If you are an event manager, musician or dancer you know how important a room`s acoustics is. If you try and perform in a room with bad acoustics the chances of the audience not hearing you are much higher. How much do you about how to maximize the acoustics of different room shapes? Test yourself by taking the quiz below.
A reverberation or echo chamber
A totally air tight room
An isolated, reflection-free space
A room used to store tape machines
None of the above
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Mass, Density, Space
Mass, Density, Fiberglass
Weight, Density, Space
Mass, mass, and more mass
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1,130 ft/sec
4,800 ft/sec
11,000 ft/sec
18,020 ft/sec
20,670 ft/sec
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The brain's ability to eliminate things it doesn't want to hear.
The brain's ability to adjust your hearing both in frequency response and sound pressure level to help protect your hearing mechanism.
The brain's ability to enhance things it doesn't want to hear.
The brain's ability to separate one sound amoungst many.
Room modes
Tuning
Decoupling or floating
Dispersive silencing
Absolution
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Nano-Webers
Sabins
MicroFarads
Pascalls
STC
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A diffuser
A disperser
An acoustic evener
A decoupler
A concave surface
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Membrane absorber
Helmholtz resonator
Porous absorber
Low mode absorber
Tyner trap
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To minimise the transmission of outside airbourne and structural noise into the recording area
To allow heat detention to ensure an even studio temperature
To obtain correct room ratio's for realistic RT 60 time
To allow enough space between outer and inner walls to construct bass traps
To allow for a more natural room mode structure
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Isolate our space from structural noise
Maintain a constant reverb time for all audio frequencies
Isolate our space from electrical noise
Provide even distrubution of room modes
Provide a pathway for little people in our studio
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Axial, Tangential, and Oblique
Axial, Tangential and Transverse
Axial, Oblique, and Transindential
Axial, Tangential, and Obtuse
Axis, Obtuse, Tangential
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A negative value of absorption co-efficient
An absorption co-efficient greater than 1
A high absorption co-efficient
A low absorption co-efficient
A sliding absorption co-efficent
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The size of the room.
Type of materials used in the interior of the room.
The type of seals used on the door frames.
A and C
A and B
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Lenghten the reverb time.
Minimize transmission noise
Give an even distribution of room modes
Encourage standing waves
Eliminate the need for amplification
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A negative value of absorption co-efficient
An absorption co-efficient greater than 1
A high absorption co-efficient
A low absorption co-efficient
None of the above
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STC
Sabines Co-efficient
Transmission Loss
AES
Mass Law
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Louder
Direct
High Freq
Quieter
Low Freq
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Compensate for the non-linear response of human hearing
Allow the meter to used for electrical readings as well
Compensate for the non-linear response of the meter
Let the meter to be used for indoor and outdoor readings
Allow the meter to be used in low gravity situations
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Diffuser
Active trap
Diffusive trap
Helmholtz resonator
Resonant absorber
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When reflecting sound waves decrease a sound's amplitude
When reflecting sound waves increase a sound's amplitude
When the frequency of the second sound wave is exactly twice the original sound wave
25 times that of the first mode
When there is excessive bass trapping
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Isolation of the studio space from exterior noise.
Elimination of standing waves.
Protection of neighbors from high sound levels.
To increase reverb time.
A and C
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The same as the distance between two surfaces
Half of the distance between two surfaces
One third of distance between two surfaces
One quater of the distance between two surfaces
All of the above
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Panel absorbers
Concrete
Carpet
Glass
A and D
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Double layering the sheet rock
Adding an extra coat of paint
Replacing the gypsum board with cardboard
All of the above
A and B only
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High Volume, High velocity
High Volume, Low velocity
Low Velocity, Low Volume
High compression
Painted yellow
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Has a reflective front and absorbtive rear
Has an dead front and a dead rear
Has a reflective front and absorbtive rear with no low frequencies
Has a dead front and live rear with early reflections eliminated
Has a reflective front and rear panel absorbers
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Panel absorbers
Drapes
Fiberglass
Carpet
Fuzz
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Low mid frequency range
High frequency range
Upper-mid range
Free range
A and c
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Absorb low frequencies.
Decouple construction elements.
Absorb high frequencies.
Create low frequency enhancers.
Increase the bass response of the room.
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Quiz Review Timeline (Updated): Mar 20, 2023 +
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