1.
A obra referida foi publicada em 1580.
Correct Answer
B. False
Explanation
The given statement is "A obra referida foi publicada em 1580" which translates to "The referred work was published in 1580." The correct answer is False because there is no specific work mentioned in the statement. The statement only indicates that a work was published in 1580, but it does not provide any information about the actual work or its title. Therefore, we cannot determine the accuracy of the statement.
2.
Uma epopeia é um texto narrativo, escrito em prosa, que glorifica os feitos grandiosos de um heroi individual ou coletivo, real ou imaginário, num estilo sublime.
Correct Answer
B. False
Explanation
An epic is a narrative text, written in verse, that glorifies the grandiose deeds of an individual or collective hero, real or imaginary, in a sublime style.
3.
Na obra em questão, o herói é Vasco da Gama.
Correct Answer
B. False
Explanation
The given statement is false. The hero in the work in question is not Vasco da Gama.
4.
Camões baseou-se nas epopeias da Antiguidade clássica para escrever o seu poema épico.
Correct Answer
A. True
Explanation
Camões based his epic poem on the epics of classical antiquity. This means that he drew inspiration from the ancient epics, such as those written by Homer or Virgil, when writing his own poem. This statement is true because it accurately reflects Camões' approach to writing his epic poem.
5.
Camões nasceu por volta de 1534 ou 1535 e morreu a 10 de junho de 1580.
Correct Answer
B. False
Explanation
The statement is false because the given dates suggest that Camões was born around 1534 or 1535 and died on June 10, 1580.
6.
Viveu em pleno Renascimento ( movimento que visava a redescoberta e revalorização das referências culturais da antiguidade clássica).
Correct Answer
A. True
Explanation
The statement is true because the person lived during the Renaissance, which was a movement that aimed to rediscover and revalue the cultural references of classical antiquity.
7.
O Humanismo é uma filosofia que defende que o Homem é capaz de enfrentar todas as adversidades; é capaz de intervir no seu destino e de derrotar a natureza adversa.
Correct Answer
A. True
Explanation
Humanism is a philosophy that believes in the ability of human beings to overcome all challenges and adversities. It asserts that humans have the power to shape their own destiny and overcome any obstacles posed by a hostile nature.
8.
A conceção antropocêntrica defende que Deus é o centro do universo.
Correct Answer
B. False
Explanation
The given statement is false. The anthropocentric concession argues that humans are the center of the universe, not God. This perspective views humans as the most important and significant beings, with the belief that everything in the universe revolves around human existence and interests. It places human beings at the forefront, rather than attributing central importance to a divine being like God.
9.
Os Descobrimentos são o estímulo histórico que impulsionou a criação de uma epopeia nacional.
Correct Answer
A. True
Explanation
The statement suggests that the Descobrimentos (the Portuguese Age of Discovery) served as a historical stimulus that led to the creation of a national epic. This implies that the explorations and discoveries made by Portuguese navigators during this period played a significant role in shaping the national identity and cultural narrative of Portugal.
10.
A epopeia pretende exaltar a pequenez do homem.
Correct Answer
B. False
Explanation
The statement is false because the word "pretende" indicates that the epic intends to exalt the smallness of man, not the opposite.
11.
A obra é formada por 10 cantos. Cada um deles tem , em média, 110 décimas decassilábicas.
Correct Answer
B. False
Explanation
The statement is false because the question states that each canto has an average of 110 décimas decassilábicas. However, there is no information given about the total number of cantos in the obra. Therefore, we cannot determine if the obra is formed by 10 cantos or not.
12.
A obra é constituída por 4 partes: Proposição, Invocação, Dedicatória e Narração.
Correct Answer
A. True
Explanation
The given statement is true. The obra (work) is composed of four parts: Proposição (proposition), Invocação (invocation), Dedicatória (dedication), and Narração (narration).
13.
A Narração é composta por 4 planos: Plano de Vasco da Gama, Plano do Maravilhoso, Plano da História de Portugal e Plano das Considerações do poeta.
Correct Answer
B. False
Explanation
The statement is false because the narration is not composed of 4 plans. The question is discussing the composition of the narration, and it states that there are four plans involved: Vasco da Gama's Plan, the Plan of the Marvelous, the Plan of the History of Portugal, and the Plan of the Poet's Considerations. However, this is not a correct understanding of narration. Narration typically consists of elements such as plot, characters, setting, and point of view, rather than plans. Therefore, the correct answer is false.
14.
A Narração começa com a partida das naus de Lisboa.
Correct Answer
B. False
Explanation
The explanation for the correct answer, which is False, is that the narration does not begin with the departure of the ships from Lisbon.
15.
A Narração tem como núcleo fundamental a descoberta do caminho marítimo para o Brasil.
Correct Answer
B. False
Explanation
The given statement is false. The fundamental core of the narration is not the discovery of the maritime route to Brazil.
16.
Fala-se em in media res quando a ação começa no início .
Correct Answer
B. False
Explanation
The statement is false because "in media res" actually refers to when a story starts in the middle of the action, rather than at the beginning.
17.
Na primeira parte, Camões afirma que vai cantar os feitos heroicos do valente Vasco da Gama.
Correct Answer
B. False
Explanation
The given statement is false because in the first part, Camões actually states that he will sing the deeds of the Portuguese people, not specifically Vasco da Gama.
18.
Na segunda parte, o poeta pede às ninfas do Douro que lhe concedam um estilo imponente, adequado às façanhas que vai cantar.
Correct Answer
B. False
Explanation
The poet does not ask the nymphs of the Douro for an imposing style suitable for the deeds he will sing in the second part.
