Quiz: How Much Do You Know About Don't Look Now Movie?

1. Who directed the 1973 film "Don't Look Now"?

Nicolas Roeg

Stanley Kubrick

Alfred Hitchcock

Roman Polanski

The film was directed by Nicolas Roeg. Nicolas Jack Roeg was an English film director and cinematographer. Don't Look Now was Roeg's third film as director, following Performance (1970) and Walkabout (1971).

Explanation

The film was directed by Nicolas Roeg. Nicolas Jack Roeg was an English film director and cinematographer. Don't Look Now was Roeg's third film as director, following Performance (1970) and Walkabout (1971).

2. Where do John and Laura travel to in "Don't Look Now" following their daughter's death?

Venice

Paris

London

Rome

In the film "Don't Look Now," John and Laura, a grieving couple, embark on a journey to Venice. Their trip to Venice signifies their attempt to escape their tragic past and find solace, but it also becomes a place where they confront their deepest fears and anxieties, as supernatural events and premonitions begin to disturb their already fragile emotional state.

Explanation

In the film "Don't Look Now," John and Laura, a grieving couple, embark on a journey to Venice. Their trip to Venice signifies their attempt to escape their tragic past and find solace, but it also becomes a place where they confront their deepest fears and anxieties, as supernatural events and premonitions begin to disturb their already fragile emotional state.

3. In the film, what are the names of the two elderly sisters, whom Laura encounters where she and John are dining?

Charlotte and Rose

Heather and Wendy

Emma and Noel

Rachel and Emily

Laura encounters the two elderly sisters names Heather and Wendy, at a restaurant where she and John are dining. Heather claims to be psychic and—despite being blind—informs Laura she is able to "see" the Baxters' deceased daughter.

Explanation

Laura encounters the two elderly sisters names Heather and Wendy, at a restaurant where she and John are dining. Heather claims to be psychic and—despite being blind—informs Laura she is able to "see" the Baxters' deceased daughter.

4. What color coat does the small figure wear that John sees, resembling his deceased daughter, Christine?

Red

Blue

Yellow

Green

In the film "Don't Look Now," John Baxter, the main character, experiences a haunting moment when he sees a small figure wearing a red coat. This red coat is significant because it closely resembles the one that their late daughter, Christine, was wearing at the time of her tragic death. This sight is emotionally distressing for John, as it triggers his grief and stirs feelings of unease and foreboding.

Explanation

In the film "Don't Look Now," John Baxter, the main character, experiences a haunting moment when he sees a small figure wearing a red coat. This red coat is significant because it closely resembles the one that their late daughter, Christine, was wearing at the time of her tragic death. This sight is emotionally distressing for John, as it triggers his grief and stirs feelings of unease and foreboding.

5. What happens to John's son that prompts Laura to depart for England in the film?

He's injured in an accident.

He falls ill.

He runs away.

He's kidnapped.

In the film "Don't Look Now," Laura departs for England due to the unfortunate incident involving their son. After she and John Baxter travel to a different city following their daughter's tragic death, their son remains in England. Laura receives a telephone call notifying her that their son has been injured in an accident at his boarding school in England. This unexpected news leads Laura to return to her home country to be with their son and attend to his needs. This event creates a sense of urgency in their family's situation, which is central to the film's plot.

Explanation

In the film "Don't Look Now," Laura departs for England due to the unfortunate incident involving their son. After she and John Baxter travel to a different city following their daughter's tragic death, their son remains in England. Laura receives a telephone call notifying her that their son has been injured in an accident at his boarding school in England. This unexpected news leads Laura to return to her home country to be with their son and attend to his needs. This event creates a sense of urgency in their family's situation, which is central to the film's plot.

6. How does John interpret the scaffold accident at the church where he is working in Venice?

As the "danger" foretold

As a mere accident

As a sign to leave Venice

As a warning from the police

In "Don't Look Now," after Laura's departure for England, John continues to work on the church restoration. During this time, he has a near-death experience when the scaffold he is standing on suddenly collapses. This incident is significant because it aligns with the "danger" that the elderly sisters had forewarned. The collapse of the scaffold can be seen as a physical manifestation of the danger foretold, intensifying John's sense of foreboding and the mysterious atmosphere that pervades the film. It also sets the stage for subsequent events, further fueling John's anxiety.

Explanation

In "Don't Look Now," after Laura's departure for England, John continues to work on the church restoration. During this time, he has a near-death experience when the scaffold he is standing on suddenly collapses. This incident is significant because it aligns with the "danger" that the elderly sisters had forewarned. The collapse of the scaffold can be seen as a physical manifestation of the danger foretold, intensifying John's sense of foreboding and the mysterious atmosphere that pervades the film. It also sets the stage for subsequent events, further fueling John's anxiety.

7. Why does John report Laura's disappearance to the police in "Don't Look Now"?

Concerned about a serial killer

They had an argument

Laura was acting strange

None of the above

In the film "Don't Look Now," John reports Laura's disappearance due to concerns about a serial killer. This pivotal moment in the storyline occurs when John, worried about his wife's mental state and believing that she may be in grave danger, decides to seek the help of the local authorities. Venice becomes the backdrop for a series of mysterious and chilling events, and the presence of a serial killer adds an additional layer of suspense to the narrative. John's actions highlight his growing unease and determination to protect his family, setting the stage for the film's intense climax.

Explanation

In the film "Don't Look Now," John reports Laura's disappearance due to concerns about a serial killer. This pivotal moment in the storyline occurs when John, worried about his wife's mental state and believing that she may be in grave danger, decides to seek the help of the local authorities. Venice becomes the backdrop for a series of mysterious and chilling events, and the presence of a serial killer adds an additional layer of suspense to the narrative. John's actions highlight his growing unease and determination to protect his family, setting the stage for the film's intense climax.

8. Who was the hideous figure John encounters at the end of the film?

A female dwarf

An ugly male dwarf

An unknown person

A child

Shortly after returning to the hotel, John catches a glimpse of the mysterious figure in a deserted palazzo and approaches, believing it to be a child. The figure turns to face him, revealing that it is a hideous female dwarf.

Explanation

Shortly after returning to the hotel, John catches a glimpse of the mysterious figure in a deserted palazzo and approaches, believing it to be a child. The figure turns to face him, revealing that it is a hideous female dwarf.

9. What does the hideous figure do when it confronts John in "Don't Look Now"?

Cuts his throat

Warns him of danger

Asks for help

Offers a gift

When John freezes in shock, after seeing the hideous figure, it pulls out a meat cleaver and cuts his throat. Dying, John realises too late that the strange sightings he experienced were premonitions of his own murder and funeral.

Explanation

When John freezes in shock, after seeing the hideous figure, it pulls out a meat cleaver and cuts his throat. Dying, John realises too late that the strange sightings he experienced were premonitions of his own murder and funeral.

10. How does the film "Don't Look Now" use associative editing techniques?

To presage events with familiar objects, patterns, and colors

To create confusion

To increase suspense

To skip between timelines

The film adopts an impressionist approach to its imagery, often presaging events with familiar objects, patterns and colours using associative editing techniques. The film's reputation has grown in the years since its release and it is now considered a classic and an influential work in horror and British film.

Explanation

The film adopts an impressionist approach to its imagery, often presaging events with familiar objects, patterns and colours using associative editing techniques. The film's reputation has grown in the years since its release and it is now considered a classic and an influential work in horror and British film.