This Music Appreciation Part II Test delves into the Baroque period (1600-1750), exploring its key composers like Handel, characteristic instruments such as the harpsichord, and defining features like drama and religious intensity. It assesses understanding of historical context and musical evolution.
Palestrina
Beethoven
Mozart
Handel
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Drama, intellectual content, and conciseness
Large dimensions, drama, and religious intensity
Religious intensity, conciseness, and drama
Large dimensions, religious intensity, and intellectual content
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True
False
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Trombone
Piano
Harpsichord
Clarinet
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True
False
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True
False
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True
False
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True
False
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True
False
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Scenery and costumes
Instrumental accompaniment
Arias
Choruses
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A love scene in an opera
An oratorio on the events of Good Friday
A love duet
A cantata for soloist and orchestra
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The chorus parts of oratorios
Hymns to be sung by congregations in Lutheran churches
Collections of recitatives
A type of oratorio
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Entered into an entertainment business venture
Wished to make the singing of madrigals more popular
Wished to re-create musical dramas similar to ancient Greek dramas
Wanted to create music for students in music conservatories
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Play book
Libretto
Manuscript
Novella
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Everything is sung
“Bigger than life” qualities
Often in foreign language
All of the above
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True
False
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Pipe organ
Harpsichord
Violin
Piano
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Arias
Keyboard works
Stylized dance works
Pieces in equal temperament
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Vocal work in three movements
Work for one or more instruments
Group of stylized dances
Group of dances that were not stylized
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It was composed to be played on boats as the king cruised the river
Each work in the suite is named after a lake
It was inspired by the rivers and waterfalls he saw in Scotland
It was composed to accompany a play about England’s great ships
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J.S. Bach
Corelli
Pachelbel
Handel
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Someone who is very skilled in performing
A very honest person
The first chair violinist in the orchestra
Someone who sings with much expression
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A soprano
An alto
A tenor
A bass
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True
False
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True
False
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Very old
Unusual
Of highest quality
Of high monetary value
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1600-1700
1750-1820
1800-1850
1825-1900
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Age of Kings
Age of Reason
Age of Science
Dawning of the Age of Aquarius
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Voltaire
Jean-Jacques Rousseau
Benjamin Franklin
Thomas Jefferson
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Was commissioned to create a particular work
Submitted works to publishers or dealers
Decided what and when he would create
Accepted employment with only one person or family
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Fall of the Roman Empire
First settlements by Europeans in America
Revolutionary War in America
Civil War in America
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True
False
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First movement
Second movement
Third movement
Fourth movement
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Exposition, recapitulation, and coda
Development, recapitulation, and coda
Exposition, development, and coda
Exposition, development, and recapitulation
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Vienna
Paris
Venice
Rome
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True
False
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Serious opera
Comic opera
Opera in Italian
Opera performed without costumes or scenery
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The ruler of Don Giovanni's country
Don Giovanni's brother who is a priest
Don Giovanni's father
The father who died defending the honor of his daughter from Don Giovanni
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Any work that was composed in a small room or recital hall
A work for a small orchestra
A work that uses one player on each part
A work that uses only one instrument of each type
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Chamber music
String quartet music
A sense of oneness
A sense of drama
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Four violins
Three violins and a cello
Two violins and two cellos
Two violins, a viola, and a cello
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Mannheim rocket
Salzburg special
Viennese venture
Lark ascending
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Based on a dance like minuet and trio
In rondo form
Slow and melodious
In a fast tempo
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Jig
Scarecrow
Scary
Joke
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Long and flowing
Loud and dramatic
Short ideas connected together
Very rhythmic
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True
False
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The second violins don’t play the second movement
The third and fourth movements are bridged together with no stop between the two.
A breakdown section
The note “C” isn’t played once
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True
False
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