This Charles Dickens Exam I Practice focuses on 'Oliver Twist', assessing understanding through true\/false questions and specific content queries about characters and plot elements. It tests comprehension and interpretative skills relevant for learners studying Victorian literature.
True
False
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Thieves
Devoted cyclists
Spies for the police
Prostitutes
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A juvenile, but having the air and manners of a man
A juvenile, but having the air and manners of a girl
A boy, but having the air and manners of a girl
A man, but having the air and manners of a juvenile
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The Sowerberrys have fed him too much meat
He comes from a bad family, especially his mother
Too many violent video games
He's hungry and therefore not able to make rational decisions
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Will not return to the house, but will instead rejoin the gang of thieves
Will forget to return them because he sees a shop full of tasty treats
Will return home quickly because London is super scary
Will read them all before returning them
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They have one outstanding quality/attribute that defines them and they do not deviate from this (they're "flat")
Their names are very "on the nose," indicative of their character/personality
They tend to be fully identified with their professsions/work
They're all very nice to Oliver
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It starts with Oliver as a young boy, not a baby
Agnes has a locket that seems significant. And a letter.
Agnes arriving at the workhouse is dramatized
We learn Oliver's mother's name, Agnes
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"Newgate" novels about criminals
"Silver-fork" novels about aristocrats
"War" novels about WWII
"Gothic" novels about vampires
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Children are fundamentally innocent; they are corrupted by society (i.e. adults), when their innocence should be respected and protected
Children are fundamentally inclined to evil (Original Sin and all that)
Children should be put to work as chimney sweeps
Children are just little adults
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It was published serially
It features a child protagonist, very unusual for the era (perhaps unprecedented)
It focuses on the lives of the poor, which some readers of the time were not thrilled about
Dickens didn't really care if it sold well; he wrote it for his own satisfaction
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Other women, presumably for being judgmental
Mr. Bumble
Men
Fate
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Fagin tells Sikes not to be "too violent," but it's pretty clear that he doesn't mean it.
Colonel Mustard kills her with a lead pipe in the conservatory
Sikes isn't angry when he kills her; he goes about the job calmly.
Sikes doesn't murder her; his dog does.
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True
False
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Oliver's character is altered considerably from the novel; he's "round," a rebellious little boy who stands up to injustice.
The adaptation cleans up and simplifies the novel's often-bewildering plot
Tom Hardy is a handsome and charismatic Bill Sikes, unlike the fairly uncomplicated thuggish criminal in the novel.
The adaptation completely eliminates Fagin as a character, so as to avoid the novel's anti-Semitic portrayal.
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He didn't have anything to hold over him to make him become worse
Oliver fought Fagin off with karate kicks
Oliver's sole motivation in life was to find his father and he cared about nothing else
Fagin admits that he just didn't really try to turn Oliver bad because Oliver was so darned cute
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It was a response to the "decadence" of the novel in the early 19th century
1820-37 was a "down" period for the novel, with only Sir Walter Scott being of lasting repute
"Genre" fiction, which is basically novels about novels, dominated the literary scope
All of the above
None of the above
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His intense research
His drawing skills
His cocaine addiction
The lack of anti-Semitism
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Parody
Jack Sheppard Controversy (guy "inspired" by novels to kill his boss)
CSI: Miami
It can't be killed in a way that matters
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True
False
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Family relocated to London; Charles worked in a factory at age ten and met Fagin
Mary Hogarth's sudden death
He explored the sewers of Paris on a hot summer day
Mary Shelley's Frankenstein was published
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True
False
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True
False
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Psychological likeness
Plausibility
Transparency
Comprehensiveness
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Rose Maylie living is very implausible
Originally not a full length novel, so the mystery of Oliver's parentage/Fagin/Monks is not unified
All of the above
None of the Above
Narrative mode and genre change too much; chattiness gone, goes through romance, adventure, suspense, etc
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Aristocracy
Middle class
Thieves
Thieves and prostitutes
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True
False
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Mr. Bumble
Nancy
Mr. Grimwig
Oliver
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Fagin is a realistic character for the era
The other villainous characters are Christians
He is called "the Jew" not because of his religion, but because of his race
All of the above
None of the above
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True
False
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True
False
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Moral lesson about the mistreatment of the lower classes/children
Moral lesson about charity/"Goodness" towards everyone, blurring the lines of class distinction
Poor people suck and are inherently helpless
If you cry hard enough, you'll get what you want. Simba didn't cry hard enough for Mufasa to come back
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Narrator's interjections about the behavior of adults toward Oliver
Symbolic nature of the Maylie family
Nancy's goodness is in spite of her being a prostitute
By relying on stereotypes that make the good white characters look good
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