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False
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Sometimes the musical effect of a poem comes from the combination of syllables or the arrangement of them or their repetition.
Onomatopoeia involves the use of words which supposedly sound like what they mean, such as snap and bang.
Alliteration consists in the repetition of the final consonant sound, for example, struts and frets, first and last.
Imagery consists in the the representation through language of sense experience – what one hears, tastes, smells, touches, sees; at its simplest an image is a picture made with words.
Allusion is a reference, explicit or implicit, to something in previous literature or history, used to reinforce the emotion or ideas of the present poet or other writer or speaker with the emotions or ideas of another work or occasion.
A, B, E
A, B, D, E
All of the Above
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Is the name given to a small “school” or group of American and British poets between 1912 and 1917, among whom were Ezra Pound and Amy Lowell
Focused on creating a single image in a poem and were influenced by Asian poetry
Basic rule was to use the language of common speech, but to employ always the exact word, not the nearly-exact, not the merely decorative word
Tried to reproduce in the twentieth century the kind of poetry that characterized the nineteenth century
Was a short-lived movement and it is agreed that it had little impact on the rest of the poetry of the twentieth century.
A,B,C
A and B
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It was a movement in art, music, and literature that celebrated the supposedly free and contented existence found in a tribal or native way of life as opposed to the artificialities of urban civilization.
Some claim that Jean Jacques Rousseau was the most influential primitivist.
Among the writers who celebrate primitivism is William Golding, especially in his novel, The Lord of the Flies.
An example of primitivism is the picture of the “noble savage,” someone untainted by civilization who shows great ability and natural goodness, for example, some characters in the writings of James Fenimore Cooper.
The art of Paul Gauguin and the “Rite of Spring” by Igor Stravinsky are examples of this movement.
A and D
A, B, D, E
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Is an example of narrative poetry, characterized by strong rhythm and rhyme, about a larger than life situation.
Has some marks of a ballad but unlike a ballad, it is not told impersonally and it is not divided into quatrains.
Exhibits what is called local color in using an English dialect (cockney) in telling the story.
Seemingly reflects an “unconscious racism,” demonstrated, for example, by equating Gunga Din’s goodness to being white inside.
A, C, D
All of the Above
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Both are examples of a Elizabethan or Shakespearean sonnet.
Both take up the problem of the industrial revolution and what that has done to nature and the human beings contact with nature.
Throughout the poems the tone is basically the same.
The same convictions about nature, about God, about what is happening, and what the outcome will be are shared by the poets
A, B, D
A, B, C
A and B
All of the Above
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Metonymy
Rhyme
Personification
Alliteration
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Rhyme
Personification
Alliteration
Irony
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Alliteration
Personification
Metaphor
Assonance
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Metaphor
Simile
Metonymy
Rhyme
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Simile
Imagery
Personification
Iambic pentameter
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Romantic Period
Symbolist Period
Harlem Renaissance
The time of the new criticism
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Is characterized by an emphasis on reason and a formal, almost mechanical, style.
Prized spontaneity, self-express, intuition, emotion, imagination.
Considered folk art and the literature and art of the medieval period as second-rate and not worthy of attention.
Was characterized by a certain melancholy, world-weariness, sadness.
Celebrated the heroic individual who was gifted, misunderstood and often a loner.
A, B, C, D
B, D, E
All of the Above
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False
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