Music Theory Quiz for Eric.
Octave
Pitch
Frets
Flange
Key signature
A progression of notes played in semi-tone steps
A major tonic scale
A progression in whole tone steps
A progression in whole number harmonic intervals
A minor tonic scale
A partial
A decibel
A fundamental
An octave
Twice as loud
Beats per measure
The type of note that gets the beat
Tempo
Number of rest per bar
Bars per beat
220hz
10 khz
445 hz
1 khz
440 hz
Raise the current note a tone
Raise the current note a half step
Lower the current note a tone
Lower the current note a half step
Only change notes located in spaces
B minor
D minor 7
A minor
G minor
C minor
3/4
4/4
6/8
2/2
2/4
Alto
Tenor
Treble
Bass
Baritone
Pp
Pf
Ff
Pq
P
The G clef
The A clef
The C celf
The F Clef
The Lower Clef
WHWWHWW
WWWHWHH
WWHWWWH
WWHWWHW
HWWHWWH
The dominant
The tonic
The mediant
The supertonic
The leading tone
Natural minor
Harmonic minor
Major minor
Chromatic minor
Melodic minor
6th
5th
7th
4th
2nd
On the first space of the treble clef
On the first line of the bass clef
On the third line of the bass clef
On the fourth space of the treble clef
On the second line of the treble clef
1 beat
2 beats
4 beats
1/2 beat
3 beats
Tempo
Harmonic content
Melodic content
Performance style
Volume levels
Increased by half of its value
Increased by twice its value
Raised by a half step
Decreased by half its value
Doubled
Tie
Beam
Measure
Phrase
Clef
Identify notes located in the spaces of a staff
Identify notes located on the lines of a staff
Identify notes located before the first measure
Identify notes not written on the staff
Identify notes that have no sharps or flats
Upward and to the right of the note
Downward and to the right of the note
Upward and to the left of the note
Downward and to the left of the note
Either upward or downward but on the right of the note.
The vamp
The bridge
The intro
The middle eight
The chorus
Flatten the 2nd
Flatten the 3rd
Flatten the 4th
Flatten the 5th
Sharpen the 3rd
A whole note
A half note
An eighth note
A sixteenth note
A quarter note
Distortion
Frequency response
Signal to noise ration
Dynamic range
Headroom
A root, a 3rd, and a perfect 5th
A root, a 3rd, and a 7th
A root, a Tritone, and a perfect 5th
A prime, a 2nd, and a tritone
A Maj 2nd, a 4th and a 5th of Beethoven
Slow down
Get louder
Get softer
Get faster
Be short and detached
Whole tone
Maj 2nd
Mezzo forte
Semi tone
Tritone
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