आरोह भाग-2 के पाठ रघुवीर सहाय की रचना "कैमरे में बंद अपाहिज" पर आधारित प्रश्नोत्तरी - द्वारा नवनीत सोनी

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1. मीडियकर्मी स्वयं को शक्तिवान मानते हैं क्योंकि 

Explanation

The given answer states that media workers believe they can create and destroy someone's image. This aligns with the previous statements about media workers considering themselves powerful and engaging in exercise and eating nutritious food. The belief in their ability to shape and ruin someone's image further reinforces their perception of themselves as powerful individuals.

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2. "हमें दोनों एक संग रुलाने हैं"- मीडियकर्मी दोनों को एक संग क्यों रुलाना चाहते हैं?

Explanation

The correct answer is "ऐसा करने से TRP (टेली रेटिंग पॉइंट ) बढ़ेगी।" This answer suggests that the media personnel want to rule together in order to increase the TRP (television rating points). This implies that they want to attract more viewers and increase the popularity and viewership of their program, which is a common goal for media professionals.

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3. "हम पूछ-पूछकर उसको रुला देंगे "- पंक्ति में अलंकार प्रयुक्त हुआ -

Explanation

The correct answer is "पुनरुक्ति-प्रकाश". The given line is an example of the literary device called "पुनरुक्ति-प्रकाश" or repetition. It is a figure of speech where a word or phrase is repeated for emphasis or to create a specific effect. In this case, the repetition of the phrase "पूछ-पूछकर" emphasizes the speaker's intention to make someone cry by continuously questioning them.

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4. दूरदर्शन संचार का कौन-सा साधन है?

Explanation

The correct answer is श्रव्य-दृश्य. This is because दूरदर्शन संचार refers to television broadcasting, which involves both audio (श्रव्य) and visual (दृश्य) communication. Therefore, श्रव्य-दृश्य is the correct option as it represents both the audio and visual aspects of television broadcasting.

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5. तार सप्तक के रचनाकार अज्ञेय हैं। 

Explanation

The statement says that the author of the book "तार सप्तक" is unknown. Therefore, the correct answer is True, indicating that the author of the book is indeed unknown.

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6. "कैमरे में बंद अपाहिज"- कविता किस काव्य संग्रह से ली गई है?

Explanation

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7. प्रस्तुत काव्य में कवि क्या दिखाना चाहता है?

Explanation

The poet wants to portray the egoistic insensitivity of the media worker.

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8. प्रस्तुत काव्य किस 'वाद" की रचना है?

Explanation

The correct answer is "प्रयोगवाद". This is because प्रयोगवाद (Experimentalism) is a literary movement in Hindi literature that emerged in the early 20th century. It emphasized the use of new and innovative techniques in poetry, breaking away from traditional forms and structures. It focused on experimentation and exploration of language, form, and style. This movement sought to push the boundaries of traditional poetry and bring about a new wave of creativity in Hindi literature.

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9. काव्य की भाषा की विशेषता नहीं है-

Explanation

The given question is asking about the characteristic that is not associated with the language of poetry. The correct answer is "छंद-मुक्त" which means "free from meter". This means that poetry does not necessarily have to follow a specific meter or rhythm, and can be written in a more free-flowing manner. Poetry can have various styles and forms, and not all of them require a strict adherence to meter.

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10. "फिर हम परदे पर दिखलाएंगे  फूली हुई आँख की एक बड़ी तसवीर" काव्य-पंक्ति में _____ बिम्ब का प्रयोग हुआ।   

Explanation

The word "दृश्य" (dṛśya) in Hindi means "scene" or "visual". In the given poetic line, the word "दृश्य" is used to describe the image of a swollen eye. This word fits appropriately in the context of the line as it conveys the visual aspect of the eye.

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मीडियकर्मी स्वयं को...
"हमें दोनों एक संग रुलाने...
"हम पूछ-पूछकर उसको रुला...
दूरदर्शन संचार का कौन-सा...
तार सप्तक के रचनाकार...
"कैमरे में बंद अपाहिज"-...
प्रस्तुत काव्य में कवि...
प्रस्तुत काव्य किस...
काव्य की भाषा की विशेषता...
"फिर हम परदे पर...
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