Works And Writings Of Jose Rizal Quiz

At the National Exposition of Fine Arts in Madrid in 1884, Luna's powerful masterpiece, Spoliarium, captured the top prize, earning him a gold medal. This monumental painting, depicting the brutal reality of Roman gladiatorial combat, resonated with audiences and critics alike, establishing Luna as a major figure in the European art scene.

Rizal invested his three pesetas in a lottery ticket, showcasing a moment of optimism and a touch of adventurous spirit. The lottery, a popular form of gambling in Spain at the time, represented not just a chance at financial gain but also the allure of a life transformed by luck. This decision reflects Rizal's aspiration for a brighter future amidst his studies and endeavors in Spain. Even with limited funds, his willingness to engage in a game of chance illustrates his desire for opportunity and change, a sentiment that resonated deeply with his broader ambitions for the Philippines and its people.

After completing his studies in Madrid, Rizal journeyed to Paris and Germany to specialize in ophthalmology. This branch of medicine focuses on the anatomy, function, and diseases of the eye. Rizal's pursuit of ophthalmology was driven by a personal desire to cure his mother's eye ailment. He sought to learn from the leading experts in the field and bring advanced eye care back to the Philippines.

The given information states that Rizal graduated with a degree of Licentiate in Medicine and Licentiate in Philosophy and Letters from Universidad Central de Madrid. The question asks for the rating of his degree in Philosophy and Letters. The term "sobrasaliente" translates to "excellent" in English, which indicates the highest level of achievement. Therefore, the correct answer is "sobrasaliente (excellent)" as it reflects Rizal's outstanding performance in his degree.

On November 3, 1882, Rizal enrolled in Philosophy and Letters and Medicine at the Universidad Central de Madrid. These courses were part of his broader educational pursuits while he also engaged in studies in painting and sculpture, as well as language lessons and fencing. Rizal's commitment to a diverse education reflected his desire to equip himself with the knowledge and skills necessary for his future endeavors in advocating for reform in the Philippines.

José Rizal left for Spain to complete his university studies and further develop his knowledge of arts and sciences on May 3, 1882. At the age of 21, Rizal embarked on this journey to continue his education at the Universidad Central de Madrid. His time in Spain was crucial for his intellectual and artistic growth, and it also deepened his awareness of the social and political issues faced by his homeland, which later influenced his writings and advocacy for Philippine independence.

During Rizal's stay in Barcelona, he received news about a devastating disease that was spreading in Manila and the provinces, causing the people of Calamba to hold afternoon novenas and nighttime processions to San Roque in hopes of stopping the epidemic. The Spanish authorities were unable to control the disease, indicating that it was a serious and uncontrollable outbreak. The correct answer is cholera, a highly contagious and deadly disease that was prevalent during that time.

The Austrian professor who maintained a lifelong friendship with Rizal through long and frequent correspondence was Professor Ferdinand Blumentritt. Their intellectual connection began through letters, where they exchanged ideas, knowledge, and cultural insights. Blumentritt, Director of the Ateneo of Leitmeritz, was a scholar who had written extensively about the Philippines despite never having visited. 

Rizal's departure for Spain was kept secret to avoid drawing attention from the colonial authorities and friars, who might have tried to stop him. Only a few individuals knew about his plan, including his brother Paciano, his sisters, Uncle Antonio Rivera, and some close friends. However, his parents were left in the dark about his departure, making them the only ones who were not informed about his journey to Spain. This secrecy was crucial to ensure his safe departure and pursuit of his studies abroad.

Shortly after his arrival in Madrid, Rizal joined the Circulo Hispano-Filipino (Hispano-Philippine Circle), a society of Spaniards and Filipinos. This organization aimed to foster intellectual and cultural exchange between Spaniards and Filipinos, promoting discussions on various topics relevant to both nations. It was within this context that the members of the Circulo Hispano-Filipino requested Rizal to write a poem, which led to the creation of "Me Piden Versos" (They Asked Me for Verses).

Rizal owed Maximo Viola P300.00 for the printing of his novel Noli Me Tangere. Viola, a close friend and supporter of Rizal, provided the financial assistance needed to publish the book, which became a significant work in Philippine literature and a catalyst for the national consciousness against Spanish colonial rule.

On the morning of May 3, 1882, before his journey to Madrid, Spain, José Rizal attended mass at the Sto. Domingo Church in Manila. This historic church, also known as the Church of Santo Domingo, held significance for Rizal as it was where he and his fellow students would often go to hear mass during their time at the University of Santo Tomas.

