University Chorus Solfege/Musicianship Quiz

1. If the time signature is 4/4, how many beats are there per measure?

8

4

1

16

In a time signature of 4/4, the top number indicates the number of beats per measure, while the bottom number represents the type of note that receives one beat. In this case, the top number is 4, indicating that there are 4 beats per measure. Therefore, the correct answer is 4.

Explanation

In a time signature of 4/4, the top number indicates the number of beats per measure, while the bottom number represents the type of note that receives one beat. In this case, the top number is 4, indicating that there are 4 beats per measure. Therefore, the correct answer is 4.

2. Which of the following solfege is correct in the key of D major?

Sol, Sol, Ti, Ti, Re, Re, Fa, Sol, Mi, Do, Do, Re, Re, Mi, Mi, Fa, Fa, Sol, Sol, La, La

Do, Re, Mi, Fa, Sol, Sol, La, La, Sol, Fa, Mi, Re, Sol, La, Fa, Fa, Mi, Mi, Do, Do, Re

Mi, Mi, Fa, Fa, Sol, Sol, La, La, Ti, Ti, Sol, Sol, Mi, Mi, Do, Do, Re, Re, Sol Sol, Do

Do, Do, Re, Re, Mi, Mi, Fa, Fa, Sol, Sol, La, La, Sol, Sol, Sol, Sol, Fa, Mi, Re, Re, Do

The correct answer is "Do, Do, Re, Re, Mi, Mi, Fa, Fa, Sol, Sol, La, La, Sol, Sol, Sol, Sol, Fa, Mi, Re, Re, Do" because it follows the diatonic scale of D major, starting from the tonic note "Do" and ascending through the notes of the scale.

Explanation

The correct answer is "Do, Do, Re, Re, Mi, Mi, Fa, Fa, Sol, Sol, La, La, Sol, Sol, Sol, Sol, Fa, Mi, Re, Re, Do" because it follows the diatonic scale of D major, starting from the tonic note "Do" and ascending through the notes of the scale.

3. In 3/4 time, there are three beats per measure.

True

False

In 3/4 time, there are three beats per measure. This is because the top number in the time signature represents the number of beats in each measure, and the bottom number represents the type of note that receives one beat. In this case, the top number is 3, indicating that there are three beats per measure. Therefore, the statement "In 3/4 time, there are three beats per measure" is true.

Explanation

In 3/4 time, there are three beats per measure. This is because the top number in the time signature represents the number of beats in each measure, and the bottom number represents the type of note that receives one beat. In this case, the top number is 3, indicating that there are three beats per measure. Therefore, the statement "In 3/4 time, there are three beats per measure" is true.

4. Which of the following solfege is correct if the key is G major?

Do, Do, Do, Do, Do, Re,Mi, Fa, Sol, Sol, Sol, Fa, Mi, Re, Do, Do, Do, Re, Mi, Fa, Sol, La, Sol, Fa, Mi, Re, Do

Do, Re, Mi, Fa, Sol, La, Sol, Fa, Mi, Re, Do, Do, Do, Re, Mi, Fa, Sol, Sol, Sol, Fa, Mi, Re, Do, Do, Do, Do, Do

Mi, Mi, Mi, Mi, Mi, Fa, Sol, Ti, Re, Fa, Mi, Sol, Te, Fi, Re, Sol, Sol, Sol, Fa, Mi, Fa, Sol, La, Sol, Mi, Re, Mi, Do

Do, Re, Mi, Fa, Sol, La, Sol, Fa, Mi, Re, Do, Do, Re, Re, Re, Fa, Mi, La, Ti, Re, Do, Sol, La, Sol, La, Fa, Mi, Do

The given solfege sequence starts with "Do" and follows the G major scale, which includes the notes G, A, B, C, D, E, and F#. The sequence correctly represents the G major scale by starting and ending on the note "Do" (G), and including all the other notes in the correct order.

Explanation

The given solfege sequence starts with "Do" and follows the G major scale, which includes the notes G, A, B, C, D, E, and F#. The sequence correctly represents the G major scale by starting and ending on the note "Do" (G), and including all the other notes in the correct order.

