Realism

10 Questions

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Realism

Realism and Manet


Questions and Answers
  • 1. 
     The Luncheon on the Grass, is a painting by
    • A. 

      Édouard Monet

    • B. 

      Edward Monte

    • C. 

      Édouard Manet

    • D. 

      Edward Mante

  • 2. 
    For the Realists, art had to be “sincere.”  Which means art had to be
    • A. 

      In its own time in content, real as opposed to imaginary scenes of events that never happened.

    • B. 

      Free of limitations, based on scenes that the artist believes strongly in and creates meaning.

    • C. 

      Controversial and push boundaries, if art did not cause scandal it wasn't worth painting.

    • D. 

      Careful, deliberate and precise, using only the very best materials and shown only in prestigious galleries.

  • 3. 
    One of the reasons why Luncheon on the Grass was considered controversial was because 
    • A. 

      The artwork really belonged in the surrealist period

    • B. 

      The men in the picture were not eating any food

    • C. 

      The female nude is eating an apple

    • D. 

      The female nude is looking directly at the viewer

  • 4. 
    The "Salon de Refusés was set up in 1863 by the government because
    • A. 

      Artists wanted an exhibition space that was worth more money.

    • B. 

      Artists were being excluded from the official Salon.

    • C. 

      Artists kept painting large works that couldn't fit in the official Salon.

    • D. 

      Artists always get what they want from the government.

  • 5. 
    The light portrayed in the painting Luncheon on the Grass is similar to
    • A. 

      Flash photography

    • B. 

      Sunny afternoon

    • C. 

      Real life

    • D. 

      Picnic scenes

  • 6. 
    Luncheon on the Grass was painted in
    • A. 

      1865-1866

    • B. 

      1862-1863

    • C. 

      1967-1968

    • D. 

      1827-1828

  • 7. 
    The Frames associated with Visual Arts are
    • A. 

      Subjects, History, Culture, Postmodern

    • B. 

      Subjective, Historical, Critical, Postmodern

    • C. 

      Subjective, Structural, Cultural, Postmodern

    • D. 

      Subjects, Structure, Criticism, Postmodern

  • 8. 
    Appropriation is:
    • A. 

      The use of new elements and techniques in the creation of a new work.

    • B. 

      The deliberate reworking/borrowing of images and styles from earlier, well-known works of art to create a new work.

    • C. 

      The accidental reworking/borrowing of images and styles from earlier, well-known works of art to create a new work.

    • D. 

      The use of oil painting in deliberate brush strokes to create a new art work.

  • 9. 
    The conceptual framework deals with
    • A. 

      Artist, Artwork, World, Audience

    • B. 

      Artist, Artwork, Technology, Gallery

    • C. 

      Artist, World, The Frames, Art Movements

    • D. 

      Artist, World, Viewer, Culture

  • 10. 
    In basic terms, a Manifesto
    • A. 

      Defines a new artist and what artworks they create.

    • B. 

      Defines a new type of oil paint that alters the way the artist works.

    • C. 

      Defines traditional values in society.

    • D. 

      Defines a new art style and defines a set of aesthetic values for that art style.