The Music And Society Quiz

Aristocratic opera in Italy during the 17th century can be best defined by all of the given definitions, except for e. It depended on the patronage of a specific ruler, was exceptional and unique, celebrated important official events, and was reserved for a selected audience that had been invited by the ruler. This suggests that aristocratic opera in Italy during this time was highly exclusive and tied closely to the ruling elite.

The correct answer is that all the definitions are correct. Blues is an Afro-American music that is based on texts of sadness, exploitation, and misery set to a specific music. It is also based on a mixture of minor and major scales and is typically structured using 12 bar musical phrases. All of these definitions accurately describe the nature and characteristics of blues music.

The word "diva" has multiple meanings. It is derived from the Latin word "divus" which means divine, suggesting that a diva is someone who is considered to be divine or having exceptional talent. It is also used as a different name for prima donnas, which refers to the leading female singers in a vocal musical ensemble, particularly in opera. Additionally, diva can be used to describe someone who exhibits capricious, unpredictable, and voluble behavior. Therefore, all of the given answers are correct in explaining the meaning of the word "diva".

Kostas Papadakis practiced multiple musical genres including Rembetika, Traditional Cretese music, any music written for the instrument bouzouki, and what Americans of Greek origin considered authentic Greek music. Additionally, it is mentioned that he played the bouzouki in certain years, but primarily he was a violinist.

Ludwig van Beethoven was an independent musician, meaning he was not employed by anyone. However, he also relied on the financial support and patronage of wealthy Viennese families. This patronage allowed him to continue his musical career and sustain his livelihood.

Kostas Papadakis switched between different genres in his musical career because he had to move frequently due to external circumstances and personal choices. Each time he moved to a new place, he had to adapt his music to suit the current tastes of that location. His case is considered "exemplar" in the course because it demonstrates two important aspects: the presence of individual protagonists in popular music, not just collective ones, and the influence of a musician's social and cultural environment on their music, particularly in the context of ethnic musics.

Commercial opera in Italy during the 17th-18th century had the main goal of making money. It was a form of entertainment that was meant to be staged repeatedly, making it serial in nature. It did not necessarily celebrate anything specific and anyone who could afford a ticket could attend the performances. However, it was not exclusively sung by castrati. Therefore, all of the previous definitions provided are correct, except for the statement that it was sung only by castrati.

A music scene refers to the context in which clusters of producers, musicians, and fans collectively share their common musical tastes and collectively distinguish themselves from others. It is not limited to a specific site or venue, but rather encompasses a larger community or network of individuals who are involved in a particular genre or style of music. This definition emphasizes the social and cultural aspects of a music scene, highlighting the shared experiences and identities that emerge within these communities.

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During Beethoven's time, the term "Serious Music" referred to instrumental as well as vocal music that was performed in aristocratic venues and circles. It was music that was written in a complex way, intended to be appreciated by connoisseurs who could truly understand and relate to its complexity. Additionally, this type of music was not solely created for entertainment purposes, but rather aimed to compel listeners to engage with its intricate structure. Beethoven, in particular, diverged from the traditional approach and focused more on exploring, expressing, and questioning the depths of the human soul.

The correct answer is that all the previous answers are correct, with the exception of a and f. This means that the Canterbury School was not a musical school, sub genre, or a music scene. Instead, it was a virtual music scene invented by the press, but the bands labeled as Canterbury School were actually made by people who grew up in the Canterbury area in England. These bands had little in common, but they all experimented with blending pop and rock elements with folk, jazz, and electronic music. Their pieces were often long and defied the LP format. The creation of sub-genres like the Canterbury School was a result of the media and market's need for labeling and marketing.

The correct answer is that answers a and b are correct. This is because authenticity is often used as a key factor in defining and preserving certain musical traditions or genres. It is seen as a way to maintain the originality and cultural significance of the music. However, this notion of authenticity can be exclusive and overlook the complexity and evolution of music over time. Additionally, authenticity is sometimes associated with the idea of truth, although this truth is subjective and constructed.

The correct answer is that all of the above answers are correct, except for answer f. This means that Phillip Vannini considers Britney Spears an important phenomenon for multiple reasons, including her role as an image representing a sound that has become a commodity, her sexual ambiguity, her success in combining fashion and music, and her embodiment of the illusions created by the mass media and entertainment industry. However, the statement that she is a star with no talent is not considered a valid reason for her importance.

The correct answer states that answers a and b are partially right, but the correct answers are c, d, e, and f. This means that the main characteristics of the Israeli genre called Musiqa Mizrachit are that the singers sing with a nasal quality of the voice, it is based on standard Western popular music forms coupled with different Arabic, Greek, and Turkish musical elements, the harmony is static with wide spread use of Arabic cyclic rhythmic patterns, and there is an abundant use of vocal trilling.

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Punk music is characterized by its fast and high volume sound, as well as its use of elementary chords and rhythms. It is also a form of protest music, reflecting a rejection of conventions, social rules, and the system as a whole. Therefore, answers a, b, c, and f are correct in describing the characteristics of punk music.

The correct answer explains that while both enchantment produced by singing and wonder caused by the scenography were important elements in the success of opera performances, neither answer a nor answer b address the common factor behind these features. The common factor is the society's desire to see itself as an enchanted world, where everything is exceptional. Opera serves as a mirror of this desire and allows people to escape into a self-image of enchantment.

The answer explains that a simulacrum is an image of the sacred, representing the sacred being. Divas are referred to as simulacra because they are seen as divine and bring the audience into a different dimension. The audience adores the divas as simulacra and sees them as a medium to a transcendent dimension. The press plays a role in allowing the audience to share the diva's simulacrum and indulge in their private dimension.

The given correct answer states that all the answers provided are correct, except for answer d. This means that the rejection of these music genres in their respective countries can be attributed to multiple factors, including not conforming to social norms and specific aesthetic norms and cultural values. There is no mention of a common factor, but it can be inferred that the establishment in each country had certain expectations and standards for music that these genres did not meet.