Realism
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Realism and Manet
- 1.
![The Luncheon on the Grass, is a painting by]( "The Luncheon on the Grass, is a painting by")
The Luncheon on the Grass, is a painting by- A.
Édouard Monet
- B.
Edward Monte
- C.
Édouard Manet
- D.
Edward Mante
- 2.For the Realists, art had to be “sincere.” Which means art had to be
- A.
In its own time in content, real as opposed to imaginary scenes of events that never happened.
- B.
Free of limitations, based on scenes that the artist believes strongly in and creates meaning.
- C.
Controversial and push boundaries, if art did not cause scandal it wasn't worth painting.
- D.
Careful, deliberate and precise, using only the very best materials and shown only in prestigious galleries.
- 3.One of the reasons why Luncheon on the Grass was considered controversial was because
- A.
The artwork really belonged in the surrealist period
- B.
The men in the picture were not eating any food
- C.
The female nude is eating an apple
- D.
The female nude is looking directly at the viewer
- 4.The "Salon de Refusés was set up in 1863 by the government because
- A.
Artists wanted an exhibition space that was worth more money.
- B.
Artists were being excluded from the official Salon.
- C.
Artists kept painting large works that couldn't fit in the official Salon.
- D.
Artists always get what they want from the government.
- 5.The light portrayed in the painting Luncheon on the Grass is similar to
- A.
Flash photography
- B.
Sunny afternoon
- C.
Real life
- D.
Picnic scenes
- 6.Luncheon on the Grass was painted in
- A.
1865-1866
- B.
1862-1863
- C.
1967-1968
- D.
1827-1828
- 7.The Frames associated with Visual Arts are
- A.
Subjects, History, Culture, Postmodern
- B.
Subjective, Historical, Critical, Postmodern
- C.
Subjective, Structural, Cultural, Postmodern
- D.
Subjects, Structure, Criticism, Postmodern
- 8.Appropriation is:
- A.
The use of new elements and techniques in the creation of a new work.
- B.
The deliberate reworking/borrowing of images and styles from earlier, well-known works of art to create a new work.
- C.
The accidental reworking/borrowing of images and styles from earlier, well-known works of art to create a new work.
- D.
The use of oil painting in deliberate brush strokes to create a new art work.
- 9.The conceptual framework deals with
- A.
Artist, Artwork, World, Audience
- B.
Artist, Artwork, Technology, Gallery
- C.
Artist, World, The Frames, Art Movements
- D.
Artist, World, Viewer, Culture
- 10.In basic terms, a Manifesto
- A.
Defines a new artist and what artworks they create.
- B.
Defines a new type of oil paint that alters the way the artist works.
- C.
Defines traditional values in society.
- D.
Defines a new art style and defines a set of aesthetic values for that art style.
.jpg "The Luncheon on the Grass, is a painting by")
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