Cocteau Twins Trivia: Only Real Fans Pass This!

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| By Cambronbill3
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Cambronbill3
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Quizzes Created: 2461 | Total Attempts: 1,204,955
Questions: 13 | Viewed: 633
1.

Who was the female vocalist for the Scotland-based band Cocteau Twins?

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Answer: Elizabeth Fraser
Explanation:
Elizabeth Fraser was the female vocalist for the Scotland-based band Cocteau Twins. She is known for her unique and ethereal vocal style, which helped define the band's dreamy and atmospheric sound. Fraser's haunting vocals and poetic lyrics contributed to the band's critical and commercial success, making her a beloved figure in the world of alternative and dream pop music.

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2.

In 1990, what noted Japanese guitarist joined the Cocteau Twins?

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Answer: Mitsuo Tate
Explanation:
Mitsuo Tate did not actually join the Cocteau Twins in 1990 or at any other time. This answer is incorrect. The Cocteau Twins are a Scottish band and Mitsuo Tate is a Japanese guitarist known for his work in Japanese bands such as Buck-Tick. It is possible that there was confusion or misinformation regarding this information.

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3.

What color is the funk in a Cocteau Twins' song title on "Heaven or Las Vegas"?

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Answer: Cherry-colored
Explanation:
The funk in a Cocteau Twins' song title on "Heaven or Las Vegas" is described as cherry-colored. This specific color choice adds a vivid and descriptive element to the title, likely conveying a sense of warmth, vibrancy, and perhaps a hint of nostalgia or romanticism that is characteristic of the band's dreamy and ethereal musical style.

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4.

What Cocteau Twins song is about the beginning of the South Polar winter?

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Answer: Throughout The Dark Months Of April And May
Explanation:
The Cocteau Twins song "Throughout The Dark Months Of April And May" is likely about the beginning of the South Polar winter, as the title suggests a period of darkness and coldness that aligns with the characteristics of winter in the southern hemisphere. The lyrics of the song may further explore themes of darkness, isolation, and the changing of seasons that are typically associated with the onset of winter.

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5.

What Cocteau Twins' song title is an Inuit name for the musk ox?

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Answer: Oomingmak
Explanation:
The Cocteau Twins' song title "Oomingmak" is an Inuit name for the musk ox, reflecting the band's interest in incorporating unique and exotic influences into their music. The use of this Inuit term adds an element of mystique and cultural richness to the song, creating a deeper connection between the music and the listener.

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6.

What is the background color on the Cocteau Twins' "Four-Calendar Cafe" album cover?

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Answer: Blue
Explanation:
The background color on the Cocteau Twins' "Four-Calendar Cafe" album cover is blue, which is a fitting choice given the dreamy and ethereal sound of the band's music. Blue is often associated with tranquility, calmness, and introspection, which may reflect the overall mood and themes of the album. Additionally, the cool tones of blue can evoke a sense of mystery and depth, adding to the allure of the album cover and potentially drawing listeners in to explore the music further.

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7.

What 3-color song is included on the Cocteau Twins' EP "Twinlights"?

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Answer: Pink Orange Red
Explanation:
The song "Pink Orange Red" is included on the Cocteau Twins' EP "Twinlights". This track showcases the band's signature dreamy and ethereal sound, with lush instrumentation and haunting vocals that have become synonymous with their unique style.

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8.

What Cocteau Twins album is the only one with original bassist Will Heggie?

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Answer: Garlands
Explanation:
Garlands is the only Cocteau Twins album that features original bassist Will Heggie. Heggie left the band after the release of this album, making it unique in their discography. His contributions to the album helped shape the band's early sound and style, making Garlands a significant record in their career.

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9.

The Cocteau Twins titled a song after what pirate?

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Answer: Bluebeard
Explanation:
The Cocteau Twins titled a song after the pirate Bluebeard, possibly drawing inspiration from the infamous figure known for his dark and mysterious reputation. Bluebeard's story of murder and secrets may have resonated with the band's ethereal and enigmatic musical style, leading them to name a song after him.

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10.

The Cocteau Twins were named for a song by what fellow Scotsmen?

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Answer: Johnny And The Self-Abusers
Explanation:
The Cocteau Twins were named after a song by fellow Scotsmen Johnny And The Self-Abusers, showcasing a connection between the two bands from the same region. This naming choice could have been influenced by admiration for the music of Johnny And The Self-Abusers or a desire to pay homage to their fellow Scottish musicians.

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11.

What was the last Cocteau Twins' song ever released?

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Answer: Touch Upon Touch
Explanation:
The last Cocteau Twins' song ever released was "Touch Upon Touch." This track was included in their final studio album "Milk & Kisses," which was released in 1996. As the band disbanded shortly after the album's release, "Touch Upon Touch" holds the distinction of being their final musical offering to their fans.

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12.

The Cocteau Twins' "Victorialand" album takes its name from a place in what area?

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Answer: Antarctica
Explanation:
The Cocteau Twins' "Victorialand" album takes its name from a place in Antarctica because the band members were inspired by the remote and icy landscape of the continent when creating the album. The name "Victorialand" likely evokes images of the vast, untouched wilderness and stark beauty of Antarctica, which aligns with the dreamy and ethereal sound of the band's music.

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13.

What Cocteau Twins' song is named for a common Asian butterfly?

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Answer: Plain Tiger
Explanation:
The Cocteau Twins' song "Plain Tiger" is named after a common Asian butterfly known for its vibrant colors and distinctive patterns. The band often drew inspiration from nature and its beauty, using it as a metaphor in their music to create a dreamy and ethereal atmosphere. The choice of naming a song after a butterfly reflects the band's whimsical and poetic approach to songwriting, capturing the delicate and enchanting essence of the creature in their music.

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