Surround sound for Eric
A 10.2 system which will filter out LF signals from the LFE to the BQE
A 7.1 system with two LFE channels
A crossover system that directs low frequency signals into the LFE
A LFE sysem which will not allow low frequencies get to the LFE
None of the above
Sound of Music
Star Wars
Jaws
Fantasia
North by Northwest
SDDS
Pro Logic BJ
DTS AH
Dolby Digital
MP3
Because the LFE only plays low frequencies as appropriated via channel locks
Because the sample rate for this channel is only a fraction of the sampling rate of the principal channels- Nyquist Theorem
It is borrowed from the web industry which first used an LFE and called it .1
Because the LFE channel plays through a subwoofer which can be placed anywhere due to the omnidirectional properties of low frequencies - Nialist Theorem
Because 5.1 sounds cooler than 6
They are always smaller than Direct Radiator speakers.
Feeds the same signal in phase in two directions.
Feeds the same signal out of phase in one direction.
Feeds the same signal out of phase in two directions
There is no discernible difference.
Digital Video Disc - A
Digital Video Disc- Alternative
Digital Compact Video Standard
A MPEG standard for DVD
An audio standard for DVDs
3 dB up
6 dB up
To -15 dB
3 dB down
6 dB down
The process of summing multichannel mixes (5.1) into stereo
The process of summing stereo mixes into multichannel mixes (5.1)
The process of splitting multichannel mixes (5.1) into mono stems
The process of summing mono tracks into a multichannel mix (5.1)
To minimize reverb time.
To create an even sound field throughout the room.
To create an enhanced low frequency reverb effect.
To increase the STC of a wall.
To eliminate low frequency STC's
Companding
Differences in signal arrival times between the 7 speakers
Fragile sonic cue balls
The illusion that a sound is localized between two or more source speakers
None of the Above
The size of the sweet spot
The addition of extra surround speakers to fill the back end of an acoustic space. (theater)
The soundspace encompassed by the 5 speakers
A mixing style for 5.1
None of the above
DSD
PCM
LPCM
WAV
AC-3
Low Fact Effect
Low Frequency Effect
Left Fader Equalizer
Lower Fader Equalizer
None of the above
2
8
7
4
6
44.1Khz
48Khz
192Khz
2.8224Mhz
None of the above
HRTFs
Sound Photographed on Film
Magnetically Recorded Sound on Film
ITDs
The law of the first wavefront
Radiate sound in 1 direction out of phase.
Radiate sound in 2 directions out of phase.
Radiate sound in 2 directions in phase.
Are used exclusively in movie theaters.
The process of printing a surround mix
The process of authoring a DVD
Creating a mono or stereo master from a Surround mix.
Creating a Surround mix from a mono or stereo master
None of the above
A pan control for surround panning
A Width control for surround panning
A Width control for stereo panning
Avoiding the .1 channel
None of the above
1
2
3
7
6
50%
100%
0%
200%
On top of the meter bridge
Between the Ls and L speakers and the Rs and R speakers
Between the Ls and Cs speakers and the Rs and Cs speakers
Between the L and C speakers and the R and C speakers.
None of the Above
Film (Pro-Tools Standard) L C R Ls Rs LFE
SMPTE/ ITU(Control 24 Monitoring) L R C LFE Ls Rs
DTS (Pro Control Monitoring) L R Ls Rs C LFE
All of the above
None of the above
Session Set-up Dialog
Automation Configure Dialog
I/O Set-up Dialog
Strip Silence Dialog
Auto Write On Stop is used in connection with the I/O dialog
Summer Solstice
The Relative Write Mode is enabled
A Mono or Stereo channel is routed to a Surround Output Path
LsRs
LR
LFE
LCR
Center
True
False
Left Total/Right Total
Left Track/Right Track
Left Trim/Right Trim
Left Turn/Right Turn
Left, Center, Right, Sub
Left, Center, Right, System
Left, Center, Right, Surround
True
False
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