Music And Society. The Mega Quiz

The word "diva" has multiple meanings. It originates from the Latin word "divus" which means divine, suggesting that a diva is someone with exceptional talent or qualities. Additionally, it is used as a term to refer to the leading female singers in opera, who are often seen as prima donnas or first women of a vocal ensemble. Lastly, "diva" can also describe someone who displays capricious and unpredictable behavior. Therefore, all the given answers are correct as they represent different aspects of the word "diva".

The question asks for the definition of a demiurge. Option a states that a demiurge is a creator, which is partially correct. Option b states that a demiurge is someone who creates out of nothing, which is also partially correct. However, option c states that a demiurge is someone who leads others to create together something, while those who take part in the creation are largely unaware of the ultimate goal of the demiurge. This option encompasses both the act of creation and the aspect of leading others, making it the most comprehensive and correct answer.

Kostas Papadakis switched between different genres in his musical career because he had to move frequently due to external circumstances and personal choices. Each time he moved to a new place, he had to adapt his music to the current tastes of that place. This makes his case "exemplar" in our course because it demonstrates two important aspects of popular music: the presence of individual protagonists and the influence of social and cultural environments on musicians, even within the framework of ethnic musics.

Ludwig van Beethoven was an independent musician who relied on the support and patronage of Viennese patrician families to sustain his livelihood. While he was able to generate income through his concerts and publications, the financial assistance provided by these wealthy families played a significant role in his life. This patronage allowed Beethoven the freedom to focus on his music and pursue his artistic vision without the burden of financial concerns.

A music scene refers to the context in which clusters of producers, musicians, and fans collectively share their common musical tastes and collectively distinguish themselves from others. It is not limited to a specific site or venue, but rather encompasses a broader community of individuals who share similar characteristics and interests in music during a specific time period. This definition highlights the social and cultural aspects of a music scene, emphasizing the collective identity and shared experiences within a particular music community.

Aristocratic opera and commercial opera have several main differences. Commercial opera was accessible to anyone who could afford a ticket, while aristocratic opera was exclusive and by invitation only. Additionally, aristocratic opera was created to commemorate important events in the ruler's life and was intended to be a unique and exceptional performance. On the other hand, commercial opera did not have any specific significance and was often performed as a series of productions. Therefore, both answers b and c are correct in highlighting the distinctions between aristocratic and commercial opera.

The correct answer is that all of the above answers are correct, except for answer f. This means that Phillip Vannini considers Britney Spears an important phenomenon for multiple reasons, including her representation of a sound turned commodity, her sexual ambiguity, her positioning at the intersection of fashion and music, and her embodiment of the illusions created by the mass media and entertainment industry. However, the statement that she is a star with no talent is not considered a reason for her importance.

The correct answer is that all the definitions are correct. The blues is an Afro-American music genre that is characterized by texts of sadness, exploitation, and misery set to a specific music. It is based on a mixture of minor and major scales, and typically follows a 12 bar musical phrase structure. Therefore, all the given definitions accurately describe different aspects of blues music.

Rebetiko is a Greek popular music genre that originated on the Asian shore of the Aegean Sea, particularly in Smyrna or Izmir. It is characterized by the prominent use of the bouzouki and was popular in sea cities with a port such as Istanbul, Smyrna, and Piraeus. Rebetiko is primarily made by songs with a very sad connotation that tell stories of tragic love and exploitation. Although made by ethnic Greeks, Rebetiko also incorporates strong Turkish features. Therefore, the correct answer is "All of the above."

Kostas Papadakis practiced multiple musical genres including Rembetika, Traditional Cretese music, and any music written for the instrument bouzouki. These genres were considered authentic Greek music by Americans of Greek origin. Additionally, it is mentioned that he played bouzouki in certain years but was primarily a violinist. Therefore, the correct answer is that answers a, b, d, and f are right.

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The correct answer explains that a simulacrum is an image of the sacred and divas are considered simulacra because they are seen as divine beings who bring the audience into a different dimension. The audience adores the simulacrum and sees it as a medium to a transcendent dimension. The press plays a role in allowing the audience to share the simulacrum by providing gossip and information about the divas.

