Film Techniques Quiz Questions And Answers
(234).jpg "Film Techniques Quiz Questions And Answers - Quiz")
Are you interested in the techniques of film-making? You can take this film techniques quiz and check your knowledge about film-making and everything involved in it. Movies have been how words are brought to life so that a play does not. They give us the true view of the world in which characters exist. If you wish to make a movie, you should understand cinematic techniques accurately and which points give the desired view. Do you? Test yourself by taking the eye-opening test below.
- 1.
This angle illustrates the newfound power that Peter Parker feels from his spider suit.- A.
High angle
- B.
Low angle
- C.
Eye level angle
- D.
Dutch angle
- 2.
This angle shoots the subject from above to create a feeling of powerlessness and/or weakness.
- A.
High angle
- B.
Low angle
- C.
Eye level angle
- D.
Dutch angle
- 3.
This angle, also called a canted angle, adds tension to a frame and creates a sinister or distorted view of a character.
- A.
High angle
- B.
Low angle
- C.
Eye level angle
- D.
Dutch angle
- 4.
This angle is the most natural and accounts for 90-95% of shots seen in films.
- A.
High angle
- B.
Low angle
- C.
Eye level angle
- D.
Dutch angle
- 5.
This shot is the most natural; subjects are shot from the middle up
- A.
Long shot
- B.
Close up
- C.
Establishing shot
- D.
Medium shot
- E.
Shot
- 6.
The image being shot takes up at least 80 percent of the frame and therefore appears to be very large.
- A.
Long shot
- B.
Close up
- C.
Medium shot
- D.
Sequence
- E.
Shot
- 7.
A shot taken from some distance; shows the full subject and perhaps the surrounding scene as well, often causing the object on the screen to appear small.
- A.
Long shot
- B.
Close up
- C.
Medium shot
- D.
Sequence
- E.
Shot
- 8.
Sets the scene or shows the space of a scene; often a long shot
- A.
Medium shot
- B.
Establishing shot
- C.
Close up
- D.
Sequence
- E.
Shot
- 9.
A single, uninterrupted piece of film.
- A.
Long shot
- B.
Close up
- C.
Medium shot
- D.
Sequence
- E.
Shot
- 10.
A collection of shots forms a natural unit; the shots are no longer perceived as a set of individual shots.
- A.
Long shot
- B.
Close up
- C.
Medium shot
- D.
Sequence
- E.
Shot
- 11.
This type of lighting creates suspense or suspicion in a scene.
- A.
High key lighting
- B.
Low key lighting
- C.
Neutral lighting
- D.
Bottom/side lighting
- E.
Front/rear lighting
- 12.
even lighting throughout the shot; most commonly used
- A.
High key lighting
- B.
Low key lighting
- C.
Neutral lighting
- D.
Bottom/side lighting
- E.
Front/rear lighting
- 13.
creates a bright and open-looking scene; conveys warmth, comfort, and happiness.
- A.
High key lighting
- B.
Low key lighting
- C.
Neutral lighting
- D.
Bottom/side lighting
- E.
Front/rear lighting
- 14.
direct lighting from below or from one side, often dangerous or evil-looking, may convey split personality, moral ambiguity, or secrecy.
- A.
High key lighting
- B.
Low key lighting
- C.
Neutral lighting
- D.
Bottom/side lighting
- E.
Front rear lighting
- 15.
Direct lighting of an object/person; gives an angelic or innocent impression
- A.
High key lighting
- B.
Low key lighting
- C.
Neutral lighting
- D.
Front/rear lighting
- E.
Bottom/side lighting
- 16.
When a director shifts the focus from one object to another in the same shot in order to direct the audience’s attention. Often signifies a change of power or significance.
- A.
Soft focus
- B.
Deep focus
- C.
Rack focus
- 17.
When foreground and background are equally in focus
- A.
Soft focus
- B.
Deep focus
- C.
Rack focus
- 18.
When a director intentionally puts his or her object slightly out of focus to make the image look unclear
- A.
Soft focus
- B.
Deep focus
- C.
Rack focus
- 19.The focal length of the lens changes, making the object appear to move closer or further away. The lens moves, focusing on an important object or face.
- A.
Pan
- B.
Tilt
- C.
Zoom
- D.
Tracking/dolly
- 20.
The camera moves up and down along the vertical axis, often used to emphasize the impressiveness of a character or setting.
- A.
Pan
- B.
Tilt
- C.
Zoom
- D.
Tracking/dolly
- 21.The camera itself is moving with the action – on a track, on wheels, or handheld. Often used for “walk & talks.”
- A.
Pan
- B.
Tilt
- C.
Zoom
- D.
Tracking/dolly
- 22.
The camera pivots along the horizontal axis, left or right, usually for the viewer to take in the scenery.
- A.
Pan
- B.
Tilt
- C.
Zoom
- D.
Tracking/dolly
- 23.
An image overlaps into another; can create a connection between images.
- A.
Cut
- B.
Fade
- C.
Dissolve
- D.
Eye-line match
- 24.Scene fades to black (or another color); often implies that time has passed.
- A.
Cut
- B.
Fade
- C.
Dissolve
- D.
Eye-line match
- 25.Abrupt transition of visual content from one shot to another; it is the most common form of editing.
- A.
Cut
- B.
Fade
- C.
Dissolve
- D.
Eye-line match
