Masters of Italian Renaissance Art: A Detailed Quiz

The correct answer is Masaccio, Tribute Money, 1420, Brancacci Chapel. This fresco by Masaccio is known for its departure from the international gothic style and for its clear and realistic depiction of space.

The correct answer is Masaccio. The Holy Trinity is a famous painting located in Santa Maria Novella and is considered one of Masaccio's most mature paintings, known for its logical and mathematical perspective.

Lorenzo Ghiberti created the sculpture St John the Baptist in 1405-17, located at Orsanmichele in Florence. It was commissioned by Arte di Calimala and showcases Gothic style elements such as the body's arch and drapery.

Donatello's sculpture of St. Mark in Orsanmichele, Florence is known for its realistic and natural drapery, showing the figure beneath CONTRAPOSTO. It contrasts with St. John by Ghiberti in terms of style and depiction.

The sculpture of St. George in Orsanmichele, Florence was created by Donatello in 1420. It is a realistic portrayal of St. George experiencing fear, and it was used to advertise armor from the guild. Donatello's attention to light in the retina of the eye showcases his supreme skill in creating lifelike sculptures.

Brunelleschi is the correct answer as he was the architect responsible for designing the Basilica of San Lorenzo in Florence, which showcases Classical architectural features and was commissioned by Cosimo de'Medici. Michelangelo, Giotto, and Donatello were prominent figures in the Renaissance era, but they were not directly involved in the construction of San Lorenzo.

Donatello was the sculptor responsible for the creation of the Equestrian Monument of Gattamelata. While Michelangelo, Leonardo da Vinci, and Raphael were renowned Italian artists during the Renaissance period, they were not the ones behind this particular statue.

The correct artist who created the painting Miracle of the Believing Donkey is Donatello. This artwork was created between 1444-1449 in Sant' Antonio, Padua and showcases the use of perspective in arches found outside Florence.

The correct artist of the painting 'St. Anthony of Padua Healing the Wrathful Son' is Donatello, not Leonardo da Vinci, Michelangelo, or Raphael.

Mantegna is the correct answer because he was the artist behind the artwork 'St James led to execution' created in Padua between 1454-57, known for his use of perspective. The other artists listed, Michelangelo, Leonardo da Vinci, and Raphael, were known for their own unique styles and works but were not specifically associated with this piece or its characteristics.

Donatello created the Martyrdom of St Lawrence for the pulpit in San Lorenzo in 1460. This masterpiece is a significant work of art attributed to Donatello's unique style and exceptional skill.

Donatello is the correct answer as he created the Lamentation sculpture for the Pulpit of San Lorenzo in 1460. While Michelangelo, Leonardo da Vinci, and Raphael were also renowned Italian artists during the Renaissance period, they were not specifically attributed to this particular sculpture.

The correct answer is Gozzoli who painted the Procession of the Magi in 1459. This fresco cycle can be found in the Magi Chapel of the Palazzo Medici Riccardi in Florence, Italy. It is a masterpiece of the Early Renaissance period, showcasing Gozzoli's talent in portraying the journey of the Magi in vivid colors and intricate details.

Pollaiuolo created the artwork 'Hercules and hydra' in 1460, not Leonardo da Vinci, Michelangelo, or Donatello.

The correct answer is Pollauiolo as he created the sculpture titled Hercules and Antaeus in 1460, showcasing the iconic mythological figures.

The correct creator of the sculpture 'Hercules and Antaeus' in 1470 is Pollaiuolo, not Donatello, Michelangelo, or Leonardo da Vinci.

Donatello is known for creating the sculpture Judith and Holofernes, 1446-1460, which served as a fountain spout for wine. The other options, Leonardo da Vinci, Michelangelo, and Raphael, were also renowned Italian artists, but they did not create this specific sculpture.