The Tempest Act 3 MCQ Quiz Questions And Answers

Throughout the play, Ariel faithfully serves Prospero in the hope of gaining his freedom. In Act 5, Prospero finally promises to free Ariel after completing his final tasks. This promise of freedom highlights the themes of servitude and liberation that run through the play.

Caliban describes the island as "full of noises, Sounds and sweet airs, that give delight and hurt not." This suggests that Caliban has a deep connection with the natural elements of the island and finds joy in its sounds and atmosphere. It also implies that the island is a place of beauty and tranquility, despite Caliban's troubled existence on it.

In Act 3, Stephano, a drunken butler, gives alcohol to Caliban, making him drunk. This is evident in the play when Caliban starts singing and speaking in a confused and intoxicated manner. Caliban's drunkenness is an important plot point as it leads to his alliance with Stephano and Trinculo, and their plan to overthrow Prospero. Thus, Caliban is the character who is made drunk by Stephano in Act 3.

In Act 3, Caliban plans to overthrow Prospero. Caliban is a native inhabitant of the island and feels oppressed by Prospero's rule. He sees an opportunity for liberation when he encounters Stephano and Trinculo, who are drunk and easily manipulated. Caliban convinces them to help him overthrow Prospero and take control of the island. This plan demonstrates Caliban's desire for freedom and revenge against his oppressor.

In "The Tempest" by William Shakespeare, Prospero is responsible for the mysterious music heard throughout the play. As a powerful magician and the play's central character, he uses his magical abilities to influence the events on the island and direct the course of the story. The music serves as an extension of his control, helping to guide, enchant, or confuse other characters to achieve his desired outcomes. Prospero's mastery over music and magic is a significant part of his character, allowing him to manipulate the narrative and lead others toward his ultimate goals of reconciliation and forgiveness.

In Act 3, Scene 3, Ariel transforms into a harpy to confront Alonso, Antonio, and Sebastian. As a harpy, Ariel disrupts the banquet laid out for the nobles and accuses them of their wrongdoings. This supernatural intervention is meant to invoke fear and guilt, part of Prospero's strategy to bring about repentance and justice.

In Act 3, Scene 2, Stephano and Trinculo, under the influence of Caliban, plot to kill Prospero and take over the island. Caliban persuades them that they can rule the island with him as their servant. This plot adds a comedic and sinister layer to the play's exploration of power and ambition.

Prospero creates the tempest at the beginning of the play to get his title back from his brother, Antonio. This is evident from the fact that Prospero uses his magical powers to summon the storm and shipwreck Antonio and his companions on the island. Through this event, Prospero plans to manipulate and eventually confront Antonio, seeking to regain his rightful position and power. This action sets the stage for the main conflict and plot of the play, highlighting Prospero's desire for justice and redemption.

In Act 3 of "The Tempest," Ariel utters the line "Mine would, sir, were I human." This line is spoken by Ariel when he is asked by Prospero if he would pity the humans who have been shipwrecked on the island. Ariel responds by saying that if he were human, he would feel compassion for them. This line highlights Ariel's empathy and his understanding of human emotions, despite not being human himself.

In William Shakespeare's "The Tempest," the spirit that Prospero commands is named Ariel. Ariel is a powerful and ethereal being who serves Prospero faithfully throughout the play. This spirit is instrumental in executing much of the magic and manipulation that Prospero designs to achieve his ends, including the creation of the tempest that brings his enemies to the island. Ariel's abilities allow him to fly, create illusions, and transform himself, making him a key figure in implementing Prospero's plans for justice and reconciliation. Although bound to serve Prospero, Ariel frequently expresses a desire for freedom, which Prospero eventually grants as a reward for the spirit's loyal service. Ariel's character highlights themes of servitude, loyalty, and the longing for liberty, enriching the play's exploration of power dynamics and personal agency.

Alonso, Antonio, and Sebastian are accused of being 'three men of sin'. This accusation is made by Caliban in Shakespeare's play "The Tempest". Caliban refers to them as 'three men of sin' because they are responsible for usurping Prospero's dukedom and banishing him and Miranda to the island. Caliban sees them as cruel and evil individuals who have caused him and Prospero great suffering.

In William Shakespeare's "The Tempest," Prospero is the rightful Duke of Milan. At the beginning of the play, we learn that Prospero's position was usurped by his own brother, Antonio, with the aid of Alonso, the King of Naples. This betrayal leads to Prospero and his daughter, Miranda, being exiled and set adrift at sea, eventually finding refuge on a remote island. Throughout the play, Prospero uses his magical powers and wisdom to orchestrate events that will lead to the restoration of his dukedom. The story explores themes of justice and retribution as Prospero confronts his brother and other characters who have wronged him, ultimately leading to his reinstatement as Duke by the play's conclusion. The narrative not only restores Prospero's political status but also examines his personal journey towards forgiveness and the relinquishing of his magical powers as he prepares to return to Milan.

In Act 3 of William Shakespeare's "The Tempest," Ferdinand is assigned the task of fetching wood for fuel by Prospero. This task is part of Prospero's broader plan to test Ferdinand's character and his genuine affection for Miranda, Prospero’s daughter. Prospero, who has orchestrated many of the events on the island through his magical abilities, uses this mundane and physically challenging task as a means to assess Ferdinand’s virtues and his willingness to undertake hardships for love. Despite the menial nature of the task, Ferdinand undertakes it with diligence and without complaint, demonstrating his noble intent and deep affection towards Miranda. This act not only serves as a test but also as a symbolic gesture of Ferdinand's readiness to enter into a life of commitment and responsibility with Miranda.

Prospero makes Ferdinand's work difficult to test his love for Miranda. By putting obstacles in Ferdinand's path, Prospero wants to see if Ferdinand truly loves Miranda and is willing to endure hardship for her. This test serves as a way for Prospero to ensure that Ferdinand is worthy of marrying his daughter and to gauge the sincerity of his feelings.

In William Shakespeare's "The Tempest," Antonio convinces Sebastian to consider murdering his brother, Alonso, the King of Naples, by promising him power. Antonio uses the opportunity of their isolation on the island and the vulnerability created by the tempest to plant the idea of regicide in Sebastian’s mind. He persuades Sebastian that with Alonso out of the way, Sebastian could ascend to the throne, thus gaining authority and rule over Naples. Antonio, skilled in manipulation and betrayal—as he previously usurped his own brother, Prospero—draws on his experience to entice Sebastian with the allure of power and rule, exploiting Sebastian's ambition and discontent. This strategy of offering power echoes Antonio’s own successful usurpation and highlights his unscrupulous nature and willingness to incite further betrayal and violence to achieve his ends.