How Much Do You Know About Family Game Movie? Quiz

Yoshimitsu Morita directed "The Family Game" in 1983. Yoshimitsu Morita was a Japanese film director. The director has been nominated for eight Japanese Academy Awards, winning the 2004 Best Director award for Ashura no Gotoku (Like Asura, 2003). He also won the award for best director at the 21st Yokohama Film Festival for 39 keihō dai sanjūkyū jō (Keiho, 2003) and the award for best screenplay at the 18th Yokohama Film Festival for Haru (1996). 

"The Family Game" won the Best Movie of the Year award as selected by Japanese critics. Despite missing the Japan Academy Prize for the Best Picture, it was recognized for its excellence by critics.

Ichirōta Miyagawa received the Newcomer of the Year award for his role in "The Family Game." His performance as Shigeyuki Numata, the junior high school student, was acclaimed and contributed to the movie's success.

The main focus of "The Family Game" is on a dysfunctional middle-class nuclear family. The film explores the breakdown in communication among family members who are connected through social roles and societal expectations.

Yūsaku Matsuda plays the role of Katsu Yoshimoto in "The Family Game." His portrayal of the private tutor with unusual behavior contributes to the film's unique narrative.

The climax of the movie occurs during a family celebration when Yoshimoto begins to riot, hitting people, pouring wine on their heads, and creating chaos. This unexpected behavior adds a dramatic turn to the narrative.

Ichirōta Miyagawa portrayed Shigeyuki Numata, the junior high school student, in "The Family Game." His performance contributed to the film's exploration of family dynamics and societal pressures.

Fuji TV adapted "The Family Game" into a TV series in 2013, starring Sho Sakurai as the tutor Kōya Yoshimoto. The TV series provided a contemporary take on the original movie's themes.

Japanese critics associated "The Family Game" with a change to a new epoch and a post-modern sensibility. The film was seen as reflecting a shift in cultural attitudes toward reality and societal expectations, marking an epochal change in the perception of family and social roles.

Critics suggest that "The Family Game" marked a cultural shift from defining reality through "ideals" to celebrating meaninglessness. In the post-high growth era, the film reflects a change in Japanese society's approach to reality, moving away from attempts to change reality based on ideals and dreams, to accepting and even celebrating reality as "fiction."