This is a midterm review for Television Production I.
Great depth of field
Narrow depth of field
Distorts a subject's features
Subjects appear smaller in frame
Frame rate
CCD
F-Stop
Audio
Larger
Smaller
Longer
None of the Above
6400 K Degrees
4900 K Degrees
3200 K Degrees
1200 K Degrees
80000 K Degrees
4700 K Degrees
9600 K Degrees
5600 K Degrees
True
False
True
False
True
False
True
False
True
False
100
2000
10,000
100,000
1,000,000
Lens
Viewfinder
Pick-up system
Color control system
1 Second
10 Seconds
1/30 Seconds
1/250 Second
Require more power
Last longer
Produce a better picture
Longer life
Move the subject closer to the camera
Use a telephoto lens
Reduce the amount of light on the subject
Increase the amount of light on the subject
Normal
Wide angle
Close-up
Telephoto
Wide angle
Normal
Zoom
Close focus
Telling the camera what color temperature of light is going to work
Using only white light on the subject
Performing a necessary task
Allowing for proper skin tones to be rendered
Flattens contours
Compresses space
Brings distant subjects close
Has a great depth of field
Hand holding the camera when in use is difficult
Focusing is less critical
Picture distortion
Exaggeration of space
Color temperature
Depth of field
Glitch
Backspacing
Green
Red
Yellow
Brown
Inferiority
Dominance
Equality
Aggressiveness
Concentrate attention
Add artistic flair to the scene
Remove background distractions
All of the above
Nose room
Walking distance
Compositional fortitude
Leading lines
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