Designers And Technicians - Chapter 5

Combined proscenium and thrust stage theatres have become more popular since the 1960s, especially in academic-based theatres. This suggests that the statement is accurate and true.

The two primary considerations of lighting design are visibility and focus. Visibility refers to the ability to see clearly, ensuring that the lighting is adequate for the intended purpose. Focus, on the other hand, involves directing the attention of the viewer to specific areas or objects through the use of lighting techniques such as highlighting or shadowing. Both visibility and focus play crucial roles in creating a well-designed lighting setup that enhances the overall ambiance and functionality of a space.

The proscenium stage was mentioned to have the benefit of providing extensive hidden areas backstage for scene changes. This means that there are ample spaces behind the stage where actors, props, and set pieces can be stored and moved without being visible to the audience. This allows for smooth and seamless transitions between scenes, enhancing the overall production quality.

The statement is false because theatre lighting actually predates the invention of electricity. Before electricity, theatres used oil lamps, candles, and gas lights to illuminate the stage. These lighting methods were used as early as ancient Greece and Rome. It wasn't until the late 19th century that electric lighting became widely used in theatres.

The explosion of theatre construction was made possible by a growing public willingness to lend financial support. This means that more and more people were willing to invest in and financially support the construction of theaters. This support could have come in the form of donations, investments, or sponsorships, which allowed for the rapid expansion of theater infrastructure.

The correct answer is a hanging fabric stretched tightly between curved pipes to surround the rear and sides of the stage. This explanation describes the cyclorama as a fabric that is tightly stretched between curved pipes. The purpose of the cyclorama is to surround the rear and sides of the stage, creating a seamless and immersive background for the performance.

Proscenium and Thrust are the two principal types of modern theatre building. A proscenium theatre is characterized by a large, framed opening called a proscenium arch, which separates the stage from the audience. This type of theatre usually has a deep stage and a backstage area. On the other hand, a thrust theatre is a stage that extends into the audience on three sides, allowing for a more intimate and immersive experience. It provides a closer proximity between the performers and the audience, creating a more interactive atmosphere.

Makeup is a major design element in the context of theater and film productions. Unlike other design elements such as set design or costume design, the planning and execution of makeup are often entrusted solely to the actor. This means that the actor has the freedom to create and apply their own makeup, allowing them to have a personal and creative input into their character's appearance. This distinction sets makeup apart from other design elements, making the statement "Makeup is the only major design element whose planning and execution are often left entirely up to the actor" true.

A light designer uses a light plot to plan and organize the placement of lighting fixtures and their corresponding functions. A cue sheet is used to record and coordinate the timing and sequence of lighting cues during a show. However, a scrim is not a tool used by a light designer in preparing to light a show. A scrim is a piece of fabric that is used in theater to create various lighting effects by diffusing or reflecting light.

Light, as scenery, can create walls, images, and even three-dimensional visualizations through techniques like laser holography. Light can be manipulated and projected onto surfaces to create stunning visual effects, transforming the perception of a space. Glass and drapery may also play a role in enhancing the visual impact of light, but they are not as directly responsible for creating the mentioned effects as light itself.

The proscenium theatre is designed as a rectangular room, where the audience is positioned on one side while facing the stage on the other side. This layout allows for a clear separation between the performers and the audience, creating a distinct stage area for performances.

The Japanese no stage was designed with sound in mind and specifically to be stamped upon. This stage was known for its unique design and acoustics, allowing for the performers' movements and sounds to be amplified and projected effectively throughout the theater. The design of the stage was carefully crafted to enhance the auditory experience for the audience, making it an integral part of Japanese theater history.

The biggest explosion of theatre construction began after World War II. This can be attributed to several factors such as the economic boom and increased prosperity in the post-war period, as well as the rise of modernism and the desire for cultural expression. The rebuilding efforts in many countries also provided an opportunity to construct new theatres. Additionally, the popularity of cinema and television during this time may have influenced the demand for more theatre spaces.

The statement suggests that the arena staging, despite being exposed, still retains all the elements of scenery. However, the correct answer is False. This implies that the arena staging does not maintain all the same elements of scenery, contradicting the initial statement.

The statement is false because Ancient Greek and Roman drama, Japanese No theatre, and Elizabethan theatres did not use scenery as an essential element. These forms of theatre relied more on the use of masks, costumes, and gestures to convey the setting and atmosphere of the play. Scenic elements were not as prominent or necessary in these theatrical traditions.

Scene designers work with space, time, and images to create the visual aspects of a production. They are responsible for designing and creating the physical environment of a scene, including the set, props, and lighting. Visions, on the other hand, refer to the creative ideas and concepts that guide the overall design process. While visions may influence the work of scene designers, they are not a fundamental aspect of their job. Therefore, the correct answer is "Visions."