The given question is testing the knowledge of the geographical location of Port-Bou. By comparing it to the provided examples, it can be inferred that Naples is in Italy and Marseilles is in France. Therefore, Port-Bou is most likely located in Spain, as it follows the pattern of a city being associated with its respective country.

The lieutenant who defended Rizal in court was Luis Taviel de Andrade. Rizal chose him because he was the brother of Jose Taviel de Andrade, who served as Rizal's bodyguard in Calamba in 1887. Rizal felt a sense of familiarity and perhaps trust with the name, which might have influenced his decision during such a critical time.

To see the interesting spots of Port Said, the Mediterranean terminal of the Suez Canal, Rizal landed there. He was fascinated by the city's cosmopolitan atmosphere, where he encountered a diverse population speaking a multitude of languages, including Arabic, French, Italian, Spanish, Greek, and Egyptian. This vibrant mix of cultures and languages left a lasting impression on Rizal, further expanding his worldview as he continued his journey towards Europe.

On June 2, 1882, Rizal arrived at the city of Suez, the Red Sea terminal of the Suez Canal. The beautiful moonlight of this picturesque city, with its blend of Eastern and Western influences, evoked a sense of nostalgia in Rizal, reminding him of his family and his hometown of Calamba. He found himself captivated by the exotic sights and sounds of Suez, a place that marked a significant step in his journey to Europe and the pursuit of knowledge and reform.

After completing his studies at Universidad Central de Madrid, Rizal stopped in Barcelona to visit his friend Maximo Viola, a fellow medical student and a member of a wealthy family from San Miguel, Bulacan. Viola would later become a key figure in Rizal's life, providing financial support for the publication of Noli Me Tangere and accompanying Rizal on a significant European tour.

The correct answer is Ferdinand de Lesseps. Ferdinand de Lesseps was a famous Frenchman who was responsible for the construction of the historic waterway Suez Canal. Rizal traversed this canal for 5 days, making de Lesseps the correct answer.

In October 1885, while residing in Paris, Rizal honed his ophthalmological skills by working as an assistant to Dr. Louis de Weckert, a leading French ophthalmologist. This mentorship provided Rizal with invaluable practical experience and exposure to advanced techniques in eye care. He dedicated himself to learning from Dr. de Weckert, further solidifying his expertise in the field and preparing him to address his mother's eye condition.

Rizal was accused of rebellion, sedition, and illegal association. This means that he was charged with participating in a rebellion against the government, engaging in actions that incited disobedience or resistance against the authorities, and being involved in an illegal organization or group. The fact that all of these crimes were attributed to Rizal suggests that he was seen as a significant threat to the established order and was targeted for his political activities.

In Singapore, Rizal boarded the French steamer named Djemnah, which was sailing to Europe. This marked a significant leg of his first European journey, where he would further his studies, immerse himself in European culture, and eventually write his renowned novels, Noli Me Tangere and El Filibusterismo.

In Luna's great painting "The Blood Compact," Rizal posed as Sikatuna, while Dr. Trinidad Pardo de Tavera posed as Legazpi. This significant event in Philippine history symbolizes the friendship and alliance between the Spanish and the natives, represented through the blood compact ritual. Rizal's involvement in this artwork highlights his appreciation for Filipino heritage and his connection to the historical narrative of the Philippines.

During his journey to Europe, José Rizal attempted to converse with fellow passengers in French, but soon realized that the formal, bookish French he had learned at Ateneo was not easily understood. In an effort to communicate more effectively, he incorporated Latin and Spanish words, used expressive hand gestures, and even resorted to sketching on paper. Despite these efforts, he did not attempt to use German or Greek to bridge the language gap.

The article that Rizal wrote in Diariong Tagalog urging his compatriots to love their fatherland, similar in theme to his prize-winning "A La Juventud Filipina," was Amor Patrio. This passionate piece, published in August 1882 under the pen name Laong Laan, called upon Filipinos to awaken their sense of national consciousness and dedicate themselves to the betterment of their country. It emphasized the importance of love for one's homeland as a driving force for progress and reform.

The correct answer is "Revista de Madrid." This is because the question mentions that the article was returned to Rizal because the Diariong Tagalog ceased publication. Therefore, it can be inferred that Rizal submitted the article to the Diariong Tagalog, but since it was no longer being published, the article was returned to him. The other options, Los Viajes, Felicitacion, and Amor Patrio, are not mentioned in the question and cannot be connected to the given information.

