot" is not a recognized term in cinematography or photography.

The only time it is okay to zoom is to set up your shot before you begin recording. Zooming during recording can result in shaky footage and distract the viewer. By zooming before recording, you can ensure that your shot is framed correctly and avoid any unnecessary movement during the recording process.

The video clips suggest that our perception of this man is influenced by the shots that are shown before and after him. The context provided by the adjacent shots helps shape how we perceive him.

Diagonal lines make for better composition because they add dynamism and movement to the image. They create a sense of depth and lead the viewer's eye through the frame, creating a more visually interesting and engaging composition. Horizontal and vertical lines can often be static and predictable, while diagonal lines introduce a sense of energy and excitement. Therefore, diagonal lines are preferred for creating more compelling compositions.

The correct answer is "Assembling from the ground up." This phrase suggests that the editing process involves putting together all the different elements of a film, such as scenes, shots, sound, and special effects, in a systematic and organized manner. It implies that the editing process starts from scratch and involves carefully arranging and structuring the various components to create a cohesive and coherent final product.

The correct answer is "An example of poor editing." When a narrator describes what viewers see on screen, it implies that the visuals are not clear enough or lacking in quality, leading to the need for a narrator to describe them. This indicates poor editing as the visuals should ideally be able to convey the necessary information without the need for additional explanation.

If you violate the 180 Degree Rule, it will result in screen direction problems. The 180 Degree Rule is a guideline in filmmaking that ensures consistent spatial relationships between characters and objects in a scene. It helps maintain continuity and avoid confusion for the viewers. When the rule is violated, the camera jumps to the opposite side of the imaginary line, causing the characters' positions to switch abruptly. This can disorient the audience and disrupt the flow of the scene, leading to screen direction problems.

The space on the left half of this shot is called "Looking room". Looking room refers to the space in front of a subject that is facing or moving towards the right side of the frame. It allows the subject to have visual space to move into, creating a balanced composition and a sense of direction. This term is commonly used in cinematography and photography.

Professional camera operators understand that getting as close as possible to the subject is crucial for capturing a good shot. This allows them to capture more detail, convey emotions, and create a more intimate connection between the viewer and the subject. By being physically close, camera operators can also control the framing and composition more effectively, ensuring that the shot is visually appealing and impactful. Additionally, being close to the subject allows for better audio capture, minimizing background noise and enhancing the overall quality of the footage.

Matched Action refers to the technique of seamlessly connecting two shots or scenes by ensuring that the action in both shots matches and flows smoothly. In this particular scenario, the goal is to maintain the position of the swinging door in both the close-up and wide shot of a man entering the door. By doing so, the shots will appear visually coherent and create a seamless transition for the viewers.

The best composition of moving objects is when they move away from the camera (A) and when they move toward the camera (B). This creates a sense of depth and perspective in the composition, adding visual interest and engagement for the viewer.