19.
A dedicatória é dirigida a D. Manuel I.
Correct Answer
B. False
Explanation
The dedication is not addressed to D. Manuel I.
20.
Camões é de opinião que os feitos dos Portugueses suplantam os dos maiores herois da Antiguidade.
Correct Answer
A. True
Explanation
Camões, a renowned Portuguese poet, is of the opinion that the achievements of the Portuguese people surpass those of the greatest heroes of antiquity. This suggests that Camões believes that the accomplishments of the Portuguese are greater and more significant than those of the heroes from ancient times.
21.
O início da Narração situa os Portugueses no Oceano Atlântico.
Correct Answer
B. False
Explanation
The beginning of the narration does not place the Portuguese in the Atlantic Ocean.
22.
A assembleia divina vai decidir o futuro dos Portugueses no Oriente.
Correct Answer
A. True
Explanation
The given statement suggests that a divine assembly will determine the future of the Portuguese in the East. This implies that the fate of the Portuguese people in the East will be determined by a higher power or a divine entity. Therefore, the statement is true as it indicates that a divine assembly will have a say in the future of the Portuguese in the East.
23.
Apenas Baco pretende que os marinheiros lusos sejam acolhidos como amigos na costa africana.
Correct Answer
B. False
Explanation
This statement is false because it states that only Baco wants the Portuguese sailors to be welcomed as friends on the African coast. This implies that no one else wants this, which is not necessarily true. There could be other individuals or groups who also desire friendly relations with the Portuguese sailors. Therefore, the statement is incorrect.
24.
Mercúrio elogia a ousadia e a persistência dos Portugueses, que se aventuraram pelo mar desconhecido.
Correct Answer
B. False
Explanation
The passage states that Mercury praises the boldness and persistence of the Portuguese who ventured into the unknown sea. Therefore, the correct answer is False because the passage does not mention Mercury criticizing or disapproving of the Portuguese.
25.
Todo o discurso do pai dos Deuses enaltece o peito ilustre lusitano.
Correct Answer
A. True
Explanation
The statement is true because the phrase "Todo o discurso do pai dos Deuses enaltece o peito ilustre lusitano" translates to "The entire speech of the father of the Gods praises the illustrious Portuguese chest." This suggests that the speech in question is praising or glorifying the Portuguese people, specifically their bravery or courage.
26.
Depois de chegar a Mombaça, Vasco da Gama inicia a narração da História de Portugal.
Correct Answer
B. False
Explanation
After arriving in Mombasa, Vasco da Gama does not begin the narration of the History of Portugal.
27.
A História de Portugal surge encaixada no Plano da Viagem.
Correct Answer
A. True
Explanation
The statement suggests that the history of Portugal is connected or intertwined with the plan of the journey. This implies that the history of Portugal is directly influenced or shaped by the journey, or that the journey plays a significant role in understanding the history of Portugal. Therefore, the statement is true.
28.
É no reinado de D. Afonso VI que se dá o triste episódio de Inês de Castro.
Correct Answer
B. False
29.
O episódio de Inês de Castro é trágico e lírico.
Correct Answer
A. True
Explanation
The statement is true because the episode of Inês de Castro is both tragic and lyrical. The word "trágico" indicates that the episode involves a great deal of sorrow, pain, and unfortunate events. On the other hand, the word "lírico" suggests that the episode also has elements of beauty, emotion, and poetic expression. Therefore, the episode of Inês de Castro can be characterized as both tragic and lyrical.
30.
As razões de estado são responsáveis pela morte da aia castelhana.
Correct Answer
B. False
Explanation
The statement suggests that the "razões de estado" (reasons of state) are responsible for the death of the Spanish maid. However, the correct answer is false because the statement does not provide any evidence or context to support this claim. Without further information, it is not possible to determine the actual reasons for the maid's death.
31.
Inês é morta num palácio lisboeta.
Correct Answer
B. False
Explanation
The statement "Inês é morta num palácio lisboeta" translates to "Inês is dead in a Lisbon palace." The correct answer is False because the statement is not true. There is no evidence or information provided to support the claim that Inês is dead in a Lisbon palace.
32.
A Batalha de Aljubarrota (Canto IV) opõe dois exércitos: o de D. João de Castela e o de D. Pedro I.
Correct Answer
B. False
Explanation
The given statement is false. The Battle of Aljubarrota (Canto IV) does not oppose two armies: that of D. João de Castela and that of D. Pedro I.
33.
Nessa batalha, destaca-se a figura do Condestável Pedro Álvares Cabral.
Correct Answer
B. False
Explanation
The statement is false because the question is asking about the figure of Condestável Pedro Álvares Cabral in a battle, but there is no mention or context provided about any battle involving him. Therefore, it is incorrect to say that he stands out in this battle.
34.
O exército português era bem mais numeroso do que o castelhano.
Correct Answer
B. False
Explanation
The given statement states that the Portuguese army was much larger than the Spanish army. However, the correct answer is False, which means that the statement is not true. This suggests that the Portuguese army was not larger than the Spanish army.
35.
Nas Despedidas em Belém, as famílias dos marinheiros revelam alegria e entusiasmo.
Correct Answer
B. False
Explanation
In the given statement, it is stated that "Nas Despedidas em Belém, as famílias dos marinheiros revelam alegria e entusiasmo." This statement implies that in the farewell ceremonies in Belém, the families of sailors show joy and enthusiasm. However, the correct answer is False, which means that the statement is not true. Therefore, it can be inferred that in the farewell ceremonies in Belém, the families of sailors do not necessarily reveal joy and enthusiasm.