The given definition accurately describes the concept of music scenes, where groups of producers, musicians, and fans come together to share their common musical tastes and differentiate themselves from others. This definition encompasses various music scenes, including the punk rock movement, trends in rock music, and the Canterbury school. Therefore, the answer "Of music scenes" is correct.

The correct answer is a, c, d. The castrati singers were emasculated singers who possessed unique and impressive vocal qualities that were highly sought after during the late 17th and throughout the 18th century. They were considered the real divas of the 18th century and were renowned as the most famous and virtuoso singers in 18th century opera.

The correct answer is b and c are both correct. This is because both statements b and c mention illusion and enchantment as major characteristics in different contexts. Statement b states that illusion and enchantment were major characteristics of 17th and 18th century Italian opera, while statement c suggests that illusion and enchantment are associated with the illusional/delusional dimension that divas create and inhabit. Therefore, both statements are correct in highlighting the presence of illusion and enchantment in different settings.

The given correct answer states that both answers are correct. This implies that both Maria Callas and Britney Spears used image construction, branding, and music to enhance their respective positions in the music industry. Maria Callas created a glamorous image to establish herself as a diva, but it backfired against her. On the other hand, Britney Spears selects music that aligns with her image and uses her performances to strengthen her brand. Therefore, both artists utilized image construction, branding, and music to further their careers.

The given answer states that each of the above answers presents one of the main features of the punk music scene. This means that all the traits mentioned in the question, such as high volume performances, low musical quality, anti-system ideology, rejection, open dress code, and self-managed channels, are considered as main features of the punk music scene. In other words, these traits collectively define the punk music scene and are integral to its identity.

The people in search of authenticity in the Chicago blues music scene were looking for performances of the kind of jazz and blues music that made Chicago famous in the world, a kind of travel in time back to the years when distinctive music styles were born in Chicago, an all-encompassing experience that includes the "atmosphere" of bygone years, and a thrilling musical and extra musical experience. They believed that the same atmosphere that characterized the years when that kind of blues and jazz were played is still present in Chicago and that the music performances they would hear would be as alive and connected to their own time and society as they were in the past.

Punk music is characterized by being fast and played at high volume, based on elementary chords and rhythms (though it has become more complex over time), and serving as a form of protest. It is also a music based on the idea of rejection, rejecting conventions, rock and roll conventions, social rules, and the system as a whole.

The correct answer explains that while both the enchantment produced by singing and the wonder caused by the scenography were important for the success of opera performances, the common factor behind them was the society's desire to see itself as an enchanted world. Opera served as a mirror of this desire, allowing people to experience an exceptional and magical world through the performances. Answers a and b are correct in addressing the individual factors, but they do not address this underlying common factor.

The correct answer suggests that all of these phenomena have been investigated during the course as music scenes. This means that despite their differences in genre, they share a commonality in being studied or analyzed within the context of music scenes.

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Aristocratic opera in 17th century Italy can be best described by all of the given definitions except for e. It depended on the patronage of a ruler, was exceptional and unique, celebrated important official events, and was reserved for a selected audience who were invited by the ruler. Therefore, all of these definitions accurately describe aristocratic opera during that time period.

Commercial opera in Italy during the 17th-18th century had the main goal of making money, making it a profitable venture for those involved in its production. It was also designed to be staged repeatedly, indicating its serial nature. It did not necessarily celebrate anything in particular, and anyone who could afford to pay for a ticket could attend the performances. However, it was not exclusively sung by castrati, which is the only exception among the given definitions. Therefore, all of the previous definitions are correct, except for the statement that it was sung only by castrati.

The correct answer is that both answers a and b are correct. The explanation provided states that authenticity is often used as a key word to establish a specific phenomenon as an unchanging reference point. This notion of authenticity is exclusive and disregards the complexity of ongoing phenomena. It also suggests that authenticity can be synonymous with truth, but this truth is a construct. This explanation provides a comprehensive understanding of the role of authenticity in society, music systems, and audience orientation.