Rizal visited the Château d'If in Marseilles, which is famously known as the prison where Edmond Dantès, the hero of Alexandre Dumas's novel The Count of Monte Cristo, was imprisoned. This historic site captured Rizal's imagination, as he was deeply influenced by the themes of injustice and redemption depicted in the novel. The Château d'If is situated on an island off the coast of Marseilles and has become a symbol of confinement and hope in literature.

When José Rizal returned to the Philippines from Hong Kong, he arrived on the boat Don Juan. After the necessary inspections by customs officials, he checked into the Oriente Hotel in Manila, where he stayed in room No. 22, which had a view of the Binondo Church. Rizal was accompanied on this return trip by his sister, Lucia, marking an important chapter in his life as he continued his work and advocacy for Philippine reforms during the Spanish colonial period.

On August 22, 1883, Rizal penned a heartfelt poem entitled "A la Senorita C.O. y R." This poetic tribute was dedicated to Consuelo Ortiga y Rey, the charming daughter of Don Pablo Ortiga y Rey, the former mayor of Manila. Rizal had developed a close friendship with the Ortiga family during his time in Madrid. Consuelo, with her beauty and grace, captivated Rizal's attention, and the poem reflects his admiration and affection for her.

Rizal was called "Doctor Uliman" by the townspeople of Calamba because he had just returned from Germany. "Uliman" is a variation of "Aleman", the Tagalog word for "German". He became quite popular for his medical expertise, particularly in ophthalmology (treatment of eye conditions). He treated patients not just from Calamba, but also from Manila and other provinces.

The Filipinos in Barcelona, some of whom were Rizal's schoolmates from the Ateneo, threw him a welcome party at their favorite cafe in Plaza de Cataluna. This lively plaza, located in the heart of Barcelona, was a popular gathering spot for Filipinos studying in the city. It was a place where they could connect with their fellow countrymen, share stories, and enjoy a taste of home amidst their new surroundings.

Don Pablo Ortega y Rey is the correct answer because he was a liberal-minded Spaniard and Civil Governor of Manila during the administration of General Carlos Ma. de la Torre, which aligns with the description given in the question. Rizal used to visit his home every Saturday evening because he was lonely in Madrid, and they would play parlor games with his two daughters. Guillermo Puatu, Francisco Calvo Muñoz, and Ramon Blanco are not mentioned in the question and therefore are not the correct answer.

Rufino Baltazar Hernandez is the correct answer because he was the author of the book "Arithmetica" written in Spanish and Tagalog. The question states that Rizal sent two books entitled "Arithmetica" and mentions the author's name as Rufino Baltazar Hernandez, confirming that he is the correct answer.

In Berlin, Rizal was captivated by the city's scientific atmosphere and the absence of racial prejudice, which contrasted sharply with his experiences elsewhere. It was here that he connected with Dr. Feodor Jagor, a renowned German scientist-traveler. Jagor's book, Travels in the Philippines, which Rizal had read and admired, offered insightful observations about the archipelago and even predicted the downfall of Spanish rule and the eventual arrival of the Americans.

On September 21, 1892, the mail boat Butuan brought news of Rizal’s lottery win. Rizal, Captain Ricardo Carnicero, and Francisco Equilor (a Spanish resident of Dipolog, a neighboring town of Dapitan) jointly owned ticket no. 9736, which won a prize of Php 20,000. Rizal’s share was Php 6,200. He sent Php 2,000 to his father, Php 200 to Roman Basa in Hong Kong, and invested the rest in agricultural land along the coast of Talisay, about a kilometer from Dapitan.

The editor of Diariong Tagalog who congratulated Rizal for the article and requested him for some articles was Francisco Calvo. He recognized Rizal's talent and the impact of his writing, particularly appreciating the article "Amor Patrio" which Rizal had submitted under the pen name Laong Laan. He encouraged Rizal to contribute more to the newspaper, recognizing the power of his words to inspire and awaken national consciousness among Filipinos.

The correct answer is Lodge Solidaridad. Rizal became a Master Mason in Lodge Solidaridad on November 15, 1890. He joined the Masonic Lodge Acacia in 1883 and took the Masonic name Dimasalang. Rizal became a Mason because he wanted to fight against the abusive friars in the Philippines and saw the Masons as a shield to use in his battle against tyranny.

While en route to the Orient via the Suez Canal, Rizal saw this historic canal for the second time. On July 30, 1887, he transferred to another steamer, the Haiphong, which was headed for Manila in Saigon.