5. The note D is "Fa" in the key of G major.

True

False

In the key of G major, the note D is actually the "Re" (second) note, not the "Fa" (fourth) note. Therefore, the statement is false.

Explanation

In the key of G major, the note D is actually the "Re" (second) note, not the "Fa" (fourth) note. Therefore, the statement is false.

6. Which of the following is the correct solfege?

Do, Re, Do, Re, Mi, Fa, La, Fa, Mi, Re, Do, Re, Do, Do

Sol, La, Sol, La, Ti, Do, Re, Do, Ti, La, Sol, La, Sol, Sol,

Do, Re, Do, Re, Mi, Fa, Sol, Fa, Mi, Re, Do, Re, Do, Do

Mi, Fa, Mi, Fa, Sol, La, Ti, Do, La, Sol, Re, Mi, Fa, La

The correct solfege is "Do, Re, Do, Re, Mi, Fa, Sol, Fa, Mi, Re, Do, Re, Do, Do." This is because it follows the correct sequence of solfege syllables in the major scale. Each note is represented by its corresponding solfege syllable, starting with "Do" as the tonic or first note of the scale, and going up to "Ti" before returning to "Do." The given answer follows this pattern correctly.

Explanation

The correct solfege is "Do, Re, Do, Re, Mi, Fa, Sol, Fa, Mi, Re, Do, Re, Do, Do." This is because it follows the correct sequence of solfege syllables in the major scale. Each note is represented by its corresponding solfege syllable, starting with "Do" as the tonic or first note of the scale, and going up to "Ti" before returning to "Do." The given answer follows this pattern correctly.

7. If the time signature is 6/8, what note gets the beat?

Quarter Note

Eighth Note

Half Note

Sixth Note

In a 6/8 time signature, there are 6 eighth notes in each measure, and the eighth note receives the beat. This means that each beat is equal to one eighth note. The other note options, such as the quarter note, half note, and sixth note, do not align with the time signature and do not accurately represent the note that gets the beat.

Explanation

In a 6/8 time signature, there are 6 eighth notes in each measure, and the eighth note receives the beat. This means that each beat is equal to one eighth note. The other note options, such as the quarter note, half note, and sixth note, do not align with the time signature and do not accurately represent the note that gets the beat.

8. If the key is F major, what solfege syllable is the pitch E flat?

Te

La

Ra

Mi

In the key of F major, the pitch E flat is represented by the solfege syllable "Te". In solfege, "Te" is used to represent the lowered third degree of the major scale, which in F major is E flat.

Explanation

In the key of F major, the pitch E flat is represented by the solfege syllable "Te". In solfege, "Te" is used to represent the lowered third degree of the major scale, which in F major is E flat.

9. In the key of A major, what is the solfege syllable for the pitch F#?

Sol

Mi

Re

La

In the key of A major, the solfege syllable for the pitch F# is "La." In the key of A major, the notes are A, B, C#, D, E, F#, and G#. Each note in the scale is assigned a solfege syllable, and the syllable "La" corresponds to the note F#. Therefore, "La" is the correct solfege syllable for the pitch F# in the key of A major.

Explanation

In the key of A major, the solfege syllable for the pitch F# is "La." In the key of A major, the notes are A, B, C#, D, E, F#, and G#. Each note in the scale is assigned a solfege syllable, and the syllable "La" corresponds to the note F#. Therefore, "La" is the correct solfege syllable for the pitch F# in the key of A major.

10. In the key of A minor, what solfege syllable is C#?

Fa

Me

Mi

Ti

In the A minor key, C# serves as the raised third scale degree. As the leading tone, it creates tension, urging resolution to the tonic note, A. In solfege, C# is represented by the syllable "Mi," reflecting its position as the third note in the minor scale.

Explanation

In the A minor key, C# serves as the raised third scale degree. As the leading tone, it creates tension, urging resolution to the tonic note, A. In solfege, C# is represented by the syllable "Mi," reflecting its position as the third note in the minor scale.