The Call of Cthulhu: Lovecraft's Iconic Story Quiz

In Chapter 2, "The Tale of Inspector Legrasse," the detective who approaches Professor Angell and shows him an idol related to Cthulhu is Detective John Raymond Legrasse. This encounter is a pivotal moment in the narrative, connecting the idol to the mysterious cult and the unfolding horrors.

The primary purpose of Professor Angell and Detective Legrasse's meeting in 1908, as recounted in the story, is to identify an idol related to a mysterious cult. This event sets the narrative in motion and connects Cthulhu to the cult, leading to further revelations in the story.

The central figure in the story is Cthulhu. Cthulhu is an ancient, monstrous being of immense power. It is the embodiment of cosmic horror, a prevailing theme in Lovecraft's work.

Francis Wayland Thurston serves as the primary narrator in "The Call of Cthulhu." He compiles and presents the fragmented accounts and discoveries related to Cthulhu, helping the reader piece together the narrative of the cosmic entity and the cult that worships it.

"The Call of Cthulhu" is typically classified as a work of horror. It exemplifies the elements of cosmic horror, dread, and the unknown that are characteristic of Lovecraft's writing. The story's genre is a key reason why it has left a lasting impact on the horror literary tradition.

In Chapter 2, "The Tale of Inspector Legrasse," when Inspector Legrasse and his men ventured into the swamps of Louisiana, they found the bodies of the missing people, mutilated and used as sacrifices. This discovery reveals the dark and horrifying nature of the cult and their activities.

"The Call of Cthulhu" concludes in the final chapter with Thurston worrying that he knows too much, and he fears that the cult will come after him soon. This ending is in line with the themes of cosmic horror, leaving the reader with a sense of impending dread and uncertainty.

"The Call of Cthulhu" was first published in the pulp magazine Weird Tales in February 1928.

Cthulhu's appearance is often described as octopus-headed and dragon-like. This unique and grotesque imagery adds to the unsettling nature of the story. It is a creature that defies conventional descriptions, embodying the alien and incomprehensible qualities characteristic of Lovecraft's creations.

When Cthulhu awakens from its slumber, the world is consumed in chaos. This reflects the core theme of cosmic horror in Lovecraft's work, where the mere presence of such entities brings about overwhelming and destructive forces that humanity can hardly comprehend or withstand.

R'lyeh, the sunken city, is situated beneath the southern Pacific Ocean. It's a submerged, ancient city where the cosmic entity Cthulhu rests. The story's eerie atmosphere is heightened by the idea of this city lurking beneath the ocean's depths.

The cult that worships Cthulhu chants, "In his house at R'lyeh, dead Cthulhu waits dreaming," a phrase filled with eldritch and mystic qualities. It adds to the eerie and unsettling atmosphere, emphasizing the connection between the cult and the cosmic entity.

Thurston looks through his great uncle's notes and discovers a strange sculpture in Chapter 1, titled "The Horror in Clay." The sculpture is described as having aspects of an octopus, dragon, and human, setting the stage for the eerie revelations in the story.

Chapter 3, titled "The Madness from the Seas," follows the perspective of Gustaf Johansen and details the fate of the Emma's crew. It provides crucial information about the uncharted island they discovered, monolithic buildings, and the strange oozing shores, adding depth to the story's cosmic horror elements.

In "The Call of Cthulhu," Thurston believes that Cthulhu may have returned to R'lyeh after reading Gustaf Johansen's manuscript. The manuscript details the awakening of Cthulhu and the events related to the uncharted island, monolithic buildings, and strange occurrences, leading Thurston to this unsettling conclusion.