Baroque Music Ch 1-4

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| By Pianogirl43
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Baroque Music Ch 1-4 - Quiz

Characteristics of Baroque music, concerto grosso, and fugue


Questions and Answers
  • 1. 

    Early baroque composers favored ------------- texture over -------------- texture.

    • A.

      Homophonic, polyphonic

    • B.

      Monophonic, homophonic

    • C.

      Polyphonic, monophonic

    • D.

      Polyphonic, homophonic

    Correct Answer
    A. Homophonic, polyphonic
    Explanation
    During the early baroque period, composers preferred homophonic texture, which is characterized by a single melodic line accompanied by harmonies, over polyphonic texture, which involves multiple independent melodic lines. This shift in preference allowed for a clearer and more expressive presentation of the text or melody. However, polyphonic texture still played a significant role in baroque music, particularly in contrapuntal compositions.

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  • 2. 

    Rhythm in the baroque era involves

    • A.

      Continuity

    • B.

      Variety

    • C.

      Fluctuations

    • D.

      Spontaneity

    Correct Answer
    A. Continuity
    Explanation
    In the baroque era, rhythm was characterized by continuity, meaning that there was a consistent and steady flow of beats throughout the music. This helped to create a sense of stability and structure in the compositions. The rhythm patterns were often repetitive and predictable, allowing listeners to easily follow along and feel a sense of familiarity. This continuity in rhythm also allowed for the other elements of music, such as melody and harmony, to be more prominently featured and developed. Overall, continuity in rhythm was a key aspect of baroque music and contributed to its distinctive style.

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  • 3. 

    Baroque melodies are

    • A.

      Elaborate and ornamental

    • B.

      Simple and easy to sing

    • C.

      Always memorable

    Correct Answer
    A. Elaborate and ornamental
    Explanation
    Baroque melodies are known for their elaborate and ornamental nature. They are characterized by intricate and complex musical embellishments, such as trills, runs, and ornaments. These melodies often feature a high level of ornamentation and decorative elements, showcasing the virtuosity of the performers. The Baroque period was known for its extravagant and ornate style, and this is reflected in the melodies of that era.

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  • 4. 

    Terraced dynamics involve

    • A.

      A sudden dynamic shift from one level to another

    • B.

      Gradual changes through crescendo and decrescendo

    • C.

      No change in dynamics throughout the piece

    Correct Answer
    A. A sudden dynamic shift from one level to another
    Explanation
    Terraced dynamics involve a sudden dynamic shift from one level to another. This means that there are abrupt changes in volume or intensity in the music, without any gradual transitions. Instead, the dynamics jump from one level to a completely different level, creating a distinct contrast in the sound. This technique is often associated with Baroque music, where it was commonly used to highlight different sections or voices within a composition.

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  • 5. 

    The basso continuo involves at least ------ instruments.

    • A.

      2

    • B.

      3

    • C.

      4

    Correct Answer
    A. 2
    Explanation
    The basso continuo involves at least 2 instruments. The basso continuo, also known as continuo or figured bass, is a musical accompaniment technique used in the Baroque period. It consists of a bass line played by a keyboard instrument, such as a harpsichord or organ, and a bass instrument, such as a cello or bassoon. These two instruments work together to provide the harmonic foundation and support for the other instruments or voices in the ensemble.

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  • 6. 

    A piece that sounds fairly complete and independent but is part of a larger composition is called a 

    • A.

      Movement

    • B.

      Phrase

    • C.

      Section

    • D.

      Portion

    Correct Answer
    A. Movement
    Explanation
    A movement is a piece of music that is complete and independent but is part of a larger composition. It is usually a self-contained section with its own distinct theme, structure, and mood. Movements are commonly found in classical music compositions, such as symphonies, concertos, and sonatas. Each movement within a larger composition may have its own tempo, key signature, and musical form, contributing to the overall structure and narrative of the piece.

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  • 7. 

    A piece in which a small group of soloists is pitted against a larger group is called

    • A.

      Concerto grosso

    • B.

      Fugue

    • C.

      Basso continuo

    Correct Answer
    A. Concerto grosso
    Explanation
    A concerto grosso is a musical composition in which a small group of soloists, known as the concertino, is contrasted with a larger group, known as the ripieno. This composition style became popular during the Baroque period and typically features a dialogue between the soloists and the larger ensemble. The term "concerto grosso" translates to "big concerto" in Italian, highlighting the contrast between the smaller and larger groups of musicians. This style allows for a dynamic interplay between the soloists and the ensemble, creating a rich and textured musical experience.

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  • 8. 

    Ritornello means ----------------  or returning melody.

    • A.

      Refrain

    • B.

      Tutti

    • C.

      Solo

    Correct Answer
    A. Refrain
    Explanation
    Ritornello is an Italian term that refers to a musical section or passage that is repeated throughout a composition. It can also be understood as a returning melody. In this context, the term "refrain" aligns perfectly with the definition of ritornello, as a refrain is a repeated section of a song or poem. Therefore, the correct answer is "refrain."

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  • 9. 

    A ---------------- is a polyphonic composition based on one main theme.

    • A.

      Fugue

    • B.

      Ritornello

    • C.

      Concerto grosso

    Correct Answer
    A. Fugue
    Explanation
    A fugue is a polyphonic composition based on one main theme. It is characterized by the repetition and development of the theme throughout the piece, with different voices entering and imitating the theme. The fugue is known for its intricate counterpoint and can be found in various musical genres, including classical and baroque music.

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  • 10. 

    A melody that serves as the main theme of a fugue is called a

    • A.

      Subject

    • B.

      Theme

    • C.

      Tune

    Correct Answer
    A. Subject
    Explanation
    In a fugue, the main melody that is introduced at the beginning and repeated throughout the piece is called the subject. It is the central musical idea that is developed and explored by the different voices in the fugue. The subject sets the tone and provides the foundation for the entire composition, and it is often characterized by its distinctive rhythmic and melodic patterns. Therefore, "Subject" is the correct answer as it accurately describes the melody that serves as the main theme in a fugue.

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  • 11. 

    The form of a fugue is based on the principle of 

    • A.

      Imitation

    • B.

      Alternation

    • C.

      Variation

    Correct Answer
    A. Imitation
    Explanation
    The form of a fugue is based on the principle of imitation. In a fugue, a musical theme is introduced by one voice and then imitated by other voices in succession. This creates a contrapuntal texture where different voices imitate and respond to each other. The imitation is a key element in the structure of a fugue, as it helps to develop and elaborate the initial theme throughout the composition.

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  • 12. 

    The Italian term for "all" or the entire orchestra is

    • A.

      Tutti

    • B.

      Ritornello

    • C.

      Concerto

    Correct Answer
    A. Tutti
    Explanation
    Tutti is the correct answer because it is the Italian term used to refer to the entire orchestra playing together. It is often indicated in sheet music to instruct all musicians to play their parts simultaneously. This term is commonly used in orchestral music to create a full and rich sound by combining all the different instruments and sections of the orchestra.

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