A mirror in the body directs the light from the lens up into a prism for viewing, then flips up out of the way just before an exposure is made. (caption on page 12)
Explanation
Worksheet for Chapter 2
Page 18: "You also should use fast film (ISO 400), because the lens has a small lens aperture (which you can adjust for sunny and cloudy days)."
Refer to page 19.
From page 12: "The reflex mirror turns the image right side up to allow you to view your subject more easily..."
Page 20: "A twin-lens-reflex camera has two-lenses, one stacked on top of the other; you view and focus your subject with the top lens and expose film through the bottom lens." Therefore, you can still see out of the top lens while the bottom lens is exposing the film.
From the caption on page 14: "When you turn the lens and superimpose the two images, the subject is in focus."
Page 20: "Unlike most camera types, TLRs don't offer eye-level viewing. Instead, you view your subject at waist or chest level, looking down at the focusing screen to view, compose, and focus your subject."
Page 21: "Also, for best results, you must fine-tune the color consistency between your camera, computer monitor, and printer, a process called color management;"
Page 14: "The biggest disadvantage of rangefinder camera is that they don't permit through-the-lens viewing."
Page 15: "The lack of through-the-lens viewing also may lead to parallax error, the difference between what you see through the viewfinder and what the lens sees (and the film records)." Page 21: "Since you don't see through the taking lens as you do with an SLR, TLRs must be parallax-corrected to allow the viewing lens to show what the taking lens records."
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