During his two-day stay in Singapore, Rizal was particularly impressed by the confidence which the natives seemed to have in their government. He observed a sense of security and trust among the people, which he attributed to the just and efficient administration of the British colonial government. This starkly contrasted with the situation in the Philippines under Spanish rule, where Filipinos often felt oppressed and lacked faith in their government.

In Luna's canvas "The Death of Cleopatra," Rizal posed as an Egyptian priest. This collaboration allowed Rizal to immerse himself in the art world and develop a deeper appreciation for the cultural and historical themes explored in Luna's work. The painting itself reflects Luna's talent and creativity, showcasing the dramatic moment of Cleopatra's demise, with Rizal's contribution adding a personal connection to the piece.

During his stay in Leipzig, Rizal translated Schiller's "William Tell" from German to Tagalog. This translation was done with the intention of making Filipinos aware of the story of Swiss independence. Rizal believed that by translating and sharing such stories, he could inspire a sense of patriotism and nationalism among his fellow countrymen.

Jose Rizal was executed at 7:03 am on December 30, 1896, at Bagumbayan Field. He was shot by a firing squad, and he famously turned his body to face the firing squad and fall with his face towards the sky. This moment marked the culmination of his fight for Philippine reforms under Spanish colonial rule, turning him into a national martyr and hero.

After the publication of Noli Me Tangere, Rizal was warned not to return home by Silvestre Ubaldo and Paciano and Jose M. Cecilio. There is no mention of Josephine Bracken warning Rizal not to return home. Therefore, the correct answer is "ii only".

The Governor-General who assigned a bodyguard for Rizal while the storm over Noli Me Tangere was raging was Emilio Terrero. Governor-General Terrero recognized the danger Rizal was in due to the controversy surrounding his novel and the friars' opposition. To protect Rizal, he assigned a young Spanish lieutenant, Don Jose Taviel de Andrade, as his bodyguard.

According to Rizal's own notebook, his height was recorded as 1.61 meters, which converts to approximately 5 feet 3 inches. This detail provides a more accurate portrayal of his stature than earlier estimates, which often underestimated his height.

The owner of La Publicidad and statesman whom Rizal befriended and sketched in Paris was Don Miguel Morayta. Morayta was a prominent figure in Spanish politics and a strong advocate for liberal reforms. Rizal admired Morayta's progressive views and his support for greater autonomy for the Philippines. This encounter highlights Rizal's growing network of influential connections in Europe, as he sought to engage with individuals who shared his vision for a more just and progressive future for his homeland.

The winter of 1886 in Berlin was indeed a challenging time for Rizal, marked by financial hardship and uncertainty. He faced extreme poverty, reducing his meals to the bare minimum and struggling to pay his rent. This period tested his resilience and determination, but he persevered despite the difficulties. However, the statement about the diamond ring from Saturnina is not among the reasons that made this winter particularly difficult for Rizal. While there were instances when Rizal experienced the loss or delay of funds from his family, the specific incident of a lost diamond ring from his sister Saturnina is not associated with this period.

In Leitmeritz, when Rizal and Maximo Viola visited Professor Ferdinand Blumentritt, who was impressed by Rizal's fluency in the German language, Rizal referred to Burgomaster when explaining his experience. The term "burgomaster" is a title for the mayor of a town in some European countries, including Germany. This showcases Rizal's ability to communicate effectively and his dedication to learning, which he achieved in just eleven months of study.

To return home from Marseilles, Rizal boarded the Djemnah, the same steamer that had brought him to Europe five years earlier. This marked the beginning of his first homecoming, a journey filled with both excitement and apprehension as he prepared to face the consequences of his controversial novel, Noli Me Tangere.

In Prague, Rizal and Viola visited the historic cave where San Juan Nepomuceno was imprisoned. This revered Catholic saint, also known as John of Nepomuk, holds a significant place in Czech history and religious tradition. He was a priest and martyr who was persecuted for defending the seal of confession. The cave, a site of pilgrimage and historical significance, provided Rizal and Viola with a glimpse into the rich religious and cultural heritage of Prague. It was a moment of reflection and connection to the spiritual history of the city, adding another layer to their European tour.

During Rizal's exile in Dapitan, his different perspectives were enhanced, but his role as a traveler was not one of them. This suggests that while Rizal may have been known for his travels and exploration in other periods of his life, during his time in Dapitan, his focus was not on traveling. Instead, he may have been more focused on his roles as an educator, farmer, inventor, scientist, and engineer.