Beethoven wrote symphonies because they were considered the loftiest of all musical expressions, the performance of symphonies always attracted large numbers of music lovers and connoisseurs, and symphonies were by nature destined to large audiences and therefore could make Beethoven’s new and original music ideas known to many.

The correct answer explains that Beethoven's music was different from his contemporaries and predecessors due to several factors. These include Beethoven's undeniable genius and strong personality, the increased accessibility of music to larger groups and classes, the growing influence of pre-Romantic ideologies that emphasized individual expression and delving into the human soul, and the necessity for aristocrats to distinguish themselves from the bourgeoisie by cultivating a more serious, refined, difficult, and compelling kind of music, which Beethoven was able and willing to provide.

The correct answer is c, d, e, f. This means that the main characteristics of the Israeli genre called Musiqa Mizrachit include singers singing with a nasal quality of the voice, being based on standard Western popular music forms coupled with different Arabic, Greek, and Turkish musical elements, having static harmony with a wide spread use of Arabic cyclic rhythmic patterns, and an abundant use of vocal trilling. Answers a and b are only partially correct, so they are not the main characteristics of Musiqa Mizrachit.

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The given answer states that all of the previous answers are correct, except for options a and f. This means that the Canterbury School was indeed a musical school, characterized by a soft and mellow sound and experimental music. It was not a music scene, but rather a label used by the media and market to categorize a group of musicians and bands that shared certain characteristics. These bands were all experimental in nature, blending various genres such as pop, rock, folk, jazz, and electronic music. Their compositions were often long and did not conform to the typical LP format.

The correct answer states that answer f is simplistic and answer e is correct and almost complete. It further explains that von Karajan wants to communicate through his films about his rehearsals how much he is in control of even the smallest details and how every performance is the perfect implementation of his will and vision. Additionally, it mentions that von Karajan is seen as the epitome of a conductor as a role model of a leader in an authoritarian society, according to Adorno. This explanation provides a comprehensive understanding of von Karajan's communication style and his intentions in his films, linking it to the course topic.

Punk rock is the correct answer because it is the only music genre mentioned that was characterized by strong political intentions since its onset. The other genres mentioned may have social implications or indirect political connotations, but punk rock stands out as being explicitly political.

The correct answer is that Kostas Papadakis' music was rejected because he played traditional Cretan music that incorporated elements from Italian repertoires, such as the use of the violin and strophic forms. The Greek musical establishment, however, was seeking music that was purely Greek and free from outside influences. Therefore, his music did not meet their criteria and was rejected.

The correct answer to the question is a combination of answers e, f, and c. This means that a demiurge is someone who creates something out of almost nothing, directing others towards achieving a bigger than life goal. In the modern sense, a demiurge can be a great film or theatre director, an exceptional orchestra conductor, or visual artists working on large scale projects. This answer acknowledges that the original Greek meaning of the word may be different, but in today's context, a demiurge is seen as a visionary and manipulator of the masses.

The correct answer is that all the above answers are correct, except for e. This means that all the reasons mentioned in answers a, b, c, and d are valid explanations for why Herbert von Karajan decided to include his rehearsals with the orchestra in some of his movies. These reasons include showcasing the orchestra's mastery, emphasizing his own role in the performances, maintaining some secrecy about his artistic vision, and creating a cult of his own personality.

The correct answer is that all the answers are correct, with the exception of answer d. This means that all three music genres were indeed rejected by the establishment in their respective countries for different reasons, and there is a common factor behind these rejections. The common factor is that all three countries considered themselves in the process of turning into new/old nations, and therefore popular culture, including music, had to conform to specific aesthetic norms and cultural values.

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In the 17th and 18th centuries, Italian society looked for amazement, enchantment, and wonder in an opera. However, it is important to note that opera also served as a mirror for society. It had to reflect an enchanted and fabulous image of the audience and their social surroundings. Therefore, answer c is correct as it acknowledges the societal aspect of opera and its role in reflecting the audience's self-image.