Madonna of the Rocks, Leonardo Da Vinci, 1486, oil on panel, Louvre, Paris
Geometric
Organic
Amorphous
Biomorphic
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Analogous colors
Complimentary colors
Primary colors
Secondary colors
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Contour line
Line formed by an edge
Actual line
Both contour line and line formed by an edge are reflected
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Impasto
Implied texture
Trompe l'oeil
Pattern
Both implied texture and trompe l'oeil apply
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A. linear perspective
B. overlapping
C. changes in scale in relation to placement in the picture plane
D. modeling
E. all of the above were used
F. only b & c were used
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Actual line
Organic line
Implied line
Contour line
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Use of diagonal lines
A sense of movement from spiraling torsos
This work is kinetic
Daphne's figure morphing into a tree
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Actual
Organic
Analytic
Implied
Both actual and analytic
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Mass
Volume
Implied mass
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Monochromatic
Analogous
Complimentary
Open
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